Episode 26': Difference between revisions

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| number          = #26'
| number          = #26'
| japanese_title_k = まごころを、君に
| japanese_title_k = まごころを、君に
| japanese_title_r = Magokoro o, Kimi ni
| japanese_title_r = Magokoro o, Kimi ni<ref>"Magokoro o, Kimi ni" is also the Japanese title of ''Flowers for Algernon''. This fits in with Anno's theme of naming his series' final episodes after sci-fi stories in the same manner as [[Episode 26]]'s title, "The Beast That Shouted Love at the Heart of the World".</ref>
| japanese_title_e = Yours Sincerely
| japanese_title_e = Yours Sincerely
| english_title    = I Need You.
| english_title    = I Need You.
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==Synopsis==
==Synopsis==


Realizing that [[Evangelion Unit-01]] has began to move in the [[GeoFront]], [[Gendo Ikari|Gendo]] tells [[Rei Ayanami|Rei]] that the only way for him to see [[Yui Ikari|Yui]] again is through the forbidden union of [[Adam]] and [[Lilith]]. He inserts his right hand--which has Adam grafted on--into Rei's body to initiate [[Human Instrumentality Project|Instrumentality]].
Realizing that [[Evangelion Unit-01]] has began to move in the [[Geofront]], [[Gendo Ikari|Gendo]] tells [[Rei Ayanami|Rei]] that the only way for him to see [[Yui Ikari|Yui]] again is through the forbidden union of [[Adam]] and [[Lilith]]. He inserts his right hand--which has Adam grafted on--into Rei's body to initiate [[Human Instrumentality Project|Instrumentality]].<ref>In English, ''Instrumentality'' is a reference to [https://en.wikipedia.org/wiki/Instrumentality_of_Mankind Instrumentality of Mankind], from [https://en.wikipedia.org/wiki/Cordwainer_Smith Cordwainer Smith's sci-fi novels.] In the original Japanese, however, it is referred to as ''補完 (Hokan)''. [https://jisho.org/search/%E8%A3%9C "Ho"] translates literally to "supplement, supply, make good, offset, compensate, assistant, learner" and [https://jisho.org/search/%E5%AE%8C "kan"] to "perfect, completion, end". translate literally to "complete" or "completion". In many early fan translations, it is referred to as "Complementation". This nuance can be understood as the separate, individual egos of humankind being complemented by others. Alternatively, it can also have a nuance of "perfecting" humanity into a superior being. The "tuning" metaphor present in [[Death & Rebirth]] is also appropriate.</ref>
Meanwhile, [[Shinji Ikari|Shinji]] is still screaming over [[Asuka Langley Soryu |Asuka's]] death.  
Meanwhile, [[Shinji Ikari|Shinji]] is still screaming over [[Asuka Langley Soryu |Asuka's]] death. Powered by Shinji's despair, Unit-01 breaks free of its bindings, which causes the original [[Spear of Longinus]] to return from the Moon onto Earth, stopping right at Unit 01's neck.
Unit-01 breaks free of its bindings, which causes the original [[Spear of Longinus]] to return from  
the Moon onto Earth, stopping right at Unit 01's neck.


[[Seele]] decides to set [[Third Impact]] and Instrumentality into motion by using Unit-01 and its pilot as a medium. The [[Mass Production Evangelions]] crucify Unit-01 by opening their [[S%C2%B2 Engine]]. A massive explosion occurs, which reveals the [[Black Moon]], Lilith's Egg, within the GeoFront.
[[Seele]] decides to set [[Third Impact]] and Instrumentality into motion by using Unit-01 and its pilot as a medium. The [[Mass Production Evangelions]] crucify Unit-01 by opening their [[S%C2%B2 Engine]], and then drag it upwards, towards the outer atmosphere. A massive explosion occurs, which reveals the [[Black Moon]], Lilith's Egg, within the GeoFront.


Aware of Shinji's pain, Rei defies Gendo (saying she is "Not his doll") by absorbing his arm and joins [[Lilith]] on her own. Gendo begs Rei to wait for him, to which she responds that "Ikari-kun is calling". Welcomed home by Lilith, Rei is absorbed into the giant, which breaks free from [[Nerv Headquarters]].  
Aware of Shinji's pain, Rei defies Gendo (saying she is "Not his doll") by absorbing his arm and hovers upwards toward [[Lilith]] on her own. Gendo completely loses his composure and begs Rei to wait for him, to which she responds that she cannot because "Ikari-kun is calling". Hovering before Lilith's chest, Rei looks up at its face and declares that she is "home", at which the white giant welcomes her and absorbs her into itself.<ref>This is, of course, a callback to Shinji and Misato's previous exchanges of "I'm home" and "Welcome home", which happened back in [[Episode 02]] and [[Episode 04]].</ref> Gendo can only watch in silent defeat as Lilith, now whole and fully conscious again with her soul returned to her, detaches herself from the cross that held her. Lilith's form then starts changing into that of Rei, and the mask with Seele's symbol melts off her face. She then starts growing rapidly in size as she seeks upwards.


Upon seeing the giant version of Rei as well as the now deformed Eva Series resonating with her, Shinji begins to freak out and scream uncontrollably. He repeatedly says "no more", until a familiar voice asks him if he "wants it to stop". Looking up in shock with tears in his eyes, Shinji is overjoyed to see [[Kaworu Nagisa|Kaworu]] smiling at him. Shinji's ego barrier weakens, and the crucified Unit-01 now turns into a [[Tree of Life]]. [[Kozo Fuyutsuki|Fuyutsuki]] says that because  Evangelion Unit-01 obtained the [[Angels|Angel's]] [[Fruit of Life]] and [[Lilim|Mankind's]] [[Fruit of Wisdom]], she has become like [[God]]. Furthermore, whether or not Humanity will be saved from Third Impact's fate (Instrumentality) is up to Shinji.  
Back in Central Dogma, [[Makoto Hyuga|Hyuga]] panics as he gets a blood pattern blue reading from just below their position, and a frightened Maya asks if its another Angel, but he answers that the pattern appears to be from a human. Just then Lilith, still quickly growing in size, passes through Central Dogma, but she turns out to be insubstantial, phasing through everything in her way as if she was a ghost. She finally grows to a truly titanic size that allows her to come face to face with Shinji inside Eva-01.


Kaworu turns into Yui, who tells Shinji that Rei is the embodiment of his wish. Rei asks the boy what it is he wishes for. The last thing Shinji sees is Asuka's breasts before he turns into [[LCL]].
Upon seeing the giant version of Rei, Shinji begins to freak out and scream uncontrollably. As the as the now deformed Eva Series move and begin resonating with her, multiple faces of Rei begin appearing on the Evas, disturbing Shinji further and forcing him to scream, as Unit 01 echos his cries and its core is forced to the surface. He repeatedly says "no more" with his head in his hands, until a familiar voice asks him if he "wants it to stop/Is he giving up?". Looking up in shock with tears in his eyes, Shinji is overjoyed to see [[Kaworu Nagisa|Kaworu]] smiling at him as Rei/Lilith dangles behind him as part of a conjoined body. As Kaworu moves forward to embrace Unit-01, Shinji's eyes close and his ego barrier weakens, and as the [[Spear of Longinus]] pierces Unit-01's exposed core, the crucified Unit-01 now turns into a [[Tree of Life]]. [[Kozo Fuyutsuki|Fuyutsuki]] says that because Evangelion Unit-01 obtained the [[Angels|Angel's]] [[Fruit of Life]] and [[Lilim|Mankind's]] [[Fruit of Knowledge]], it has become like [[God]]. Furthermore, whether or not Humanity will be saved from Third Impact's fate (Instrumentality) is up to Shinji. The Nerv staff question whether Instrumentality was the right option.


Pre-3rd Impact Pre-Instrumentality begins with Shinji realizing that he "thought he could find something if he came here". Little Shinji is invited to make a sandcastle with some friends. Their "Mama" (Misato) arrives to pick them up, and the young boy is left by the sandbox alone. Sad, he tries to complete the castle by himself (which looks like Nerv Headquarters), only to become angry and start destroying it. After he destroys it, Shinji begins to rebuild the castle, crying.
As Kaworu and Rei switch forms and eyes appear on the [[Tree of Life]], there is a close-up shot of Shinji's peaceful face, which gets overlapped by a transparent image of Yui's face as she explains that the Rei he is seeing is from his soul, and is an embodiment of his wish. With his eyes closed, Yui asks him what he wishes for, before an image of [[Theory and Analysis:List of Common Misconceptions#Kaworu penetrated Shinji's A.T. Field as the person he wished for before entering Instrumentality|a woman clutching her breasts]] appears and he turns into [[LCL]]. The scene ends with the recurring water droplet, as Shinji enters Instrumentality with childish glee.


Asuka angrily interjects—the new scene reveals she's laying atop Shinji, both naked—that she "feels pissed off whenever she seems him". Shinji calmly replies that it's "because they're alike". Quick flashbacks show little Asuka crying for her [[Kyoko Zeppelin Soryu|mother]] at the woman's funeral, the sleep-talking Asuka calling for Kyoko in [[Episode 09]], and Shinji saying "Mama" at Unit-01's cage [[Episode 25'|last episode]]. During a close-up of the bloodied [[Cross]] pendent, [[Misato Katsuragi|Misato]] admits that she couldn't become Shinji's mother.
Instrumentality begins with Shinji seeing himself as a young child on a playground lit by the setting sun. He muses on how he is reminded of the time he learned to play the cello, realizing that he "thought he could find something if he came here". Little Shinji is invited to make a sandcastle with some friends<ref>The song that plays during the Sandbox Scene is [http://www.mamalisa.com/?t=es&p=858&c=85 "Close Hands, Open Hands"], a song Japanese children learn in Kindergarten. It is also the same tune as "Go Tell Aunt Rhody".</ref>. Eventually, the other children's "Mama" (Misato) arrives to pick them up, and the Shinji is left by the sandbox alone. Sad, he tries to complete the castle (which looks like Nerv Headquarters) by himself as the sun continues to set and dusk settles over the playground. As he regards his completed work a for moment, a fit of anger washes over him and he starts destroying it. After he destroys it, Shinji begins to rebuild the castle, crying.


A flashback to Misato's days in college shows her and [[Ryoji Kaji|Kaji]] having sex. Misato presently admits that she probably did things like that to confirm her existence. Asuka writes the whole thing off as begin stupid, while [[Ritsuko Akagi|Ritsuko]] explains it's nice to feel needed, even if it's only physical. Shinji is disgusted and surprised that Misato does such things, to which she replies that sex is a part of her that he never knew, and that reality is painful.
Asuka's voice angrily interjects with a close-up on her face, saying "even just the sight of you gets on my nerves." A shot follows of Shinji's head and shoulders laying on his back, appearing unclothed with two locks of Asuka's hair draping down over him. Shinji calmly questions "Because I'm like you?". A quick series of Shinji and Asuka saying "Mama" follows: little Asuka crying at her [[Kyoko Zeppelin Soryu|mother's]] funeral, Asuka's lips during her sleep-talking in [[Episode 09]], and the forfeited Shinji crouching before Unit 01 covered in bakelite in the [[Episode 25'|last episode]]. Then there's a close-up of Misato bloodied [[Cross]] in Shinji's palm, with the voice of [[Misato Katsuragi|Misato]] bemoaning her failure to become Shinji's mother.


Misato, Shinji and Asuka are currently inside Misato's apartment as a twisted retake of the [[Episode 15]] kiss scene occurs. Walking up to Shinji after Asuka asks them if they should kiss, she tells him that he doesn't understand anything about her. Shinji says that he does, but Asuka replies-with a kick to his leg-that he doesn't. Shinji explains it's impossible for him to understand her if Asuka never tells him anything. Rei asks Shinji if he tried to understand and he sullenly says he did.
Shinji observes Misato and [[Ryoji Kaji|Kaji]] during their period in college in which they skipped classes to have sex for a week. Misato presently admits that she probably did things like that to confirm her existence. Asuka exclaims that it's stupid, just lonely adults trying to find comfort in each other, while [[Ritsuko Akagi|Ritsuko]] explains it's nice to feel needed, even if it's only physical and Misato confirms that she is glad to feel like she's meaningful. While Shinji is shown frowning in the background holding Misato's cross as she has sex, he is disgusted and surprised that Misato does such things, to which she replies that sex is a part of her that he never knew, and that reality is painful but "you just have to bear with it".
 
In a retake of Episode 15, Asuka asks Shinji if they should kiss. Misato interjects with her refusal to lend Asuka her perfume: "That stuff's not for kids!" Asuka nevertheless walks up to she like she did back then, but then she tells him that he doesn't understand anything about her. Shinji says that he does, but Asuka replies with a kick to his leg, saying "Do you think you understand me? Do you think you can save me? That's nothing but your conceited ego!" and finishes by exclaiming that he will never understand. Growing frustrated, Shinji insists that he has always tried to understand her, but it is impossible for him to do so if she never tells him anything, while scenes of Asuka rejecting Shinji throughout the series are shown. In the [[Train Motif Symbolism|Personal Hell Traincar]], Rei asks Shinji if he really tried to understand and he sullenly says he did.


[[Image:M26_C247_2_rei-glance.jpg|thumb|250px|right|Misato, Asuka, and Rei stare at Shinji while he glances at Rei.]]
[[Image:M26_C247_2_rei-glance.jpg|thumb|250px|right|Misato, Asuka, and Rei stare at Shinji while he glances at Rei.]]


Calling him stupid, Asuka tells Shinji that she knows he masturbated in her hospital room and that he can "do it again like always"; she'll "even watch him". Asuka blocks Shinji's view of Rei, her breasts practically in his face inside the Personal Hell Traincar. The redhead goes onto say that if she can't have all of him, she wants nothing. Shinji tells her to be kind to him, to which Asuka, Rei and Misato all say they are. Shinji calls them liars, saying that they want to keep things ambiguous with their smiles. Rei says that the truth is painful, and Shinji admits to being scared if things keep on progressing as they are. Panicking, he begs to be cared for. The three women silently stare at Shinji as he gives a peculiar glance to Rei.
Calling him stupid, Asuka tells Shinji that she knows he is just using her for comfort, said over the hospital masturbation scenes from earlier, and states "Why don't you do it again, like you always do? I'll be watching you.", implying it is in fact a habit of his.<ref>In the original Japanese, Asuka uses the idiomatic expression "I know you've been using me as a [[Geektionary#Side Dish|side dish]]". In Japanese, "using something as a side dish" is an expression for using something or someone for one's erotic fantasies, but with the underlying implication that the person using the "side dish" is too scared to actually act on their feelings. As such, Asuka might even be implying that Shinji could have had the "real thing" before, but hesitated.</ref> Asuka stands in front of Shinji with her hands on her hips and leg beside him, breasts at his eye level in the [[Train Motif Symbolism|Personal Hell Traincar]]. The redhead goes onto say that if she can't have all of him to herself, she wants nothing from him. Shinji asks why she can't be kind to him, at which Asuka, Rei and Misato superimposed over one another all say they are. Shinji lashes out and calls them liars, saying that they want to keep things ambiguous with their smiles. Rei tells him that people choose to be ambiguous because the truth is often painful and traumatic, but Shinji answers that ambiguity only makes him feel more insecure, and admits to being scared that things keep on progressing as they are. Shinji panics and demands that he be cared for and not left alone. But as the scene concludes Shinji's plea remains unanswered, as Asuka, Rei and Misato stares silently back at Shinji slumping over, his back to them, slowly turning his head to meet their gaze.  


In another twisted retake, this time of the [[Episode 24]] "Kaji's dead" scene, Asuka is dejectedly sitting with her head leaning against the kitchen table. Shinji walks up to her, admitting that he wants to help her and be with her forever. Calling him a liar, Asuka claims that Shinji is using her as an excuse, an escape, because he's scared of Misato and Rei as well as his mother and father. Shinji continues to beg Asuka for help as she yells at him. She pushes him to the floor; angrily saying that he doesn't love anybody; that he hates himself but only cares about himself. Having burned himself with the coffeepot on his fall, Shinji weakly gets up, still begging for help. Growing angry, he begins to throw the table and chairs around while pleading not to be left alone, not to be abandoned, and not to be killed. Coldly staring at Shinji, after a moment, the girl coldly yet simply replies "No". Losing control, Shinji strangles Asuka. Third Impact begins as [[Komm%2C s%C3%BCsser Tod]] is heard.
In Misato's apartment, Asuka is shown dejectedly sitting at the kitchen table, staring downwards. Shinji walks up to her, telling her that he wants to help her and stay with her forever. Asuka, without looking up, tells him in a bitter voice that if he really wants to help her, then he shouldn't anything or come close to her, because all he ever does is hurting her. Shinji leans in and asks her to help him, and telling her that only she can do it. From underneath her hair, Asuka glares at him and calls him a liar. Getting up from her chair, she begins physically drive him back across the room as she gets increasingly angry, telling him that he is only using her as an excuse and an escape because he's scared of Misato and Rei as well as his mother and father. Shinji continues to beg Asuka for help as she yells at him. She finally pushes him to the floor; angrily saying that he has never loved anyone seriously; that he only cares about himself but can't even like himself. Shinji lays in the hot coffee spilt from the pot he knocked as he fell, burning himself as Asuka stands there and calls him "Pitiful", before he weakly gets up, still begging for help. Growing angry, he begins to throw the table and chairs around while pleading not to be left alone, not to be abandoned, and not to be killed. Coldly staring at Shinji, after a moment, Asuka simply replies "No". Shinji freezes for a moment, before he completely loses control and launches at Asuka's throat with both hands; strangling her in blind anger. Third Impact begins.<ref>The song that plays during Third Impact is [[Komm%2C s%C3%BCsser Tod]] sung by [[Arianne]].</ref>


Shinji says that he thought it was world where nobody would betray him and exclaims Asuka betrayed his feelings . Rei replies that he it was wrong of him to think everybody felt like him. Shinji bitterly says he wants everybody including him to die, though Rei asks why is here if that's the case. Asking if it's okay for him to be here, Shinji is met with silence and screams.
Shinji says that he thought the world was supposed to be one without pain and uncertainty him and exclaims that everyone has betrayed him and his feelings. Rei replies that it was wrong of him to think that everybody felt like him, and that he only believed what he wanted to believe. Shinji bitterly says that if nobody wants him or even cares if he exists, then they can all "just die", and it would be better if he himself never existed in the first place, but Rei asks why he is here if that's the case. At this, Shinji hesitates a bit and ask if it's okay for him to be here, but his question is only answered by silence. He screams.


Meanwhile Nerv discovers Shinji's vital signs are near zero and that Lilith's [[Anti A.T. Field]] is expanding as she grows even larger. The [[Doors of Guf]] open as Lilith and multiple Reis begin collecting peoples' souls. The members of Nev turn into LCL, seeing the one they love and trust the most ([[Makoto Hyuga|Hyuga]]: Misato, [[Shigeru Aoba|Aoba]]: Nobody, Fuyutsuki: Yui, and [[Maya Ibuki|Maya]]: Ritsuko) before this happens. The members of Seele also turn into LCL, [[Keel Lorenz|Keel]] seemingly content with the scenario of Third Impact being played out, although it's not his.
Meanwhile Nerv discovers Shinji's vital signs are near zero and that Lilith's [[Anti A.T. Field]] is expanding as she grows even larger. The [[Doors of Guf]] open as Lilith and multiple Reis begin collecting peoples' souls<ref>For an explanation of Rei 3's various appearances in Episode 26', please see this page: [[Rei's Ghostly Appearances and Quantum Mechanics|Bookend Rei 3]]</ref>. The members of Nerv turn into LCL, seeing the one they love and trust the most ([[Makoto Hyuga|Hyuga]]: Misato, [[Shigeru Aoba|Aoba]]: Nobody, Fuyutsuki: Yui, and [[Maya Ibuki|Maya]]: Ritsuko) before this happens<ref>When Maya gets turned into LCL, the Rei Apparition that turns into a Ritsuko Apparition types on Maya's laptop and the words "I NEED YOU" can be seen. What was actually typed was "INEEDYOU" (without any spaces).</ref>. The members of Seele also turn into LCL, [[Keel Lorenz|Keel]] seemingly content with the scenario of Third Impact being played out, although it's not his.


Within [[Terminal Dogma]], Gendo expresses how long he's been waiting for this moment of being able to see Yui again. Gendo admits that without her at his side, all he can do is hurt Shinji. She smiles at him, asking if he was afraid of Shinji. He replies that he believes nobody can love him, and that he's undeserving of any love. Kaworu interjects that he was just running away before anybody could betray him, Rei adding that Gendo was afraid so he closed off his heart. Yui turns into Evangelion Unit-01 and picks up Gendo; he asks if this is his punishment. Saying "I'm sorry, Shinji", Unit-01 bites off Gendo's head, inducting him into Pre-Instrumentality. [[Rei 2]] gently picks up Gendo's glasses as all three versions of Rei stand together.
Within [[Terminal Dogma]], Gendo expresses how long he's been waiting for this moment of being able to see Yui again. Gendo admits that without her at his side, all he can do is hurt Shinji. She smiles at him, asking if he was afraid of Shinji. He replies that he believes nobody can love him, and that he's undeserving of any love. Kaworu appears, and interjects that he was just running away before anybody could betray him, [[Rei 3]] adding that Gendo was afraid so he closed off his heart. Yui turns into Evangelion Unit-01 and picks up Gendo; he asks if this is his punishment. Saying "I'm sorry, Shinji", Unit-01 bites off Gendo's head, inducting him into Pre-Instrumentality. Gendo is shown standing, with his upper half bitten off, as [[Rei 2]] gently picks up Gendo's glasses and all three versions of Rei stand together.


In outer space, the MP Eva series proceed to spear their cores with their replica Spears, causing all the souls to gradually enter Lilith's Doors of Guf. The Tree of Life enters Lilith through a vaginal-looking third eye. Pre-Instrumentality is underway as a barrage of "break-up" lines occur, various women-including Asuka-that Shinji know saying they hate him. The lines end with Asuka calling Shinji a wimp. Misato and Rei calmly tell Shinji that if he hates what's going on so much, he can stop it and run away. Misato asks Shinji if he wants to become one with her (indicating Instrumentality); Asuka adds that she'd rather die than for that to happen.
In outer space, the MP Eva series proceed to spear their cores with their replica Spears, causing all the souls to gradually enter Lilith's Doors of Guf. The Tree of Life enters Lilith through a vaginal-looking third eye. Pre-Instrumentality is underway as a barrage of "break-up" lines occur, various women-including Asuka-that Shinji know saying they hate him. The lines end with Asuka calling Shinji a wimp. Misato and Rei calmly tell Shinji that if he hates what's going on so much, he can stop it and run away. Misato asks Shinji if he wants to become one with her (indicating Instrumentality); Asuka adds that she'd rather die than for that to happen.


While live-action footage of a city appears on-screen, Shinji asks Misato, Asuka, and Rei what dreams are. Shinji says he doesn't understand reality and that he doesn't know where happiness is. Rei replies that Shinji is having a dream and that he recreated his world based on his own reality. Shinji asks why can't he dream alone and Rei answers that dream alone would simply be a substitute for reality. Saying that Shinji's dream is the continuation of reality, Lilith falls backwards as her neck bleeds LCL.
While live-action footage of a city appears on-screen, Shinji asks Misato, Asuka, and Rei what dreams are. Shinji says he doesn't understand reality and that he doesn't know where happiness is. Rei replies that Shinji is having a dream and that he recreated the world based on his own reality. Shinji asks why he can't dream of being alone and Rei answers that such a dream would simply be a substitute for reality. Asking where his dreams and reality are, Rei says that Shinji's dream is the continuation of reality. Lilith falls backwards as her neck bleeds LCL.


[[Image:M26_C421_Group_Photo.jpg|thumb|250px|left|The group photo.]]
[[Image:M26_C421_Group_Photo.jpg|thumb|250px|left|The group photo.]]
Rei is laying upon Shinji, both of them naked and joined together, within the [[L.C.L Sea]]. Rei explains that this solitary world where everything is united as one is the very world Shinji wished for. Shinji, holding onto Misato's cross, replies that it isn't right. Rei says that if people exist as individuals again, the walls of the heart that separate people could cause possible hurt again. Releasing Misato's cross as he smiles, Shinji says that's alright. Rei disengages herself from atop Shinji as he holds Rei's hand and thanks her. His head resting in Rei's lap as he holds the cross, Shinji explains how he felt that things were painful, which is why he ran away. But he realized that running away was bad because it was as if nobody including him existed. Kaworu appears, asking Shinji if it's alright that if [[AT Fields]] hurt him and others again. Shinji says it's alright and asks what Rei and Kaworu are. They reply they're the "hope people can one day understand each other" as well as the word "love". As a group photo of Shinji and most of the others appear on-screen, Shinji says that even though he'll be betrayed and deserted one day, he wants to see them again because his feelings were real.


Bursting out of Lilith's eye, Eva Unit-01 lets out a mighty roar and grows [[wings of light]]. The Doors of Guf close and Lilith's Black Moon explodes. Lilith's body decomposes, becoming petrified as it lands on Earth. Unit-01 uses an extended version of the Spear of Longinus to petrify the MP Eva Series. The Eva Series land on Earth, as well. The Wings of Light disappearing, Eva-01 becomes petrified herself, as Rei silently stares at her out in Space. Kaworu, Rei, and Yui reassure Shinji: People can restore their bodies as long as they imagine themselves within their own heart.
Shinji comes to once more as he lies on his back in orange water, illuminated by the moon. He discovers Rei sitting on top of him and looking down at him, both of them naked and their bodies merged where they meet, within the [[LCL Sea]]. Rei explains that this solitary world where everything is united as one is the very world Shinji wished for. Shinji, holding onto Misato's cross, replies that it isn't right. Rei says that if people exist as individuals again, the walls of the heart that separate people could cause possible hurt again. Releasing Misato's cross as he smiles, Shinji says that's alright, before reaching out and grasping at Rei's arm to define their individual bodies. Rei disengages herself from atop Shinji as he holds Rei's hand and thanks her. His head resting in Rei's lap as he holds the cross, Shinji explains how he felt that things were painful, which is why he ran away. But he realized that running away was bad because it was as if nobody including him existed. Kaworu appears, asking Shinji if it's alright that if [[A.T. Field|A.T. Fields]] hurt him and others again. Shinji says it's alright and asks what Rei and Kaworu are. They reply they're the "hope people can one day understand each other" as well as the word "love". As a group photo of Shinji and the others (minus Gendo and Fuyutsuki) appears on-screen, Shinji says that even though he'll be betrayed and deserted one day, he wants to see them again because his feelings were real.
 
Bursting out of Lilith's eye, Eva Unit-01 lets out a mighty roar and grows [[Wings of Light]]. The Doors of Guf close and Lilith's Black Moon explodes. Lilith's body decomposes, becoming petrified as it lands on Earth. Unit-01 uses an extended version of the Spear of Longinus to petrify the MP Eva Series. The Eva Series land on Earth, as well. The Wings of Light disappearing, Eva-01 becomes petrified herself, as Rei silently stares at her out in Space. Kaworu, Rei, and Yui reassure Shinji: People can restore their bodies as long as they imagine themselves within their own heart.
Yui says that as long as the Earth, Moon and Sun exist, everything will be alright.  
Yui says that as long as the Earth, Moon and Sun exist, everything will be alright.  


After the [[Entry Plug]] is ejected off-screen, Shinji (now wearing Misato's cross pendent) and his mother say goodbye. Yui caresses his cheek, asking him if he'll be alright. Shinji says that he still doesn't know where to find happiness, but will live on since he's himself. In a flashback to the conclusion of Fuyutsuki and Yui's [[Episode 21]] discussion, Fuyutsuki asks Yui if her real intention behind Eva is for the Eva to become God. Yui replies that that is the case, and how Eva can live forever, along with the human soul within her. Even after the Earth, Moon and Sun are lost, the Evangelion will be eternal proof of humanity's existence. Shinji says "...Goodbye, Mother." and the English Episode title Eyecatch appears.
After the [[Entry Plug]] is ejected off-screen, Shinji (now wearing Misato's cross pendent) and his mother say goodbye. Yui caresses his cheek, asking him if he'll be alright. Shinji says that he still doesn't know where to find happiness, but will live on since he's himself. In a flashback to the conclusion of Fuyutsuki and Yui's [[Episode 21]] discussion, Fuyutsuki asks Yui if her real intention behind Eva is for the Eva to become God. Yui replies that that is the case, and how Eva can live forever, along with the human soul within her. Even after the Earth, Moon and Sun are lost, the Evangelion will be eternal proof of humanity's existence. Shinji says "...Goodbye, Mother.".
[[Image:M26_C481_Kimochi_Warui.jpg|thumb|250px|right|Shinji sobbing on Asuka during the Final Scene.]]
 
===END OF EVANGELION ONE MORE FINAL: I need you.===


[[Image:M26_C481_Kimochi_Warui.jpg|thumb|250px|right|Shinji sobbing on Asuka during the Final Scene.]]
''Main article: [[Theory and Analysis:Final Scene in End of Evangelion]]''
An undetermined amount of time has passed. Lilith's petrified head and some of the petrified Mass Production Eva Series are on a beach near the L.C.L Sea. Some grave markers have been erected: one has Misato's cross crucified on it, while another grave marker has been kicked down. Shinji is laying down, staring up at the night sky. Asuka, bandages that coincide with her injuries during her final battle, lay beside him. Hearing a noise, Shinji turns his head to see [[Rei 3]] staring at him, but she instantly disappears. Realizing Asuka is laying next to him, Shinji straddles her, beginning to strangle her. He only stops when Asuka silently caress his cheek, similar to how Yui did during her farewell. Crying, Shinji begins to sob right into Asuka's breasts. After a moment, Asuka coldly stares at Shinji, and in the coldest voice possible, says "I feel sick".
 
An undetermined amount of time has passed. Half of Lilith's petrified head and some of the petrified Mass Production Eva Series are on a beach near the LCL Sea. Some grave markers have been erected: one has Misato's cross nailed to it, while another grave marker has been kicked down. The moon is shown with a streak of red crossing it and the night sky. Asuka and Shinji lay on the beach slightly apart, with Asuka's right arm fully wrapped in bandages. Hearing a noise, Shinji turns his head to see a ghostly [[Rei 3]] (reminiscent of [[Episode 01]]) hovering over the sea facing his direction, and then disappears. Shinji sits up staring at where Rei had been, before looking down at Asuka. Shinji sits up, and looks over to where Rei had been, before looking down at Asuka. The scene then cycles through various shots of the destroyed planet before turning to a shot of Asuka being strangled by Shinji straddled atop her. The shot comes closer to Asuka's face, with a left eye-patch, and neck as Shinji tightens his grip. Silently, Asuka reaches up with her bandaged arm to caress Shinji's cheek. Crying, Shinji begins to sob uncontrollably as she continues looking at the sky for several more seconds before her eyes swing down to look at him coldly. He stops choking Asuka, cries tears onto Asuka's face, and then curls over into a ball. Asuka then looks down at Shinji for the first time before saying [[Statements_by_Evangelion_Staff#Interview_with_Yuko_Miyamura_.28BS_AnimeYAWA.29|"Kimochi warui"]]<ref>''"Kimochi warui"'' literally means "sick feeling", and depending upon the context, could be translated any number of ways, such as "I feel sick", "how disgusting", "I have a sick feeling", "this makes  me sick", "you make me sick", ect.  The difficulty in translating it into English is ''determining'' the context.  Thus various translations have have gone with different interpretations. It is an expression used many times before to express shock, discomfort or disapproval - for instance, when Shinji is first immersed in [[LCL]] in [[Episode 1]] and in a sense embraced by Yui, and when Asuka complains about sharing a bathtub, and a house with Misato and Shinji in Episode 22, as she is unwilling to belong. Because of its unclear meaning, it is hard to say whether she's referring to Shinji, herself, or soothing else. Asuka might be expressing disapproval at the situation they are in and Shinji acting meekly again. It might also be interpreted as how strange it feels for her to finally accept another person, something which so far has terrified her.</ref> 
Immediately after the phrase, the movie cuts to white with "The End" written in the lower right.<ref>'''24. Opening of a Dream (Piano – Leave It To Version)'''<br>''Shinji’s independence that he bid farewell to his mother and chose to live in the world of others despite the fact that he would hurt others is portrayed in this song with a somewhat sad piano solo. It is as if it suggested the relationship between the project of EVANGELION and the audiences.'' - [https://forum.evageeks.org/post/453875/Refrain-of-Evangelion-booklet-transcript-at-long-last/ Refrain of Evangelion booklet interview]</ref><ref>[http://wiki.evageeks.org/Neon_Genesis_Evangelion:_The_Card_Game#Translations Evangelion Cardass Masters] '' "Shinji renounced the world where all hearts had melted into one and accepted each other unconditionally. His desire... to live with 'others' -- other hearts that would sometimes reject him, even deny him. That is why the first thing he did after coming to his senses was to place his hands around Asuka's neck. To feel the existence of an 'other'. To confirm (make sure of) rejection and denial."<br>"In the sea of LCL, Shinji wished for a world with other people. He desired to meet them again, even if it meant he would be hurt and betrayed. And just as he had hoped/wanted, Asuka was present in the new world. Only Asuka was there beside him. The girl who he had hurt, and by whom he had been hurt. But even so, she was the one he had hoped/wished for...."<br>"Neither Yui, Rei nor Misato could do as a woman for Shinji. Asuka alone was the only girl on equal footing with him. So, Shinji desired/sought after Asuka. "I'm afraid of Misato and Ayanami." However, Shinji's crude affection only hurt her. In the end, he used her as an object of lust/desire to soothe/ console himself..."'', [https://imgur.com/a/t2rG1A0 D-88, D-84, P-66, P-68, H-11], full set [https://e-hentai.org/g/204703/17dcec0f25/ here]</ref><ref>During Instrumentality, Asuka encountered Shinji inside his inner world and told him she didn't need anything if she couldn't have all of him. Despite the significance of this statement, Shinji's response was vague at best and he only sought a place at her side because it was a "comfortable" place to be. Hurt by the notion that she was nothing more than an escape for Shinji, Asuka outright rejected him. As a result, the Human Instrumentality Project did not reach its intended result, and any changes to the relationship between Asuka and Shinji were left unclear.<br>"Though Shinji and Asuka are both EVA pilots and living under the same roof、they are polar opposites. Despite their differences、Shinji did feel an attraction to Asuka at certain moments throughout their time together. When Shinji expressed his feelings to Asuka and sought her help during his instrumentality、she outright rejected him. Shinji and Asuka in the new world where the Human Instrumentality Project was not fulfilled Shinji had chosen a world where others existed、and for him Asuka became the first "Other".<br>"Asuka Langley Soryu Piloting EVA-02 was Asuka's way of maintaining her self-respect, and it also served to deepen her confusing love/hate for Shinji. [...] Immediately after Asuka's defeat, the Human Instrumentality Project was activated, Asuka was the first "other" to exist in the new world that was created when Shinji wished for a world where others existed, and she was found lying next to Shinji."''<br>- [https://imgur.com/a/orJwZWR The Essential Evangelion Chronicle, Side B]</ref><ref>''"Shinji meets Rei in the sea of ​​L.C.L. while Human Instrumentality with Unit 01 as a substitute is in progress. Shinji didn't want a world where his boundaries were gone and he was nowhere else. Shinji's eyes tell that he that he will accept the fear of others, the strength of life that moves forward while being frightened can be seen. When their consciousness returned to reality, Shinji and Asuka lie in a world where Human Instrumentality is incomplete.<br>In the world where Shinji wanted to have others, Asuka became the first stranger, and Shinji reaches out to her [for her neck]. It is difficult to understand Shinji's emotions as he wonders if Asuka is the one who will hurt him or the one who will complement him.<br>Shinji and Asuka stand alone in a space where no one else is around. In her mental world, Shinji was rejected while expressing her feelings to Asuka and asking her for her salvation, but the relationship between the two can/will* change in the new world."'' - [https://imgur.com/a/HBhxi9F Evangelion Chronicle Vol. 22], alternate translation from the Japanese<br>*Translator's notes: ''"The verb kawaru (変わる) means to change. In this passage, we have kawatte (変わって), which means changed. Add iku (いく) and it means changing. Add nodarou (のだろう) means probably. [The relationship] will probably change. The nature of such indefinite change means it is still likely unclear. So those two sentences basically say the same thing (unclear vs will change). The former wording is used in the English translation of the '''Essential''' digest version, while the latter is used in the French translation.</ref><ref> ''"That's the hard part. I don't know how it will turn out yet. I want to make a happy ending, but it's difficult to say what is happy. The movie version is happy in its own way. Humans are nothing when they are born and at the moment of death, so if the process of living is not enjoyable, they cannot live. Shinji had a hard time, but he wanted to live. That's why he's happy."'' - [https://wiki.evageeks.org/Statements_by_Evangelion_Staff#Yoshiyuki_Sadamoto:_The_Other_Side_of_the_Story_.28Newtype_12.2F1997.29 Sadamoto, Newtype Dec 1997]</ref>


The End.
==Unused Endings==


==Alternate Endings:==
==="Last A"===
==="Last A"===
It starts the same as the actual ending, on a beach with petrified MP Evas.  We then see the gravemarkers with the major characters names written on them; there isn't one for Rei.  We then see Asuka's, then her foot kicking it down.  The scene continues as in the finalized movie.  When Shinji begins to cry, Asuka says "Idiot.  No way I'll let you kill me!"  The music would begin and the credits would roll horizontally a la Gunbuster and [[Death]].  We were to see Eva-01 lying on the Moon, and woman's hair flowing from its broken mask, her face remaining unseen.  Behind Eva-01, you could see the red Earth and the Black Moon destroyed.  We pass the sun, then go towards the stars.  Credits end.  
It starts the same as the actual ending, on a beach with petrified MP Evas.  We then see the gravemarkers<ref>[http://web.archive.org/web/20111010232547/http://eva.onegeek.org/pipermail/oldeva/2001-July/040044.html Olivier Hague] says they are described as resembling gravemarkers in both the storyboards and the after-recording script.</ref>with the names of the major characters written on them; there isn't one for Rei.  We then see Asuka's, then her foot kicking just one down<ref>[http://web.archive.org/web/20111027215438/https://eva.onegeek.org/pipermail/oldeva/2001-July/040035.html Olivier Hague]: "the storyboard states that "_only_ one of them has been kicked"... looks the fact that there's just one kicked pole is important"</ref>.  The scene continues as in the finalized movie.  When Shinji begins to cry, Asuka says "Idiot.  No way I'll let you kill me!"  The music would begin and the credits would roll horizontally a la Gunbuster and [[Death]].  We were to see Eva-01 lying on the Moon, and woman's hair flowing from its broken mask, her face remaining unseen.  Behind Eva-01, you could see the red Earth and the Black Moon destroyed.  We pass the sun, then go towards the stars.  Credits end.<ref name ="Last AB">From MD Wigs' website [https://web.archive.org/web/20210124115011/http://www.angelfire.com/anime4/mdwigs/livesequence.html]</ref>


==="Last B"===
==="Last B"===
Begins like Last A, but Asuka never shows up.  Shinji is lying on the beach holding onto someones white arm.  He says "I'll never see them again. It's better to think of it this way.  I'm still alive, so I'll keep on living."  He squeezes the hand harder and then sees Rei (like in the episode and Last A).  We eventually see that there is nobody lying near Shinji, just a white arm without the rest of the body.  We then see the full moon, followed by the ending credits as in Last A.  
Begins like Last A, but Asuka never shows up.  Shinji is lying on the beach holding onto someone's white arm.  He says "I'll never see them again. It's better to think of it this way.  I'm still alive, so I'll keep on living."  He squeezes the hand harder and then sees Rei (like in the episode and Last A).  We eventually see that there is nobody lying near Shinji, just a white arm without the rest of the body.  We then see the full moon, followed by the ending credits as in Last A.<ref name ="Last AB" />
 
===Extended live-action sequence===
==Notes==
*The song that plays during the Sandbox Scene is [http://www.mamalisa.com/?t=es&p=858&c=85 "Close Hands, Open Hands"], a song Japanese children learn in Kindergarten.
*The song that plays during Third Impact is [[Komm%2C s%C3%BCsser Tod]] sung by [[Arianne]].
*For an explanation of Rei 3's various appearances in Episode 26', please see this page: [[Rei's Ghostly Appearances and Quantum Mechanics|Bookend Rei 3]]


The short scene during the [[Episode 26' Live Action Cut|Live-Action sequence]] was actually significantly cut from the initial version. It follows Asuka, played by her seiyuu Yuko Miyamura, in a world without Shinji, with Shinji himself apparently spectating her situation. There is also a version of the movie which included ending credits, using an orchestral version of Bach's [https://youtu.be/gyxkUDbIbWY Jesu, Joy of Man's Desiring], which also used in the film's live action sequence, as a piano arrangement.


==Analysis==
==Analysis==
* Misato giving Shinji her cross pendent, which was a gift from her father, could be seen as symbolizing "carrying the burden" of one Impact survivor (Misato survived the Second) to another (Shinji survives the Third). It also appears to be Shinji's link to reality, as its shown throughout Episode 26' during Pre-Instrumentality, and once Shinji returns to the real world in the final two scenes (Shinji is wearing the cross when saying goodbye to his mother and the during the final scene, the cross is nailed onto a piece of wood as a grave-marker).
*Despite what [http://animaniajapan.livedoor.biz/archives/17687653.html Yuko Miyamura says in an interview about "Kimochi Warui", the final line in EoE], Asuka apparently doesn't care that Shinji masturbated by her bedside as the Personal Hell train car scene reveals.


[[Image:M26_C469_Wideeyed_Shinji.jpg|thumb|right|250px|Shinji in the Final Scene.]]
[[Image:M26_C469_Wideeyed_Shinji.jpg|thumb|right|250px|Shinji in the Final Scene.]]
*It can be assumed that Shinji had been alone for a while before Asuka's return in the Final Scene:  
*It can be assumed that Shinji had been alone for a while before Asuka's return in the Final Scene:  
**He's had time to erect gravemarkers.   
**He's had time to erect gravemarkers.   
**Misato's cross, which is nailed to one, distinctly shows rust.
**Misato's cross, which is nailed to one, distinctly shows rust from the nail.
**Petrification of the [[Mass_Production_Evangelions|Mass Production Evangelions]] as well as Lilith's half head and body parts.
**Shinji's face is clearly disturbed, contrasting with how he looked in the previous scene.
**Shinji's face is clearly disturbed, contrasting with how he looked in the previous scene.
**He is surprised not only by the appearance of Rei, but by that of Asuka too.
**He is surprised not only by the appearance of Rei, but by that of Asuka too.


*According to the scrapped Last A scenario, Asuka is the one who kicked down her gravemarker. She also probably returned just that day/night.
*See the [[Sandbox Sequence]] for more analysis.
 
* "I need you" may not have originally been a reference to the ending scene; Olivier Hague says (presumably based on the storyboards) that before the extended live-action sequence was cut, the telop "I need you" was placed just after the adult Asuka wakes up<ref>http://eva.onegeek.org/pipermail/oldeva/2001-July/040053.html</ref>
*For Asuka to have been able to use her right arm, she must have "imagined herself in her own heart" as being healed because it would be otherwise impossible for her to use her eye or arm based on those injuries she received. Her bandages are most likely there as a security blanket measure, since it was probably the last thing she remembered alive before those multiple Spears hit Unit-02.


==Quotes==
==Quotes==
Line 103: Line 102:
*'''Misato:''' "I failed to be Shinji's mother after all."
*'''Misato:''' "I failed to be Shinji's mother after all."


*''(Asuka and Shinji during Pre-Instrumentality with Misato occasionally interjecting)'':  
*'''Fuyutsuki:''' "The Seed of Life...and the Seed of Wisdom [have been both acquired by Eva Unit 01.] It is [now] equal to God. Will it be an ark to save humanity from the nihil of the Third Impact...or become a demon to annihilate humanity? Our future is up to Ikari's son."
'''Asuka:''' "Do you want to kiss?" <br>
 
'''Misato:''' "Absolutely not." <br>
*''(Asuka and Shinji during Pre-Instrumentality with Misato occasionally interjecting)'':<br>'''Asuka:''' "Do you want to kiss?" <br>'''Misato:''' "Absolutely not." <br>'''Asuka:''' "Or are you scared?" <br>'''Misato:''' "It's not for kids." <br>'''Asuka:''' "Then, here I go." <br>'''Asuka:''' "You don't understand anything! Don't get come near me!" <br> '''Shinji:''' "I do understand." <br>'''Asuka:''' "You don't understand, stupid! ''(Asuka kicks Shinji instead of kissing him.)'' Do you think you understand me?! Do you think you can save me?!  That's nothing but your conceited ego! You will never understand!" <br> '''Shinji:''' "How can I understand? Asuka doesn't tell me anything. You don't tell me anything. You don't say anything. It's impossible to understand!"  
'''Asuka:''' "Or are you scared?" <br>
'''Misato:''' "It's not for kids." <br>
'''Asuka:''' "Then, here I go." <br>
'''Asuka:''' "You don't understand anything! Don't get come near me!" <br>  
'''Shinji:''' "I do understand." <br>
'''Asuka:''' "You don't understand, stupid! ''(Asuka kicks Shinji instead of kissing him.)'' Do you think you understand me?! Do you think you can save me?!  That's nothing but your conceited ego! You will never understand!" <br>  
'''Shinji:''' "How can I understand? Asuka doesn't tell me anything. You don't tell me anything. You don't say anything. It's impossible to understand!"  


*'''Asuka''' ''(to Shinji in Pre-Instrumentality)'': "If all of you can't be mine, I don't want anything."
*'''Asuka''' ''(to Shinji in Pre-Instrumentality)'': "If all of you can't be mine, I don't want anything."
Line 119: Line 111:


*''(Asuka rejects Shinji in Pre-Instrumentality)'': '''Shinji''': ''(After Asuka pushes him onto the ground)'' "Help me. Someone, please...please, help me. Help me. Help me.  Help me! ''(Shinji pushes the table over.)'' Don't leave me alone! ''(Shinji picks up a chair and throws it.)'' Don't abandon me! ''(Asuka looks frightened for one shot.)'' Don't kill me!" '''Asuka''': ''(Coldly staring at Shinji)'' "No." ''(Shinji strangles Asuka.)''
*''(Asuka rejects Shinji in Pre-Instrumentality)'': '''Shinji''': ''(After Asuka pushes him onto the ground)'' "Help me. Someone, please...please, help me. Help me. Help me.  Help me! ''(Shinji pushes the table over.)'' Don't leave me alone! ''(Shinji picks up a chair and throws it.)'' Don't abandon me! ''(Asuka looks frightened for one shot.)'' Don't kill me!" '''Asuka''': ''(Coldly staring at Shinji)'' "No." ''(Shinji strangles Asuka.)''
*''(The Black Moon disintegrates in an explosion)'': '''Kaworu''': "Reality exists beyond your sight. And the dream exist in our reality" '''Rei''': "And the truth is in our heart." ''(As the Lilith/Rei Super-organism begins to fall apart)'': '''Kaworu''': "Human souls create their own body." '''Rei''':And new imagination will change the shape and hearts of people. Imagination and creative power will create the future for us, and the flow of time." '''Kaworu''': "People won't change unless they try to change themselves." '''Rei''': "So if you are lost, you have to recover yourself, even if you don't know what to say; even if you are deceived by what others say...if [the liquified people's] hearts can create their own image, they will be able to restore their human bodies." '''Yui''': "It will be alright. All lifeforms have the power to restore themselves and the wish to live. If you decide to live, anywhere can be heaven, because you're alive. There will be chances to be happy everywhere. As long as the Sun, Moon and Earth exist...it will be alright."


*'''Shinji''': "Is it okay for me to be here?"
*'''Shinji''': "Is it okay for me to be here?"
Line 128: Line 122:
*'''Shinji and Rei''': "Where's my dream?" "The continuation of reality." "Then, where's my reality?" "At the end of your dream."
*'''Shinji and Rei''': "Where's my dream?" "The continuation of reality." "Then, where's my reality?" "At the end of your dream."


*'''Yui''': "It will be alright. All lifeforms have the power to restore themselves...and the wish to live. If you decide to live, anywhere can be heaven...because you're alive. There will be chances to be happy everywhere. As long as the Sun, Moon and Earth exist...it will be alright."
*'''Shinji''':   "I still don't know where to find happiness. But I'll continue to think about whether it's good to be here...whether it was good to have been born. But in the end, it's just realizing the obvious over and over again. Because I am myself."


*'''Shinji''' ''(his final lines)'':   "I still don't know where to find happiness. But I'll continue to think about whether it's good to be here...whether it was good to have been born. But in the end, it's just realizing the obvious over and over again. Because I am myself."
*'''Asuka''' ''(The final line, spoken in a cold voice)'': "...Kimochi warui."


*'''Asuka''' ''(The final line, spoken in "the coldest voice possible")'': "...I feel sick."
==See also==
* The [[Resources:End of Evangelion Screenplays|early drafts of Episodes 25' and 26']] include some significant differences, like Shinji masturbating in his room alone, a cut farewell scene with [[Toji]] and [[Kensuke]], and a final credits sequence presumably featuring [[Everything You've Ever Dreamed]].
* There is also [https://wiki.evageeks.org/Episode_26%27_Live_Action_Cut an extended version] of the live action sequence.


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==References==
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{{Episode List}}
{{Episode List}}

Latest revision as of 20:35, 15 January 2023

Episode Information
Episode #26'
Title 1: まごころを、君に
Magokoro o, Kimi ni[1]
Yours Sincerely
Title 2: I Need You.
Written By Hideaki Anno
Directed By Hideaki Anno
First Aired 7-19-1997
Video Release Date 9-24-2002
Angel Appearances Lilith, Adam
Eva Sorties N/A
Episode chronology
← Previous Next →
"Episode 25'" "(End)"


Synopsis

Realizing that Evangelion Unit-01 has began to move in the Geofront, Gendo tells Rei that the only way for him to see Yui again is through the forbidden union of Adam and Lilith. He inserts his right hand--which has Adam grafted on--into Rei's body to initiate Instrumentality.[2] Meanwhile, Shinji is still screaming over Asuka's death. Powered by Shinji's despair, Unit-01 breaks free of its bindings, which causes the original Spear of Longinus to return from the Moon onto Earth, stopping right at Unit 01's neck.

Seele decides to set Third Impact and Instrumentality into motion by using Unit-01 and its pilot as a medium. The Mass Production Evangelions crucify Unit-01 by opening their S² Engine, and then drag it upwards, towards the outer atmosphere. A massive explosion occurs, which reveals the Black Moon, Lilith's Egg, within the GeoFront.

Aware of Shinji's pain, Rei defies Gendo (saying she is "Not his doll") by absorbing his arm and hovers upwards toward Lilith on her own. Gendo completely loses his composure and begs Rei to wait for him, to which she responds that she cannot because "Ikari-kun is calling". Hovering before Lilith's chest, Rei looks up at its face and declares that she is "home", at which the white giant welcomes her and absorbs her into itself.[3] Gendo can only watch in silent defeat as Lilith, now whole and fully conscious again with her soul returned to her, detaches herself from the cross that held her. Lilith's form then starts changing into that of Rei, and the mask with Seele's symbol melts off her face. She then starts growing rapidly in size as she seeks upwards.

Back in Central Dogma, Hyuga panics as he gets a blood pattern blue reading from just below their position, and a frightened Maya asks if its another Angel, but he answers that the pattern appears to be from a human. Just then Lilith, still quickly growing in size, passes through Central Dogma, but she turns out to be insubstantial, phasing through everything in her way as if she was a ghost. She finally grows to a truly titanic size that allows her to come face to face with Shinji inside Eva-01.

Upon seeing the giant version of Rei, Shinji begins to freak out and scream uncontrollably. As the as the now deformed Eva Series move and begin resonating with her, multiple faces of Rei begin appearing on the Evas, disturbing Shinji further and forcing him to scream, as Unit 01 echos his cries and its core is forced to the surface. He repeatedly says "no more" with his head in his hands, until a familiar voice asks him if he "wants it to stop/Is he giving up?". Looking up in shock with tears in his eyes, Shinji is overjoyed to see Kaworu smiling at him as Rei/Lilith dangles behind him as part of a conjoined body. As Kaworu moves forward to embrace Unit-01, Shinji's eyes close and his ego barrier weakens, and as the Spear of Longinus pierces Unit-01's exposed core, the crucified Unit-01 now turns into a Tree of Life. Fuyutsuki says that because Evangelion Unit-01 obtained the Angel's Fruit of Life and Mankind's Fruit of Knowledge, it has become like God. Furthermore, whether or not Humanity will be saved from Third Impact's fate (Instrumentality) is up to Shinji. The Nerv staff question whether Instrumentality was the right option.

As Kaworu and Rei switch forms and eyes appear on the Tree of Life, there is a close-up shot of Shinji's peaceful face, which gets overlapped by a transparent image of Yui's face as she explains that the Rei he is seeing is from his soul, and is an embodiment of his wish. With his eyes closed, Yui asks him what he wishes for, before an image of a woman clutching her breasts appears and he turns into LCL. The scene ends with the recurring water droplet, as Shinji enters Instrumentality with childish glee.

Instrumentality begins with Shinji seeing himself as a young child on a playground lit by the setting sun. He muses on how he is reminded of the time he learned to play the cello, realizing that he "thought he could find something if he came here". Little Shinji is invited to make a sandcastle with some friends[4]. Eventually, the other children's "Mama" (Misato) arrives to pick them up, and the Shinji is left by the sandbox alone. Sad, he tries to complete the castle (which looks like Nerv Headquarters) by himself as the sun continues to set and dusk settles over the playground. As he regards his completed work a for moment, a fit of anger washes over him and he starts destroying it. After he destroys it, Shinji begins to rebuild the castle, crying.

Asuka's voice angrily interjects with a close-up on her face, saying "even just the sight of you gets on my nerves." A shot follows of Shinji's head and shoulders laying on his back, appearing unclothed with two locks of Asuka's hair draping down over him. Shinji calmly questions "Because I'm like you?". A quick series of Shinji and Asuka saying "Mama" follows: little Asuka crying at her mother's funeral, Asuka's lips during her sleep-talking in Episode 09, and the forfeited Shinji crouching before Unit 01 covered in bakelite in the last episode. Then there's a close-up of Misato bloodied Cross in Shinji's palm, with the voice of Misato bemoaning her failure to become Shinji's mother.

Shinji observes Misato and Kaji during their period in college in which they skipped classes to have sex for a week. Misato presently admits that she probably did things like that to confirm her existence. Asuka exclaims that it's stupid, just lonely adults trying to find comfort in each other, while Ritsuko explains it's nice to feel needed, even if it's only physical and Misato confirms that she is glad to feel like she's meaningful. While Shinji is shown frowning in the background holding Misato's cross as she has sex, he is disgusted and surprised that Misato does such things, to which she replies that sex is a part of her that he never knew, and that reality is painful but "you just have to bear with it".

In a retake of Episode 15, Asuka asks Shinji if they should kiss. Misato interjects with her refusal to lend Asuka her perfume: "That stuff's not for kids!" Asuka nevertheless walks up to she like she did back then, but then she tells him that he doesn't understand anything about her. Shinji says that he does, but Asuka replies with a kick to his leg, saying "Do you think you understand me? Do you think you can save me? That's nothing but your conceited ego!" and finishes by exclaiming that he will never understand. Growing frustrated, Shinji insists that he has always tried to understand her, but it is impossible for him to do so if she never tells him anything, while scenes of Asuka rejecting Shinji throughout the series are shown. In the Personal Hell Traincar, Rei asks Shinji if he really tried to understand and he sullenly says he did.

Misato, Asuka, and Rei stare at Shinji while he glances at Rei.

Calling him stupid, Asuka tells Shinji that she knows he is just using her for comfort, said over the hospital masturbation scenes from earlier, and states "Why don't you do it again, like you always do? I'll be watching you.", implying it is in fact a habit of his.[5] Asuka stands in front of Shinji with her hands on her hips and leg beside him, breasts at his eye level in the Personal Hell Traincar. The redhead goes onto say that if she can't have all of him to herself, she wants nothing from him. Shinji asks why she can't be kind to him, at which Asuka, Rei and Misato superimposed over one another all say they are. Shinji lashes out and calls them liars, saying that they want to keep things ambiguous with their smiles. Rei tells him that people choose to be ambiguous because the truth is often painful and traumatic, but Shinji answers that ambiguity only makes him feel more insecure, and admits to being scared that things keep on progressing as they are. Shinji panics and demands that he be cared for and not left alone. But as the scene concludes Shinji's plea remains unanswered, as Asuka, Rei and Misato stares silently back at Shinji slumping over, his back to them, slowly turning his head to meet their gaze.

In Misato's apartment, Asuka is shown dejectedly sitting at the kitchen table, staring downwards. Shinji walks up to her, telling her that he wants to help her and stay with her forever. Asuka, without looking up, tells him in a bitter voice that if he really wants to help her, then he shouldn't anything or come close to her, because all he ever does is hurting her. Shinji leans in and asks her to help him, and telling her that only she can do it. From underneath her hair, Asuka glares at him and calls him a liar. Getting up from her chair, she begins physically drive him back across the room as she gets increasingly angry, telling him that he is only using her as an excuse and an escape because he's scared of Misato and Rei as well as his mother and father. Shinji continues to beg Asuka for help as she yells at him. She finally pushes him to the floor; angrily saying that he has never loved anyone seriously; that he only cares about himself but can't even like himself. Shinji lays in the hot coffee spilt from the pot he knocked as he fell, burning himself as Asuka stands there and calls him "Pitiful", before he weakly gets up, still begging for help. Growing angry, he begins to throw the table and chairs around while pleading not to be left alone, not to be abandoned, and not to be killed. Coldly staring at Shinji, after a moment, Asuka simply replies "No". Shinji freezes for a moment, before he completely loses control and launches at Asuka's throat with both hands; strangling her in blind anger. Third Impact begins.[6]

Shinji says that he thought the world was supposed to be one without pain and uncertainty him and exclaims that everyone has betrayed him and his feelings. Rei replies that it was wrong of him to think that everybody felt like him, and that he only believed what he wanted to believe. Shinji bitterly says that if nobody wants him or even cares if he exists, then they can all "just die", and it would be better if he himself never existed in the first place, but Rei asks why he is here if that's the case. At this, Shinji hesitates a bit and ask if it's okay for him to be here, but his question is only answered by silence. He screams.

Meanwhile Nerv discovers Shinji's vital signs are near zero and that Lilith's Anti A.T. Field is expanding as she grows even larger. The Doors of Guf open as Lilith and multiple Reis begin collecting peoples' souls[7]. The members of Nerv turn into LCL, seeing the one they love and trust the most (Hyuga: Misato, Aoba: Nobody, Fuyutsuki: Yui, and Maya: Ritsuko) before this happens[8]. The members of Seele also turn into LCL, Keel seemingly content with the scenario of Third Impact being played out, although it's not his.

Within Terminal Dogma, Gendo expresses how long he's been waiting for this moment of being able to see Yui again. Gendo admits that without her at his side, all he can do is hurt Shinji. She smiles at him, asking if he was afraid of Shinji. He replies that he believes nobody can love him, and that he's undeserving of any love. Kaworu appears, and interjects that he was just running away before anybody could betray him, Rei 3 adding that Gendo was afraid so he closed off his heart. Yui turns into Evangelion Unit-01 and picks up Gendo; he asks if this is his punishment. Saying "I'm sorry, Shinji", Unit-01 bites off Gendo's head, inducting him into Pre-Instrumentality. Gendo is shown standing, with his upper half bitten off, as Rei 2 gently picks up Gendo's glasses and all three versions of Rei stand together.

In outer space, the MP Eva series proceed to spear their cores with their replica Spears, causing all the souls to gradually enter Lilith's Doors of Guf. The Tree of Life enters Lilith through a vaginal-looking third eye. Pre-Instrumentality is underway as a barrage of "break-up" lines occur, various women-including Asuka-that Shinji know saying they hate him. The lines end with Asuka calling Shinji a wimp. Misato and Rei calmly tell Shinji that if he hates what's going on so much, he can stop it and run away. Misato asks Shinji if he wants to become one with her (indicating Instrumentality); Asuka adds that she'd rather die than for that to happen.

While live-action footage of a city appears on-screen, Shinji asks Misato, Asuka, and Rei what dreams are. Shinji says he doesn't understand reality and that he doesn't know where happiness is. Rei replies that Shinji is having a dream and that he recreated the world based on his own reality. Shinji asks why he can't dream of being alone and Rei answers that such a dream would simply be a substitute for reality. Asking where his dreams and reality are, Rei says that Shinji's dream is the continuation of reality. Lilith falls backwards as her neck bleeds LCL.

The group photo.

Shinji comes to once more as he lies on his back in orange water, illuminated by the moon. He discovers Rei sitting on top of him and looking down at him, both of them naked and their bodies merged where they meet, within the LCL Sea. Rei explains that this solitary world where everything is united as one is the very world Shinji wished for. Shinji, holding onto Misato's cross, replies that it isn't right. Rei says that if people exist as individuals again, the walls of the heart that separate people could cause possible hurt again. Releasing Misato's cross as he smiles, Shinji says that's alright, before reaching out and grasping at Rei's arm to define their individual bodies. Rei disengages herself from atop Shinji as he holds Rei's hand and thanks her. His head resting in Rei's lap as he holds the cross, Shinji explains how he felt that things were painful, which is why he ran away. But he realized that running away was bad because it was as if nobody including him existed. Kaworu appears, asking Shinji if it's alright that if A.T. Fields hurt him and others again. Shinji says it's alright and asks what Rei and Kaworu are. They reply they're the "hope people can one day understand each other" as well as the word "love". As a group photo of Shinji and the others (minus Gendo and Fuyutsuki) appears on-screen, Shinji says that even though he'll be betrayed and deserted one day, he wants to see them again because his feelings were real.

Bursting out of Lilith's eye, Eva Unit-01 lets out a mighty roar and grows Wings of Light. The Doors of Guf close and Lilith's Black Moon explodes. Lilith's body decomposes, becoming petrified as it lands on Earth. Unit-01 uses an extended version of the Spear of Longinus to petrify the MP Eva Series. The Eva Series land on Earth, as well. The Wings of Light disappearing, Eva-01 becomes petrified herself, as Rei silently stares at her out in Space. Kaworu, Rei, and Yui reassure Shinji: People can restore their bodies as long as they imagine themselves within their own heart. Yui says that as long as the Earth, Moon and Sun exist, everything will be alright.

After the Entry Plug is ejected off-screen, Shinji (now wearing Misato's cross pendent) and his mother say goodbye. Yui caresses his cheek, asking him if he'll be alright. Shinji says that he still doesn't know where to find happiness, but will live on since he's himself. In a flashback to the conclusion of Fuyutsuki and Yui's Episode 21 discussion, Fuyutsuki asks Yui if her real intention behind Eva is for the Eva to become God. Yui replies that that is the case, and how Eva can live forever, along with the human soul within her. Even after the Earth, Moon and Sun are lost, the Evangelion will be eternal proof of humanity's existence. Shinji says "...Goodbye, Mother.".

Shinji sobbing on Asuka during the Final Scene.

END OF EVANGELION ONE MORE FINAL: I need you.

Main article: Theory and Analysis:Final Scene in End of Evangelion

An undetermined amount of time has passed. Half of Lilith's petrified head and some of the petrified Mass Production Eva Series are on a beach near the LCL Sea. Some grave markers have been erected: one has Misato's cross nailed to it, while another grave marker has been kicked down. The moon is shown with a streak of red crossing it and the night sky. Asuka and Shinji lay on the beach slightly apart, with Asuka's right arm fully wrapped in bandages. Hearing a noise, Shinji turns his head to see a ghostly Rei 3 (reminiscent of Episode 01) hovering over the sea facing his direction, and then disappears. Shinji sits up staring at where Rei had been, before looking down at Asuka. Shinji sits up, and looks over to where Rei had been, before looking down at Asuka. The scene then cycles through various shots of the destroyed planet before turning to a shot of Asuka being strangled by Shinji straddled atop her. The shot comes closer to Asuka's face, with a left eye-patch, and neck as Shinji tightens his grip. Silently, Asuka reaches up with her bandaged arm to caress Shinji's cheek. Crying, Shinji begins to sob uncontrollably as she continues looking at the sky for several more seconds before her eyes swing down to look at him coldly. He stops choking Asuka, cries tears onto Asuka's face, and then curls over into a ball. Asuka then looks down at Shinji for the first time before saying "Kimochi warui"[9] Immediately after the phrase, the movie cuts to white with "The End" written in the lower right.[10][11][12][13][14]

Unused Endings

"Last A"

It starts the same as the actual ending, on a beach with petrified MP Evas. We then see the gravemarkers[15]with the names of the major characters written on them; there isn't one for Rei. We then see Asuka's, then her foot kicking just one down[16]. The scene continues as in the finalized movie. When Shinji begins to cry, Asuka says "Idiot. No way I'll let you kill me!" The music would begin and the credits would roll horizontally a la Gunbuster and Death. We were to see Eva-01 lying on the Moon, and woman's hair flowing from its broken mask, her face remaining unseen. Behind Eva-01, you could see the red Earth and the Black Moon destroyed. We pass the sun, then go towards the stars. Credits end.[17]

"Last B"

Begins like Last A, but Asuka never shows up. Shinji is lying on the beach holding onto someone's white arm. He says "I'll never see them again. It's better to think of it this way. I'm still alive, so I'll keep on living." He squeezes the hand harder and then sees Rei (like in the episode and Last A). We eventually see that there is nobody lying near Shinji, just a white arm without the rest of the body. We then see the full moon, followed by the ending credits as in Last A.[17]

Extended live-action sequence

The short scene during the Live-Action sequence was actually significantly cut from the initial version. It follows Asuka, played by her seiyuu Yuko Miyamura, in a world without Shinji, with Shinji himself apparently spectating her situation. There is also a version of the movie which included ending credits, using an orchestral version of Bach's Jesu, Joy of Man's Desiring, which also used in the film's live action sequence, as a piano arrangement.

Analysis

Shinji in the Final Scene.
  • It can be assumed that Shinji had been alone for a while before Asuka's return in the Final Scene:
    • He's had time to erect gravemarkers.
    • Misato's cross, which is nailed to one, distinctly shows rust from the nail.
    • Petrification of the Mass Production Evangelions as well as Lilith's half head and body parts.
    • Shinji's face is clearly disturbed, contrasting with how he looked in the previous scene.
    • He is surprised not only by the appearance of Rei, but by that of Asuka too.
  • See the Sandbox Sequence for more analysis.
  • "I need you" may not have originally been a reference to the ending scene; Olivier Hague says (presumably based on the storyboards) that before the extended live-action sequence was cut, the telop "I need you" was placed just after the adult Asuka wakes up[18]

Quotes

  • Yui and Rei (Before Shinji turns into L.C.L): "This Rei is from your soul. She's the embodiment of your wish." "What do you wish for?"
  • Misato: "I failed to be Shinji's mother after all."
  • Fuyutsuki: "The Seed of Life...and the Seed of Wisdom [have been both acquired by Eva Unit 01.] It is [now] equal to God. Will it be an ark to save humanity from the nihil of the Third Impact...or become a demon to annihilate humanity? Our future is up to Ikari's son."
  • (Asuka and Shinji during Pre-Instrumentality with Misato occasionally interjecting):
    Asuka: "Do you want to kiss?"
    Misato: "Absolutely not."
    Asuka: "Or are you scared?"
    Misato: "It's not for kids."
    Asuka: "Then, here I go."
    Asuka: "You don't understand anything! Don't get come near me!"
    Shinji: "I do understand."
    Asuka: "You don't understand, stupid! (Asuka kicks Shinji instead of kissing him.) Do you think you understand me?! Do you think you can save me?! That's nothing but your conceited ego! You will never understand!"
    Shinji: "How can I understand? Asuka doesn't tell me anything. You don't tell me anything. You don't say anything. It's impossible to understand!"
  • Asuka (to Shinji in Pre-Instrumentality): "If all of you can't be mine, I don't want anything."
  • Shinji (to Asuka in Pre-Instrumentality): "I want to help you. I want to be with you forever."
  • (Asuka rejects Shinji in Pre-Instrumentality): Shinji: (After Asuka pushes him onto the ground) "Help me. Someone, please...please, help me. Help me. Help me. Help me! (Shinji pushes the table over.) Don't leave me alone! (Shinji picks up a chair and throws it.) Don't abandon me! (Asuka looks frightened for one shot.) Don't kill me!" Asuka: (Coldly staring at Shinji) "No." (Shinji strangles Asuka.)
  • (The Black Moon disintegrates in an explosion): Kaworu: "Reality exists beyond your sight. And the dream exist in our reality" Rei: "And the truth is in our heart." (As the Lilith/Rei Super-organism begins to fall apart): Kaworu: "Human souls create their own body." Rei:And new imagination will change the shape and hearts of people. Imagination and creative power will create the future for us, and the flow of time." Kaworu: "People won't change unless they try to change themselves." Rei: "So if you are lost, you have to recover yourself, even if you don't know what to say; even if you are deceived by what others say...if [the liquified people's] hearts can create their own image, they will be able to restore their human bodies." Yui: "It will be alright. All lifeforms have the power to restore themselves and the wish to live. If you decide to live, anywhere can be heaven, because you're alive. There will be chances to be happy everywhere. As long as the Sun, Moon and Earth exist...it will be alright."
  • Shinji: "Is it okay for me to be here?"
  • Keel: "The beginning and ending share the same moment. Good. Everything's going well."
  • Gendo: "So, this is my retribution? I'm sorry, Shinji."
  • Shinji and Rei: "Where's my dream?" "The continuation of reality." "Then, where's my reality?" "At the end of your dream."
  • Shinji: "I still don't know where to find happiness. But I'll continue to think about whether it's good to be here...whether it was good to have been born. But in the end, it's just realizing the obvious over and over again. Because I am myself."
  • Asuka (The final line, spoken in a cold voice): "...Kimochi warui."

See also

References

  1. ↑ "Magokoro o, Kimi ni" is also the Japanese title of Flowers for Algernon. This fits in with Anno's theme of naming his series' final episodes after sci-fi stories in the same manner as Episode 26's title, "The Beast That Shouted Love at the Heart of the World".
  2. ↑ In English, Instrumentality is a reference to Instrumentality of Mankind, from Cordwainer Smith's sci-fi novels. In the original Japanese, however, it is referred to as 補完 (Hokan). "Ho" translates literally to "supplement, supply, make good, offset, compensate, assistant, learner" and "kan" to "perfect, completion, end". translate literally to "complete" or "completion". In many early fan translations, it is referred to as "Complementation". This nuance can be understood as the separate, individual egos of humankind being complemented by others. Alternatively, it can also have a nuance of "perfecting" humanity into a superior being. The "tuning" metaphor present in Death & Rebirth is also appropriate.
  3. ↑ This is, of course, a callback to Shinji and Misato's previous exchanges of "I'm home" and "Welcome home", which happened back in Episode 02 and Episode 04.
  4. ↑ The song that plays during the Sandbox Scene is "Close Hands, Open Hands", a song Japanese children learn in Kindergarten. It is also the same tune as "Go Tell Aunt Rhody".
  5. ↑ In the original Japanese, Asuka uses the idiomatic expression "I know you've been using me as a side dish". In Japanese, "using something as a side dish" is an expression for using something or someone for one's erotic fantasies, but with the underlying implication that the person using the "side dish" is too scared to actually act on their feelings. As such, Asuka might even be implying that Shinji could have had the "real thing" before, but hesitated.
  6. ↑ The song that plays during Third Impact is Komm, süsser Tod sung by Arianne.
  7. ↑ For an explanation of Rei 3's various appearances in Episode 26', please see this page: Bookend Rei 3
  8. ↑ When Maya gets turned into LCL, the Rei Apparition that turns into a Ritsuko Apparition types on Maya's laptop and the words "I NEED YOU" can be seen. What was actually typed was "INEEDYOU" (without any spaces).
  9. ↑ "Kimochi warui" literally means "sick feeling", and depending upon the context, could be translated any number of ways, such as "I feel sick", "how disgusting", "I have a sick feeling", "this makes me sick", "you make me sick", ect. The difficulty in translating it into English is determining the context. Thus various translations have have gone with different interpretations. It is an expression used many times before to express shock, discomfort or disapproval - for instance, when Shinji is first immersed in LCL in Episode 1 and in a sense embraced by Yui, and when Asuka complains about sharing a bathtub, and a house with Misato and Shinji in Episode 22, as she is unwilling to belong. Because of its unclear meaning, it is hard to say whether she's referring to Shinji, herself, or soothing else. Asuka might be expressing disapproval at the situation they are in and Shinji acting meekly again. It might also be interpreted as how strange it feels for her to finally accept another person, something which so far has terrified her.
  10. ↑ 24. Opening of a Dream (Piano – Leave It To Version)
    Shinji’s independence that he bid farewell to his mother and chose to live in the world of others despite the fact that he would hurt others is portrayed in this song with a somewhat sad piano solo. It is as if it suggested the relationship between the project of EVANGELION and the audiences. - Refrain of Evangelion booklet interview
  11. ↑ Evangelion Cardass Masters "Shinji renounced the world where all hearts had melted into one and accepted each other unconditionally. His desire... to live with 'others' -- other hearts that would sometimes reject him, even deny him. That is why the first thing he did after coming to his senses was to place his hands around Asuka's neck. To feel the existence of an 'other'. To confirm (make sure of) rejection and denial."
    "In the sea of LCL, Shinji wished for a world with other people. He desired to meet them again, even if it meant he would be hurt and betrayed. And just as he had hoped/wanted, Asuka was present in the new world. Only Asuka was there beside him. The girl who he had hurt, and by whom he had been hurt. But even so, she was the one he had hoped/wished for...."
    "Neither Yui, Rei nor Misato could do as a woman for Shinji. Asuka alone was the only girl on equal footing with him. So, Shinji desired/sought after Asuka. "I'm afraid of Misato and Ayanami." However, Shinji's crude affection only hurt her. In the end, he used her as an object of lust/desire to soothe/ console himself..."    , D-88, D-84, P-66, P-68, H-11, full set here
  12. ↑ During Instrumentality, Asuka encountered Shinji inside his inner world and told him she didn't need anything if she couldn't have all of him. Despite the significance of this statement, Shinji's response was vague at best and he only sought a place at her side because it was a "comfortable" place to be. Hurt by the notion that she was nothing more than an escape for Shinji, Asuka outright rejected him. As a result, the Human Instrumentality Project did not reach its intended result, and any changes to the relationship between Asuka and Shinji were left unclear.
    "Though Shinji and Asuka are both EVA pilots and living under the same roof、they are polar opposites. Despite their differences、Shinji did feel an attraction to Asuka at certain moments throughout their time together. When Shinji expressed his feelings to Asuka and sought her help during his instrumentality、she outright rejected him. Shinji and Asuka in the new world where the Human Instrumentality Project was not fulfilled Shinji had chosen a world where others existed、and for him Asuka became the first "Other".
    "Asuka Langley Soryu Piloting EVA-02 was Asuka's way of maintaining her self-respect, and it also served to deepen her confusing love/hate for Shinji. [...] Immediately after Asuka's defeat, the Human Instrumentality Project was activated, Asuka was the first "other" to exist in the new world that was created when Shinji wished for a world where others existed, and she was found lying next to Shinji."
    - The Essential Evangelion Chronicle, Side B
  13. ↑ "Shinji meets Rei in the sea of ​​L.C.L. while Human Instrumentality with Unit 01 as a substitute is in progress. Shinji didn't want a world where his boundaries were gone and he was nowhere else. Shinji's eyes tell that he that he will accept the fear of others, the strength of life that moves forward while being frightened can be seen. When their consciousness returned to reality, Shinji and Asuka lie in a world where Human Instrumentality is incomplete.
    In the world where Shinji wanted to have others, Asuka became the first stranger, and Shinji reaches out to her [for her neck]. It is difficult to understand Shinji's emotions as he wonders if Asuka is the one who will hurt him or the one who will complement him.
    Shinji and Asuka stand alone in a space where no one else is around. In her mental world, Shinji was rejected while expressing her feelings to Asuka and asking her for her salvation, but the relationship between the two can/will* change in the new world."     - Evangelion Chronicle Vol. 22, alternate translation from the Japanese
    *Translator's notes: "The verb kawaru (変わる) means to change. In this passage, we have kawatte (変わって), which means changed. Add iku (いく) and it means changing. Add nodarou (のだろう) means probably. [The relationship] will probably change. The nature of such indefinite change means it is still likely unclear. So those two sentences basically say the same thing (unclear vs will change). The former wording is used in the English translation of the Essential digest version, while the latter is used in the French translation.
  14. ↑ "That's the hard part. I don't know how it will turn out yet. I want to make a happy ending, but it's difficult to say what is happy. The movie version is happy in its own way. Humans are nothing when they are born and at the moment of death, so if the process of living is not enjoyable, they cannot live. Shinji had a hard time, but he wanted to live. That's why he's happy." - Sadamoto, Newtype Dec 1997
  15. ↑ Olivier Hague says they are described as resembling gravemarkers in both the storyboards and the after-recording script.
  16. ↑ Olivier Hague: "the storyboard states that "_only_ one of them has been kicked"... looks the fact that there's just one kicked pole is important"
  17. ↑ 17.0 17.1 From MD Wigs' website [1]
  18. ↑ http://eva.onegeek.org/pipermail/oldeva/2001-July/040053.html



Episodes & Films
Television Series Episode 01 | Episode 02 | Episode 03 | Episode 04 | Episode 05 | Episode 06

Episode 07 | Episode 08 | Episode 09 | Episode 10 | Episode 11 | Episode 12 | Episode 13
Episode 14 | Episode 15 | Episode 16 | Episode 17 | Episode 18 | Episode 19 | Episode 20
Episode 21 | Episode 22 | Episode 23 | Episode 24 | Episode 25 | Episode 26

Movies Death | Rebirth

The End of Evangelion: Episode 25' | Episode 26'

Rebuild of Evangelion Evangelion 1.0 | Evangelion 2.0 | Evangelion 3.0 | (-46h) | (-120min) | Evangelion: 3.0 + 1.0


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