Asuka Langley Soryu: Difference between revisions

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{{construction}}
: ''For information on the New Theatrical Edition character, see [[Asuka Shikinami Langley]]''{{-}}
: ''For information on the New Theatrical Edition character, see [[Asuka Shikinami Langley]]''{{-}}
{{Character Infobox
{{Character Infobox
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| affiliation  = [[Nerv]]
| affiliation  = [[Nerv]]
| rank        = Second Children
| rank        = Second Children
| relations    = [[Kyoko Zeppelin Soryu]] (mother), [[Minor_Characters#Langley|Langley]] (father),<br> [[Minor_Characters|Stepmother]] (Kyoko's doctor and Asuka's stepmother)
| relations    = [[Kyoko Zeppelin Soryu]] (mother), [[Mr. Langley]] (father),<br> [[Minor_Characters|Stepmother]] (Kyoko's doctor and Asuka's stepmother)
| image      = [[Image:OP_C057_asuka.jpg|260px]]
| image      = [[Image:OP_C057_asuka.jpg|260px]]
| age        = 13<ref>Going by Asuka's birthday, she is actually 13 for the majority of the series, as opposed to 14 (the "official age" for Eva pilots). Curiously enough, her age is provided as 14 in official materials, even, in some instances, right in juxtaposition with her birthday (e.g., [[Evangelion Chronicle]])!</ref>
| age        = 13<ref>Going by Asuka's birthday, she is actually 13 for the majority of the series, as opposed to 14 (the "official age" for Eva pilots). Curiously enough, her age is provided as 14 in official materials, even, in some instances, right in juxtaposition with her birthday (e.g., [[Evangelion Chronicle]])!</ref>
| birthday    =  12/04/2001
| birthday    =  12/04/2001
| seiyu      = [[Yuko Miyamura]]
| seiyu      = [[Yuko Miyamura]]
| va          = (English): Tiffany Grant, Stephanie McKeon (Netflix)<br> (Italian): Ilaria Latini, Domitilla D'Amico (young)<br> (Brazilian): Fernanda Bulara, <br> (French): Marjolaine Poulain <br> (Spanish,Spain): Ana Pallejà <br> (Spanish,Latin America): Norma Echavarría, Georgina Sánchez(redub)<br> (German): Julia Ziffer , Johanna Dost (Netflix)
| va          = (English): Tiffany Grant (ADV)<br>Stephanie McKeon (Netflix)<br> (Italian): Ilaria Latini, Domitilla D'Amico (young)<br> (Brazilian): Fernanda Bullara, <br> (French): Marjolaine Poulain <br> (Spanish,Spain): Georgina Sanchez<br> (Spanish,Latin America): Norma Echavarría<br> (German): Julia Ziffer
}}
}}


'''Asuka Langley Soryu'''<ref>Asuka is named after two warships, one Japanese, the [[Warships_of_Neon_Genesis_Evangelion#IJN_Soryu.28.E8.92.BC.E9.BE.8D_.29| Aircraft Carrier Soryu]], the other U.S., the [[Warships_of_Neon_Genesis_Evangelion#USS_Langley.28CV-1.29|USS Langley]].  For more information on how Asuka and the other characters were named, see [[Character Name Origins#11/02/2000 (Entry 1)|Character Name Origins]]. Asuka's surname is spelled differently from the name of the warship Soryu(蒼龍). The warship's name literally means "Green Dragon", but Asuka's name contains characters for "All" and "flow/flux/current/stream". No explanation has been given for the difference in name. Although the change could have been because "Green Dragon" would be a rather fantastical surname, Japanese surnames with the character for "dragon" in them exist. Adding to the mystery, aside from Ritsuko Akagi all the other characters share the same Kanji in their surnames as the warships they were named after, making their names at least as improbable. </ref> is the Second Child, designated pilot of [[Evangelion Unit-02]].
'''Asuka Langley Soryu''' is the Second Children, the designated pilot of [[Evangelion Unit-02]].
 
==Name==
[[Image:Ep26_AU_Umbrella_Easter_Egg.png|left|300px|thumb|Asuka's given name (center, upside down and scribbled over) rendered in kanji as 明日香 during the Episode 26 AU sequence.]]
''See also: [[Character Name Origins]]''
 
Asuka is named after two warships, one Japanese, the [[Warships_of_Neon_Genesis_Evangelion#IJN_Soryu.28.E8.92.BC.E9.BE.8D_.29| Aircraft Carrier Soryu]], the other U.S., the [[Warships_of_Neon_Genesis_Evangelion#USS_Langley.28CV-1.29|USS Langley]].  For more information on how Asuka and the other characters were named, see [[Character Name Origins#11/02/2000 (Entry 1)|Character Name Origins]]. Asuka's surname is spelled differently from the name of the warship Soryu(蒼龍). The warship's name literally means "Green Dragon", but Asuka's name contains characters for "All" and "flow/flux/current/stream". No explanation has been given for the difference in name. Although the change could have been because "Green Dragon" would be a rather fantastical surname, Japanese surnames with the character for "dragon" in them exist. Adding to the mystery, aside from Ritsuko Akagi all the other characters share the same Kanji in their surnames as the warships they were named after, making their names at least as improbable.
 
Asuka's Japanese surname comes from the Japanese WWII aircraft carrier [[Warships_in_Evangelion#IJN_Soryu.28.E8.92.BC.E9.BE.8D_.29| Soryu]]. Her middle name comes from the American aircraft carrier [[Warships_in_Evangelion#USS_Langley.28CV-1.29| Langley]], also from WWII, while her mother's surname refers to the nearly completed Nazi German aircraft carrier [[Warships_in_Evangelion#DKM_Graf_Zeppelin| Graf Zeppelin]].
 
Her first name comes from Saki Asuka, who is the main character of a Japanese manga "SuperGirl Asuka", ''超少女明日香, Cho-Shojo Asuka'', written by Shinji Wada. Her mother's first name, "Kyoko", also comes from that manga's character Kyoko Aoi. A brief shot from the [[Episode 26]] alternate universe sequence shows the words "Ikari" and "Asuka" under an umbrella. Asuka is shown here as  明日香 - using the same Kanji as Wada's heroine, with the meanings of "clear/bright/to understand";"day,sun,date";"fragrant incense" respectively<ref>https://en.wiktionary.org/wiki/明日香#Old_Japanese</ref>.
 
This particular rendering of her name - in the original Neon Genesis Evangelion TV series, no less - is unique, because all canonical materials render Asuka's given name in Katakana as アスカ, consistent with the Katakana rendering of all Evangelion characters' given names. The use of Katakana given names is seen at numerous points in the series - in ID cards or on-screen information on individuals - and is consistent throughout. This consistency is repeated in the New Theatrical Edition where [[Asuka Shikinami Langley]] has her given name rendered as アスカ, same as her original series counterpart.
 
Given that Asuka's canonical name in all other materials is in Katakana, the most likely explanation is that Asuka's name being written in kanji is only applicable within the alternate universe scenario seen in Episode 26, as a meta-instance of the rules and established details of the original series being pushed aside. If this is meant to be intentional and not an oversight or blooper by one of the animators, it makes Asuka the only member of the main cast for whom the Kanji in her given name is given in any universe or continuity. In the absence of further details confirming this, this one instance of Kanji being used for a character's given name remains anomalous, if fascinating.


==Character Summary==
==Character Summary==
{{DeadLink}}


===Early Life===
===Early Life===
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=== Ace pilot and schoolgirl ===
=== Ace pilot and schoolgirl ===


''Main articles [[Episode 10]], [[Episode 11]], [[Episode 12]], [[Episode 13]], [[Episode 14]]''
''Main Articles [[Episode 10]], [[Episode 11]], [[Episode 12]], [[Episode 13]], [[Episode 14]]''


Asuka participates in Nerv's attempt to capture [[Sandalphon]], descending in a magma filled crevice in [[Eva-02]] using [[Evangelion_Equipment#B-Type_Equipment|D-Type Equipment]]. The operation is aborted when the Angel awakens, and with some quick thinking, Asuka is able to defeat it by subjecting it to thermal shock using her equipment's cooling fluid. Asuka narrowly escapes falling into the abyss when Eva-02's cables fray, but she's caught in time by Shinji in [[Eva-01]]. Asuka will later recall this rescue during [[Arael|Arael's mind probe]].
Asuka participates in Nerv's attempt to capture [[Sandalphon]], descending in a magma filled crevice in [[Eva-02]] using [[Evangelion_Equipment#B-Type_Equipment|D-Type Equipment]]. The operation is aborted when the Angel awakens, and with some quick thinking, Asuka is able to defeat it by subjecting it to thermal shock using her equipment's cooling fluid. Asuka narrowly escapes falling into the abyss when Eva-02's cables fray, but she's caught in time by Shinji in [[Eva-01]]. Asuka will later recall this rescue during [[Arael|Arael's mind probe]].


During the blackout, Shinji, Asuka, and Rei have to manually infiltrate Nerv HQ, with Asuka assuming the self-appointed leadership of their party. Asuka tries to tease Rei for being [[Gendo|the commander's]] favorite, but is angered when Rei does not respond. Along the way, the trio discovers that the ninth angel [[Matarael]] is attacking the base. When Shinji asks what the Angel's are and why they are attacking, Asuka remarks that they have to fight back at the strange beings attacking them. Eventually reaching the [[Evangelion Cage|Eva Cages]], [[Sortie#All Evangelions|All three Evangelions sortie]] under [[Evangelion_Power_Sources|emergency power]]. Upon encountering the Angel's acid attack, and with their power supplies running low Asuka devises a plan to defeat it, placing herself in the most dangerous "offense" position during this. The plan works and Matarael is defeated, with Asuka regarding her debt to Shinji's earlier rescue repaid.
During the blackout, Shinji, Asuka and Rei have to manually infiltrate Nerv HQ, with Asuka assuming the self appointed leadership of their party. Asuka tries to tease Rei for being [[Gendo|the commander's]] favourite, but is angered when Rei does not respond. Along the way, the trio discover that the ninth angel [[Matarael]] is attacking the base. When Shinji asks what the Angel's are and why they are attacking, Asuka remarks that they have to fight back at the strange beings attacking them. Eventually reaching the [[Evangelion Cage|Eva Cages]], [[Sortie#All Evangelions|All three Evangelions sortie]] under [[Evangelion_Power_Sources|emergency power]]. Upon encountering the Angel's acid attack, and with their power supplies running low Asuka devises a plan to defeat it, placing herself in the most dangerous "offence" position during this. The plan works and Matarael is defeated, with Asuka regarding her debt to Shinji's earlier rescue repaid.


Asuka is irritated by Shinji's improving [[synchronization]] scores, though they remain behind her own. When Tokyo-3 is attacked from orbit by the 10th angel [[Sahaquiel]], Misato orders all three Evangelions sortie in order to catch the Angel as it falls; Asuka openly disapproves of the reckless nature of the operation -- though puts on a show with Shinji afters Misato promises them a steak dinner. Before the operation begins, in response to his question, Asuka tells Shinji that she pilots her Evangelion to display her talents to the world. During Sahaquiel's attack, after Eva-01 catches the angel first, Eva-00 and Eva-02 arrive to dispatch it, with Asuka delivering the killing blow with her [[Prog knife]]. After the battle, when Shinji tells Misato that he pilots the Eva for his father's praise, Asuka regards this as a silly reason for piloting.
Asuka is irritated by Shinji's improving [[synchronization]] scores, though they remain behind her own. When Tokyo-3 is attacked from orbit by the 10th angel [[Sahaquiel]], Misato orders all three Evangelions sortie in order to catch the Angel as it falls; Asuka openly disapproves of the reckless nature of the operation -- though puts on a show with Shinji afters Misato promises them a steak dinner. Before the operation begins, in response to his question, Asuka tells Shinji that she pilots her Evangelion to display her talents to the world. During Sahaquiel's attack, after Eva-01 catches the angel first, Eva-00 and Eva-02 arrive to dispatch it, with Asuka delivering the killing blow with her [[Prog knife]]. After the battle, when Shinji tells Misato that he pilots the Eva for his father's praise, Asuka regard this as a silly reason for piloting.


Asuka takes part in the tests with the [[simulation bodies]] in the [[Pribnow Box]] along with Shinji and Rei. During the tests, the 11th angel [[Ireul]] infiltrates the Pribnow Box and attacks, and Asuka and the other pilots are ejected. Nerv deals with the angel without using the Evangelions, while the pilots are left alone in their plugs for the duration, much to Asuka's irritation.
Asuka takes part in the tests with the [[simulation bodies]] in the [[Pribnow Box]] along with Shinji and Rei. During the tests, the 11th angel [[Ireul]] infiltrates the Pribnow Box and attacks, and Asuka and the other pilots are ejected. Nerv deals with the angel without using the Evangelions, while the pilots are left alone in their plugs for the duration, much to Asuka's irritation.


Asuka does not take part in the Eva cross-synch tests in [[Episode 14]]. When she asks why, Misato convinces her that she wouldn't want to pilot any other Eva but [[Eva-02]] anyway -- though Misato does not tell her Eva-02 is not, in fact, interchangeable at all. After [[Eva-00|Eva-00's]] accident during the tests, Asuka wonders what kind of girl [[Rei]] really is.
Asuka does not take part in the Eva cross-synch tests in [[Episode 14]]. When she asks why, Misato convinces her that she wouldn't want to pilot any other Eva but [[Eva-02]] anyway -- though Misato does not tell her Eva-02 is not in fact interchangeable at all. After [[Eva-00|Eva-00's]] accident during the tests, Asuka wonders what kind of girl [[Rei]] really is.


=== Descent and Arael's mind invasion ===
=== Descent and Arael's mind invasion ===
''Main articles: [[Episode 15]], [[Episode 18]], [[Episode 19]], [[Episode 22]], [[Episode 23]], [[Episode 24]]''
''Main articles: [[Episode 15]], [[Episode 18]], [[Episode 19]], [[Episode 22]], [[Episode 23]], [[Episode 24]]''


''See also: [[Theory and Analysis:Film Montage Theory in Evangelion]]''
While Misato and Kaji are out at a wedding, Asuka asks Shinji if he wants to kiss, claiming she is bored. Due to Asuka and Shinji's respective interpersonal difficulties the kiss does not go well,  and despite her overt reaction, Asuka is secretly deeply disappointed by Shinji's awkward reaction. This disappointment is compounded when Asuka smells Misato's lavender perfume on Kaji after he brings her home. It is very possible that the failure of the kiss and the feeling of "losing" Kaji are among the primary factors that lead to her sync ratio and capacity as a pilot gradually decay, further increasing her anguish and making her issues more apparent.
 
While Misato and Kaji are out at a wedding, Asuka asks Shinji if he wants to kiss, claiming she is bored. Due to Asuka and Shinji's respective interpersonal difficulties, the kiss does not go well,  and despite her overt reaction, Asuka is secretly deeply disappointed by Shinji's awkward reaction. This disappointment is compounded when Asuka smells Misato's lavender perfume on Kaji after he brings her home. It is very possible that the failure of the kiss and the feeling of "losing" Kaji are among the primary factors that lead to her sync ratio and capacity as a pilot gradually decay, further increasing her anguish and making her issues more apparent.


Shortly before the attack of [[Leliel]], Shinji surpasses Asuka in sync ratio, an event which leaves Asuka stewing in barely restrained anger. The battles of [[Bardiel]] and [[Zeruel]] both end for Asuka in her being defeated while being outshined by Unit 01, something which further erodes her confidence and sanity. Asuka also becomes increasingly aware and ultimately jealous of Shinji and Rei's close relationship, eventually expressing a perceived defeat to Rei when she spots her and Shinji having a casual conversation. Asuka also starts having increasingly frequent anger breakdowns, something which does not go unnoticed by Misato, who admits to Ritsuko that she considers placing Shinji and Asuka in separating housing.
Shortly before the attack of [[Leliel]], Shinji surpasses Asuka in sync ratio, an event which leaves Asuka stewing in barely restrained anger. The battles of [[Bardiel]] and [[Zeruel]] both end for Asuka in her being defeated while being outshined by Unit 01, something which further erodes her confidence and sanity. Asuka also becomes increasingly aware and ultimately jealous of Shinji and Rei's close relationship, eventually expressing a perceived defeat to Rei when she spots her and Shinji having a casual conversation. Asuka also starts having increasingly frequent anger breakdowns, something which does not go unnoticed by Misato, who admits to Ritsuko that she considers placing Shinji and Asuka in separating housing.


When [[Arael]] attacks, Asuka and Eva-02 are trapped by a beam of light from the Angel which proceeds to [[Arael and Asuka (Dreamscape)|invade Asuka's mind]]. Asuka is forced to confront her relationships with Kaji, Shinji, and with herself with devastating consequences.<ref>In the expanded [[Director's Cut]] version of Episode 22, Anno also took inspiration from a 1996 doujin by author Nobi Nobita called ''Bridal Veil'', [https://forum.evageeks.org/post/425333/NGE-Ep24-Script-First-and-Second-Drafts/#425333 which depicted an expanded mindrape scene itself]. Curiously, while making his own scene, Anno made it clear that Asuka's feelings were directed at Shinji, having supplanted her crush for Kaji. It also adds more lines for Asuka bemoaning Shinji and makes this context even clearer by adding additional past scenes with Asuka and Shinji, like him rescuing her in [[Episode 10]]. This isn't made clear in the doujin, wherein it seems ambiguous if she's talking about Shinji or Kaji. [https://forum.evageeks.org/thread/17938/Nobi-Nobita-Bridal-Veil-Ep-22-DC-Source/ This doujin has been translated] on Evageeks and a full scanlation is also available on its thread.</ref>  When Rei defeats the Angel with the Lance of Longinus, Asuka is recovered, Shinji tries hesitantly to comfort Asuka, but she is furious by having been saved by Rei, which is yet another perceived humiliation for her. In the aftermath of Arael's attack, Asuka avoids returning to the Katsuragi household for extended periods of time, instead staying at Hikari's house, where she does nothing but play video games all day.  
When [[Arael]] attacks, Asuka and Eva-02 are trapped by a beam of light from the Angel which proceeds to invade Asuka's mind. Asuka is forced to confront her relationships with Kaji, Shinji, and with herself with devastating consequences. When Rei defeats the Angel with the Lance of Longinus, Asuka is recovered, Shinji tries hesitantly to comfort Asuka, but she is furious by having been saved by Rei, which is yet another perceived humiliation for her. In the aftermath of Arael's attack, Asuka avoids returning to the Katsuragi household for extended periods of time, instead staying at Hikari's house, where she does nothing but play video games all day.


The lingering effects of Arael psychic attack finally become apparent during the attack of [[Armisael]]. Asuka's sync ration by this point is so low that she is sent out as backup for Rei, though only with the hope that Eva-02 might be able to act as a decoy. Asuka, however, is by this point so deeply depressed that she is unable to make the Eva move even in the slightest, necessitating her immediate retrieval from the field.
The lingering effects of Arael psychic attack finally becomes apparent during the attack of [[Armisael]]. Asuka's sync ration by this point is so low that she is send out as backup for Rei, though only with the hope that Eva-02 might be able to act as a decoy. Asuka, however, is by this point so deeply depressed that she is unable to making the Eva move even in the slightest, necessitating her immediate retrieval from the field.


Later, Shinji informs Asuka about Kaji's death, which seems to be what finally pushes her over the edge and makes her run away from home (similar to Shinji in [[Episode 4]]) only to be [[Theory and Analysis:Asuka and the Bathtub|found naked and malnourished]] in an abandoned apartment by Nerv agents, seven days later.
Later, Shinji informs Asuka about Kaji's death, which seems to be what finally pushes her over the edge and makes her run away from home (similar to Shinji in episode 4) only to be found naked and malnourished in an abandoned apartment by Nerv agents<ref>Theories float around on whether or not Asuka tried to kill herself, taking note the red surrounding her.</ref> seven days later.


For her own safety, Asuka is interned in the Geofront's hospital, and placed under an artificial coma in [[Room 303]].
For her own safety, Asuka is interned in the Geofront's hospital, and placed under an artificial coma in hospital room 303.


=== The End of Evangelion ===
=== The End of Evangelion ===
Shinji, in a stage of deep sorrow and depression over Kaworu's death at his hands, visits the sedated Asuka in the Geofront hospital, being too afraid to turn to Misato or Rei. He attempts desperately, but fruitlessly, to wake Asuka, and in his attempt, he ends up ripping her shirt open and expose her breasts. He then goes on to masturbate to the sight.
Shinji, in a stage of deep sorrow and depression over Kaworu's death at his hands, visits the sedated Asuka in the Geofront hospital, being too afraid to turn to Misato or Rei. He attempts desperately, but fruitlessly, to wake Asuka, and in his attempt he ends up ripping her shirt open and expose her breasts. He then goes on to masturbate to the sight.


When the [[JSSDF]] attack NERV, Misato realizes that Asuka will be a high-priority target for the invaders and has her placed inside Eva-02 on the bottom of the [[Geofront]] lake to keep her out of their reach. No longer sedated, Asuka eventually returns to consciousness and is surprised to find herself inside the Eva. Just then the JSSDF, having located the Eva, attempts an attack with depth charges, the explosions from which sends Asuka into a panic. Asuka starts repeatedly declaring that she refuses to die, and as she does so, she hears [[Kyoko|Kyoko's]] voice inside the Eva, telling her not to give up, and realizes that her mother was inside the Evangelion all along and makes contact with her soul. A reinvigorated Asuka proceeds to reactivate the Eva, and rises from the lake engaging the JSSDF force in battle and later defeat all of the [[Mass Production Evangelions]] single-handedly. However, Eva-02 is eventually defeated when its power runs out and it is impaled through the left eye by a replica of the [[Lance of Longinus]]. The horde of Mass Production Evas, able to reactivate themselves with their S2 engines proceeds to brutally rip Eva-02 apart, with Asuka feeling all the pain. The Mass Production Evas eventually pauses their attack and takes to the skies, leaving a decrepit and mostly broken Eva-02 behind. Despite the pain and the state of Eva-02, Asuka manages through pure persistence and rage to force the Eva into [[berserk]] mode, as she determinedly reaches for the Mass Production Eva in the sky, swearing repeatedly she will kill them all. But in response, the Mass Production Evas each throw their replica spear into Eva 02, killing Asuka inside.
When the [[JSSDF]] attack NERV, Misato realizes that Asuka will be a high-priority target for the invaders and has her placed inside Eva-02 on the bottom of the [[Geofront]] lake to keep her out of their reach. No longer sedated, Asuka eventually returns to consciousness and is surprised to find herself inside the Eva. Just then the JSSDF, having located the Eva, attempts an attack with depth charges, the explosions from which sends Asuka into a panic. Asuka starts repeatedly declaring that she refuses to die, and as she does so, she hears [[Kyoko|Kyoko's]] voice inside the Eva, telling her not to give up, and realises that her mother was inside the Evangelion all along and makes contact with her soul. A reinvigorated Asuka proceeds to reactivate the Eva, and rises from the lake engaging the the JSSDF force in battle and later defeat all of the [[Mass Production Evangelions]] single handedly. However, Eva-02 is eventually defeated when its power runs out and it is impaled through the left eye by a replica of the [[Lance of Longinus]]. The horde of Mass Production Evas, able to reactivate themselves with their S2 engines proceeds to brutally rip Eva-02 apart, with Asuka feeling all the pain. The Mass Production Evas eventually pauses their attack and takes to the skies, leaving a decrepit and mostly broken Eva-02 behind. Despite the pain and the state of Eva-02, Asuka manages through pure persistence and rage to force the Eva into [[berserk]] mode, as she determinedly reaches for the Mass Production Eva in the sky, swearing repeatedly she will kill them all. But in response, the Mass Production Evas each throw their replica spear into Eva 02, killing Asuka inside.


During [[Third Impact]], Asuka features heavily in Shinji's experiences in [[Complementation]].
During [[Third Impact]], Asuka features heavily in Shinji's experiences in [[Complementation]].


''See also: [[Theory and Analysis:Final Scene in End of Evangelion]]''
After Third Impact, during [[Episode 26'#END OF EVANGELION ONE MORE FINAL: I need you.|One More Final]], Asuka ends up alongside Shinji on a beach, seemingly unconscious and with a bandaged right arm and left eye. Shinji starts to strangle her. However, Asuka stops him with a gentle caress of her hand across Shinji's cheek. Shinji begins to sob into her chest and after a few seconds she looks directly at him. She breaks the silence by simply saying "Kimochi warui." meaning "How disgusting." and the movie ends.
 
After Third Impact, during [[Episode 26'#END OF EVANGELION ONE MORE FINAL: I need you.|One More Final]], Asuka ends up alongside Shinji on a beach, [[Theory and Analysis:Final Scene in End of Evangelion|seemingly unconscious and with a bandaged right arm and left eye]]. Shinji starts to strangle her. However, Asuka stops him with a gentle caress of her hand across Shinji's cheek. Shinji begins to sob into her chest and after a few seconds, she looks directly at him. She breaks the silence by simply saying "Kimochi warui." meaning "How disgusting." and the movie ends.<ref>''"Kimochi warui"'' literally means "sick feeling", and depending upon the context, could be translated any number of ways, such as "I feel sick", "how disgusting", "I have a sick feeling", "this makes  me sick", "you make me sick", ect.  The difficulty in translating it into English is ''determining'' the context.  Thus various translations have have gone with different interpretations. It is an expression used many times before to express shock, discomfort or disapproval - for instance, when Shinji is first immersed in [[LCL]] in [[Episode 1]] and in a sense embraced by Yui, and when Asuka complains about sharing a bathtub, and a house with Misato and Shinji in Episode 22, as she is unwilling to belong. Because of its unclear meaning, it is hard to say whether she's referring to Shinji, herself, or soothing else. Asuka might be expressing disapproval at the situation they are in and Shinji acting meekly again. It might also be interpreted as how strange it feels for her to finally accept another person, something which so far has terrified her.</ref><ref>'''It's still a long way off, but what will the end be like? Will it be about the connection between Shinji and Asuka like the anime?'''<br>''That's the hard part. I don't know how it will turn out yet. I want to make a happy ending, but it's difficult to say what is happy. The movie version is happy in its own way. Humans are nothing when they are born and at the moment of death, so if the process of living is not enjoyable, they cannot live. Shinji had a hard time, but he wanted to live. That's why he's happy.'' - Sadamoto, [https://wiki.evageeks.org/Statements_by_Evangelion_Staff#Yoshiyuki_Sadamoto%3A_The_Other_Side_of_the_Story_.28Newtype_12.2F1997.29 Sadamoto, ''The Other Side of the Story'', Newtype December 1997]</ref>


==Profile==
==Profile==
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===With Shinji===
===With Shinji===
[[Image:22 C395 asuka-sink.jpg|left|200px|thumb|Asuka, upset that Shinji didn't hold her as they kissed.]]
[[Image:22 C395 asuka-sink.jpg|left|200px|thumb|Asuka, upset that Shinji didn't hold her as they kissed.]]
Asuka is somewhat attracted to Shinji Ikari, although the Asuka-Shinji relationship is less of a straight romantic relationship and more the deconstruction of one. Asuka initially dismissed Shinji in [[Episode 08]] as "boring" and then saw him as competition because of all the praise he was getting. When she heard of his surprisingly high initial synch rate, from Kaji, she feels compelled to show off Eva-02 and its production model features, and then to demonstrate her prowess first hand by dragging Shinji into battle with her. Following this, Asuka developed a level of friendship with Shinji that lasted until [[Episode 15]], when Shinji refused to give her the physical intimacy she desired and even more so in [[Episode 16]], when Shinji's synch rate surpassed Asuka's and directly threatened her sense of self-worth as a human being.


''Main article: [[Theory and Analysis:Shinji and Asuka's Relationship]]''
Asuka also showed frustration with Shinji’s accepting nature and reflexive apologies, often arguing with him and using her "Anta baka?" catchphrase on him <ref>"Anta baka?" becomes a trademark line delivered by Asuka, and is such a fan favorite that her voice actress often includes the phrase when signing autographs or when giving TV interviews. The best translation is "Are you stupid?". Throughout the series and End of Evangelion, "Anta baka" is said 14 times, "baka" by itself is said 8 times and "baka Shinji" ("Stupid Shinji") is said 9 times.</ref>, but Asuka also flirted with Shinji and was extremely hurt when he didn’t respond and give her the attention she deeply desires. <ref> See [[Theory and Analysis:Shinji and Asuka's Relationship]] for more details.</ref>


Asuka is attracted to Shinji Ikari, which appears to cause conflict in her. Their relationship takes up a large portion of the show and is very important to its themes. Initially Asuka seemed to view Shinji as competition in [[Episode 08]] because of all the praise he was getting, and she tried hard to show off to him<ref>When Asuka first meets Shinji she dismisses him as "boring", but when she hears from Kaji about his surprisingly high sync rate, she feels compelled to show off Eva-02 and its production model features, and then to demonstrate her prowess first hand by dragging Shinji into battle with her.</ref>, even though Shinji didn’t act like competition. Following this, Asuka showed frustration with Shinji’s accepting nature and reflexive apologies, often arguing with him<ref>"Anta baka?" becomes a trademark line delivered by Asuka frequently, usually directed at Shinji. The best translation is "Are you stupid?".</ref>, but Asuka also flirted with Shinji and seemed disappointed when he didn’t respond.<ref>In the "Wall of Jerico" scene in [[Episode 09]] or the "Kiss" scene in [[Episode 15]] for instance.  See [[Theory and Analysis:Shinji and Asuka's Relationship]] for more details.</ref><ref>'' "Why does Asuka want to kiss Shinji? Even assuming she was spiteful of Kaji, one doesn't understand the real underlying motive. After the kiss, Asuka states: "I did it just to kill time." She yells, as if to make Shinji perceive it and to confirm it to herself, as if she wants to hide some embarrassment" [https://e-hentai.org/g/942932/a93e1934f0/ Neon Genesis Evangelion Film Book vol 5], pp. 44–45.</ref>
[[Episode 22]] shows Asuka internally complaining about Shinji. "You won't do anything!" (After the "Wall of Jericho" sequence from [[Episode 09]], in which Shinji didn’t take to her reverse psychology), "You won’t help me! (Shinji had actually saved Asuka from the volcano in [[Episode 10]], but Asuka forgot about that) "You won’t even hold me!", (upset that Shinji didn't hold her while they kissed in [[Episode 15]], although she was using Shinji as a substitute for Kaji). However, by the end of Episode 22, any romantic feelings that may have been between the two of them are lost, because Asuka is too deeply damaged by the attack and Shinji, traumatized by the events of the next two episodes, is left with only Asuka to go to for help despite being afraid of her.  
 
[[Episode 22]] shows Asuka internally complaining of this. "You won't do anything!" (After the "Wall of Jericho" sequence from [[Episode 09]], in which Shinji didn’t take to her reverse psychology), "You won’t help me! (Shinji had actually saved Asuka from the volcano in [[Episode 10]]) "You won’t even hold me!", (upset that Shinji didn't hold her while they kissed in [[Episode 15]]), demonstrating the true nature of her feelings towards him.<ref>"And likewise, after the kiss scene from Episode Fifteen, "Lies and Silence," there is a new scene showing her looking frustrated after rinsing her mouth. And from Asuka's dialogue that overlaps these scenes, it becomes clear that she has been looking for help and love from Shinji."
 
[http://www.evamonkey.com/platinum-booklets/episode-commentaries-21-26.php Episode 22 Platinum Commentaries]</ref> She is also the first person to return from [[Instrumentality]] after him, and her caress stops him from choking her.<ref name="Cardass"> [http://wiki.evageeks.org/Neon_Genesis_Evangelion:_The_Card_Game#Translations Evangelion Cardass Masters] '' "Shinji renounced the world where all hearts had melted into one and accepted each other unconditionally. His desire... to live with 'others' -- other hearts that would sometimes reject him, even deny him. That is why the first thing he did after coming to his senses was to place his hands around Asuka's neck. To feel the existence of an 'other'. To confirm (make sure of) rejection and denial."<br>"In the sea of LCL, Shinji wished for a world with other people. He desired to meet them again, even if it meant he would be hurt and betrayed. And just as he had hoped/wanted, Asuka was present in the new world. Only Asuka was there beside him. The girl who he had hurt, and by whom he had been hurt. But even so, she was the one he had hoped/wished for...."<br>"Neither Yui, Rei nor Misato could do as a woman for Shinji. Asuka alone was the only girl on equal footing with him. So, Shinji desired/sought after Asuka. "I'm afraid of Misato and Ayanami." However, Shinji's crude affection only hurt her. In the end, he used her as an object of lust/desire to soothe/ console himself..."'' - [https://imgur.com/a/t2rG1A0 D-88, D-84, P-66, P-68, H-11], full set [https://e-hentai.org/g/204703/17dcec0f25/ here]</ref><ref>According to Megumi Ogata, Shinji's voice actress, the scene itself was modeled on a experience of a female friend of Anno's. This friend got into an argument with her boyfriend, and at some point he choker her in rage. Instead of reacting violently, this friend felt no fear, hatred or even a need for survivl, but rather a desire to caress him tenderly. In response, her boyfriend lost her grip. However, Anno's friend instead grew cold, and muttered Asuka's line from the EoE draft almost verbatim. Ogata believes this scene was how Anno wanted to "convey different ways how to bring feelings of love to a conclusion that exist in reality. You are you, I am I". Naturally, this reflects on the films of individuality and the duality of reaching out to others present in Eva.<br>Anno also guided Ogata to treat OMF partly as a separate story: "as something that just exists. As if everything that happened before in the movie is merely a dream that never happened. It is its own narrative unity, something that can fundamentally be taken away from its context in the movie and still be interpreted as a dramatic whole. It is and is not the final scene of EoE."<br>Furthermore, Ogata asked Anno to help her understand what Anno wanted to convey through the scene and how Shinji is supposed to act. Hearing this, Anno first stands silent and confused for a moment. Then he firmly wraps his arms around himself and hugs himself. This is on the "purpose" of what he is trying to express. As for how Ogata should play Shinji Anno asks her to not play Shinji: " ''"For this scene alone, I want Ogata to take on and express my feelings rather than Shinji's"''  - 『井手功二のエヴァンゲリオンフォーエヴァー』(アミューズブックス)</ref>
 
The state of their relationship is left open from there. As an interesting aside, Sadamoto also suggested during conceptualization of Eva that the relationship between Asuka and Shinji would be similar to the relationship between Jean, Nadia's love interest and eventual husband in the earlier Nadia.<ref>"An easily recognizable silhouette is also important, but I designed the characters so that their personalities could be more or less understood at a glance. For example, even the color and length of the hair expresses personality. I thought that Asuka would occupy the position of an "idol" in the Eva world, and that [Asuka and] Shinji should be just like the relationship between Nadia and Jean." -[http://web.archive.org/web/20110719224949/http://eva.onegeek.org/pipermail/evangelion/2006-November/003855.html EVA If it weren't for Sadamoto – Redux] Translation of interview with Yoshiyuki Sadamoto about designing the series.</ref> In contrast to the simple "favourable feelings" Shinji has with most other characters, ''[[Evangelion Chronicle]]'' describes their relationship as "complex feelings" and "love and hate."<ref>''Shinji/Asuka: Colleague-Complicated Feelings;Colleague-Love/Hate<br>Rei/Shinji: Colleague-Favorable;<br>Kaworu/Shinji: Colleague-Favorable<br>"Proud and assertive, Asuka possessed many strong qualities but lacked the ability to truly control her feelings. [...]It was only after Kaji's death and the Fifteenth Angel's psychological attack that Asuka came to realize Shinji and Kaji both occupied a similar place in her heart. This realization was quite shocking to Asuka, as she had thus far gone out of her way to dismiss and mock Shinji whenever possible.<br>Asuka's default behaviour toward Shinji emphasized mockery and distaste, though she couldn't deny also feeling some semblance of romantic interest toward him. When their synchronicity levels "officially" indicated that Shinji was superior to Asuka in some way, she started suffering a kind of psychological instability and had a hard time dealing with the love/hate she felt for him"<br>By chance, Asuka observed Rei and Shinji sharing a conversation. Asuka felt a very dark emotion welling up inside of her as she watched Shinji enjoying himself in Rei's company.<br>During Instrumentality, Asuka encountered Shinji inside his inner world and told him she didn't need anything if she couldn't have all of him. Despite the significance of this statement, Shinji's response was vague at best and he only sought a place at her side because it was a "comfortable" place to be. Hurt by the notion that she was nothing more than an escape for Shinji, Asuka outright rejected him. As a result, the Human Instrumentality Project did not reach its intended result, and any changes to the relationship between Asuka and Shinji were left unclear.<br>"Though Shinji and Asuka are both EVA pilots and living under the same roof、they are polar opposites. Despite their differences、Shinji did feel an attraction to Asuka at certain moments throughout their time together. When Shinji expressed his feelings to Asuka and sought her help during his instrumentality、she outright rejected him. Shinji and Asuka in the new world where the Human Instrumentality Project was not fulfilled Shinji had chosen a world where others existed、and for him Asuka became the first "Other".<br>"Asuka Langley Soryu Piloting EVA-02 was Asuka's way of maintaining her self-respect, and it also served to deepen her confusing love/hate for Shinji. Her repeated failures in combat against the Angels during the war had forced Asuka to face her own weaknesses, and though she did make a comeback during SEELE's forced requisition of NERV headquarters, she fell in battle against the mass-production model EVA units. Immediately after Asuka's defeat, the Human Instrumentality Project was activated, Asuka was the first "other" to exist in the new world that was created when Shinji wished for a world where others existed, and she was found lying next to Shinji."''<br>- [https://imgur.com/a/orJwZWR The Essential Evangelion Chronicle, Side B]</ref><ref>''"Shinji is with Rei in the sea of ​​L.C.L. while Human Instrumentality with Unit 01 as a substitute is in progress. Shinji didn't want a world where his boundaries were gone and he was nowhere else. Shinji's eyes tell that he that he will accept the fear of others, the strength of life that moves forward while being frightened can be seen. When their consciousness returned to reality, Shinji and Asuka lie in a world where Human Instrumentality is incomplete.<br>In the world where Shinji wanted to have others, Asuka became the first stranger, and Shinji reaches out to her [for her neck]. For Shinji, it is difficult for Asuka to understand Shinji's feelings as she screams whether she is hurt or she is the one who forms herself.<br>Shinji and Asuka stand alone in a space where no one else is around. In her mental world, Shinji was rejected while expressing her feelings to Asuka and asking her for her salvation, but the relationship between the two can/will* change in the new world."'' - [https://imgur.com/a/HBhxi9F Evangelion Chronicle Vol. 22], alternate translation from the Japanese<br>*Translator's notes: ''"The verb kawaru (変わる) means to change. In this passage, we have kawatte (変わって), which means changed. Add iku (いく) and it means changing. Add nodarou (のだろう) means probably. [The relationship] will probably change. The nature of such indefinite change means it is still likely unclear. So those two sentences basically say the same thing (unclear vs will change). The former wording is used in the English translation of the '''Essential''' digest version, while the latter is used in the French translation.</ref>><ref>Yuko Miyamura describes Asuka in 2007 as "what we now call a tsundere. It's Shinji that she's interested in as a member of the opposite sex, but she cannot really show it - Miyamura 2007 interview, FLASH EX</ref>


===With Rei===
===With Rei===
Asuka’s relationship with Rei Ayanami is also strained. Though it starts with Asuka often mocking Rei, later in the series Asuka acts blatantly hostile towards her, likely reflecting Asuka’s own deteriorating level of control. But the motivation is the same in either case: Asuka hates Rei because she’s the opposite of everything Asuka has tried to be. This antithesis is also spelled out thematically though re-occurring motifs. When Asuka makes her first appearance, she is standing facing the "camera" silhouetted against the Sun behind her, just as Rei is often seen against the moon. In addition, Asuka’s blue eyes and red hair are the inverse of Rei Ayanami’s blue hair and red eyes. <ref> See [[Theory and Analysis:Rei and the Moon]]</ref>
Asuka’s relationship with Rei Ayanami is also strained. Though it starts with Asuka often mocking Rei, later in the series Asuka acts blatantly hostile towards her, likely reflecting Asuka’s own deteriorating level of control. But the motivation is the same in either case: Asuka hates Rei because she’s the opposite of everything Asuka has tried to be. This antithesis is also spelled out thematically though re-occurring motifs. When Asuka makes her first appearance, she is standing facing the "camera" silhouetted against the Sun behind her, just as Rei is often seen against the moon. In addition, Asuka’s blue eyes and red hair are the inverse of Rei Ayanami’s blue hair and red eyes.


Asuka also sees Rei as mechanical and doll-like because of her tendency to do anything she is ordered to. When confronted in episode 22, Rei admits that, if ordered, she would kill herself, which sends Asuka into a frenzy because of her traumatic childhood experience with dolls.
Asuka also sees Rei as mechanical and doll-like because of her tendency to do anything she is ordered to. When confronted in Episode 22, Rei admits that, if ordered, she would kill herself, which sends Asuka into a frenzy because of her traumatic childhood experience with dolls.


===With Misato===
===With Misato===
It is made clear that Asuka views Misato as more a barricade stopping her from becoming an adult. She is constantly seen berating Misato for various things, ranging from her preferring Shinji to her messy apartment.
It is made clear that Asuka views Misato as more a barricade stopping her from becoming an adult. She is constantly seen berating Misato for various things, ranging from her preferring Shinji to her messy apartment.


Asuka also shows jealousy for Misato's awkward relationship with Kaji. She expresses this to him before arriving in Tokyo-3 by dismissing her as boring.  
Asuka also shows jealousy for Misato's awkward relationship with Kaji. She expresses this to him before arriving in Tokyo-3 by dismissing her as boring, and is deeply disturbed when Kaji and Misato return in [[Episode 15]], with Kaji smelling of Misato's lavender perfume.


===With Others===
===With Others===
Line 134: Line 139:
Despite wearing bandages that coincide with her final battle injuries in [[Episode 26'|the final scene]] of [[The End of Evangelion]], the fact Asuka was able to move her right arm and caress Shinji's cheek suggests she imagined herself in her own heart as healed. Asuka caressing Shinji's cheek is a noted as a sign that she may have changed for the better.  
Despite wearing bandages that coincide with her final battle injuries in [[Episode 26'|the final scene]] of [[The End of Evangelion]], the fact Asuka was able to move her right arm and caress Shinji's cheek suggests she imagined herself in her own heart as healed. Asuka caressing Shinji's cheek is a noted as a sign that she may have changed for the better.  


==In Other Media==
==Development==
[[File:Proposal 20 asuka.jpg|thumb|250px|left|Asuka's early design]]
Asuka's Japanese surname [https://wiki.evageeks.org/Character_Name_Origins comes from the] japanese World War II aircraft carrier [https://en.wikipedia.org/wiki/Japanese_aircraft_carrier_S%C5%8Dry%C5%AB Japanese aircraft carrier Sōryū]. Her German surname comes from the American aircraft carrier [https://en.wikipedia.org/wiki/USS_Langley_(CV-1) Langley], also from World War II, while her mother's name refers to the nearly completed Nazi German aircraft carrier [https://en.wikipedia.org/wiki/Graf_Zeppelin-class_aircraft_carrier Graf Zeppelin]. "SuperGirl Asuka" (超少女明日香, Cho-Shojo Asuka) written by Shinji Wada (和田 慎二, Wada Shinji?).Her mother's first name, "Kyoko", also comes from that manga's character Kyoko Aoi (葵 今日子, Aoi Kyoko). "明日 Asu" means "tomorrow" and "今日 Kyo" means "today" in Japanese.<ref>[https://jisho.org/word/%E6%98%8E%E6%97%A5 Jisho: 明日]</ref><ref>[https://jisho.org/search/%E4%BB%8A%E6%97%A5 Jisho: 今日]</ref>


{{expand}}
[[File:Proposal 26 eps-09-15.jpg|right|thumb|250px|Sketches of Asuka's early plugsuit design]]


===Manga Adaptation===
For her scenes featuring German terms, Anno asked for help from an American employee of Gainax, Michael House, who used high school knowledge of the language, and a Japanese-German dictionary from a local library.<ref>https://www.gwern.net/docs/eva/2011-house</ref> Gainax did not pay attention to the dialogues' German grammar, believing the series would never be successful enough to be distributed to native German speakers.<ref>[https://www.animenewsnetwork.com/feature/2018-03-02/the-indestructible-studio-gainax-part-iii/.128475 The Indestructible Studio Gainax], ANN</ref><ref name=":2">''In her phone conversation with her stepmother in Part A, Asuka speaks German. The contents of which are roughly as follows: "Hello? Mother? We just finished eating. What about you? You want me to introduce him? Please, of course not. He's not sociable. Uh-huh, uh-huh. Really, wow, I didn't know. That's great. I don't have anything to say, either. Talk to you again later. I'm hanging up, okay? Well, goodnight!" This dialogue was not written in the script, and was left up to Yuko Miyamura, who plays Asuka.'' - [http://www.evamonkey.com/platinum-booklets/episode-commentaries-21-26.php Platinum Episode Commentaries]</ref> Anno originally placed Asuka with a clear-cut personality, but the character rapidly gained his affection and he spontaneously started to develop her further. He says the character was truly born when he created the "Are you stupid?" line.<ref>[https://www.buymeacoffee.com/rikki/i-want-told-what-stupid-2 "I want to be told, "What are you, stupid?"] Miyamura and Anno interview, Animage July 1996.</ref><ref>'''For example, for the role of Asuka in Evangelion there are some lines in German, so the director told me I had to take German lessons. Off I went to Nova [a major language school in Japan] to study.'''


Apart from having a different shade of hair color (more of a strawberry blonde), Asuka's personality and origins are vastly different from those seen in the anime. In the manga she is a test-tube baby, proud of being "The product of an elite sperm and an elite egg". She is also trained in the martial arts, and single-handedly beats up a group of thugs who threaten her and Shinji. Her family situation is also different- the issue of her father, Langley, is never brought up, but as in the anime, she does want her mother's attention and love. She was actually throttled by her dysfunctional mother, and later "reenacts" this with Shinji when hospitalized.
''So how's your German now?'' Well, at the time I was doing the role I could hold an ordinary, everyday conversation, but my German lines in Evangelion were all military jargon. So my lessons were basically worthless.''' - [https://forum.evageeks.org/thread/9407/MixxZine-1999-Interview-with-Yuko-Miyamura-English-yes/ MixxZine 1999 Interview with Yuko Miyamura]'''</ref><ref>''This episode depicts the actions of Eva Unit-02 and its pilot, Asuka Langley Sohryu. Starting here, the series charges into the second part, the “Action Arc,” which depicts battles with various Angels in standalone episodes. The spirited character of Asuka ushers in a new phase of Neon Genesis Evangelion. Apparently, Asuka’s character became solidified in Director Anno’s mind when he came up with the lines “This is my Chance!” and “What are you, stupid?!”'' - [http://www.evamonkey.com/platinum-booklets/episode-commentaries-07-13.php Platinum Episode Commentaries]</ref> Asuka eventually became his favorite character.<ref>On his favorite Evangelion character...<br>ANNO: Asuka , because she's cute.<br>When told that the American audience favors  Misato ...<br>ANNO: I'm surprised. In Japan, the overwhelming favorite is  Rei . They can't handle strong women such as Misato  and Asuka. - [[https://web.archive.org/web/20020606012703/http://masterwork.animemedia.com/Evangelion/anno.html “Vir­tual Pan­el! Meet Hideaki An­no,” Ani­mer­ica vol.4, no.9]</ref><ref>''When asked about his favorite character from Evangelion, he answered he liked Asuka the most'' [https://news.yahoo.co.jp/articles/624e24da26279fabfdcf4ffcc69b68f216d736a3 - ``I feel the most for Asuka'' Hideaki Anno in front of an exhibit that traces his footsteps in Nagoya'']</ref><ref>Q: Who are your favorite EVA units and character?


Unlike the anime, where Shinji develops romantic feelings for her very quickly, Sadamoto's Shinji thinks of Asuka as "a real bitch", and his relationship with her is one of with a disagreeable coworker but gradually evolves into something of a friend, with romantic feelings hinted toward the end. Sadamoto conceived their dance training as akin to a "kiss", underlining their psychological connection, in place of the kiss scene in [[Episode 15]]. Similar to the anime, when they first meet in the manga, Shinji calls her "Soryu", and later "Asuka", her first name implying a greater degree of intimacy. However, after Kaworu's death, Shinji comes to visit Asuka in the hospital, similar to [[The End of Evangelion]]. He confesses his need for Asuka, saying, "The Asuka I want to protect isn't this empty shell!" She wakes up from her sedated state after this, and begins to choke Shinji, screaming about how she "hates everyone." Sadamoto claimed Asuka would be Shinji's symbol for his longing for the opposite sex, differently from Rei's "motherly" existence.<ref>[https://forum.evageeks.org/post/504388/Everyones-favorite-manga-topic-again/#504388 Sadamoto interview, Newtype 1997] </ref>
A: Favorite EVA is Unit-01. Favorite characters are Misato and Asuka, Ric-chan (Ritsuko), Fuyutsuki. -[[Evangelion 3.0+1.0 Assorted Translations#First Anniversary Khara Q&A|First Anniversary Khara Q&A]]</ref> Miyamura had originally auditioned for the role of Rei.<ref>[https://twitter.com/khara_inc/status/1312610900302413825 Khara inc Twitter]</ref> Miyamura also designed Asuka's stuffed monkey doll.<ref>"It was extremely difficult/painful to tear apart the stuffed monkey doll in episode 22.  Can you understand this feeling? She is also actually 13 years old through most of the series.<


===In Rebuild of Evangelion===
ONE DAY,
{{Rebuildcontentstart}}
Director Anno: "Hey, what kind of stuffed animal do you like?"
Asuka's counterpart in [[Rebuild of Evangelion]] is [[Asuka Shikinami Langley]], whose character develops in a markedly different manner from the original Asuka, aside from the change in name.
Miyamura: "Monkeys (heart mark)"
{{Rebuildcontentend}}
Director Anno: "Because that's what you're going to trample."
Miyamura: "Huh!?" ....


===Shinji Ikari Raising Project===
WHY~???
''Main article: [[Shinji Ikari Raising Project]]''
(Drawing of Asuka's stuffed monkey doll sweating bullets)
"Beware the traps of Director Anno..."


In this manga version, Asuka is a childhood friend of Shinji's. Although she still makes fun of him, she's also shown to have romantic feelings for him. As such, she was jealous when Rei joined them in school. The two of them dispute his attention for the remainder of the manga.
[Note: Asuka's stuffed monkey doll is a pre-Eva character drawn by
Miyamura Yuko, and is her trademark, appearing in many of her other
works and sometimes her autograph.]
[https://web.archive.org/web/20111017050347/http://eva.onegeek.org/pipermail/oldeva/2001-December/040737.html LD Liner Notes Vol.4: Voices from the Cast - Miyamura Yuko]</ref>


=== Neon Genesis Evangelion: Angelic Days ===
Asuka's story reflected the changes in the latter half of the series: although she had been introduced in an essentially positive role, her character became increasingly dramatic and introverted, going against the expectations and the pleasure principle of anime fans. In the twenty-second episode, Anno focused on her troubled emotional state, harassed by her first menstrual cycle, but not considering himself capable of exploring such a delicate and feminine theme, he condensed everything into a single scene.<ref>[https://forum.evageeks.org/post/425333/NGE-Ep24-Script-First-and-Second-Drafts/#425333 2nd JUNE Interview]</ref> Like other characters, Anno based Asuka on himself, and along Shinji and Misato, Anno considered Asuka as part of his conscious self. Anno felt difficulty in representing a female character, and liked to read romance novels written by women to better understand their feelings.<ref>[https://wiki.evageeks.org/Statements_by_Evangelion_Staff#Hideaki_Anno:_Eva_Special_Talk_with_Anno_Hideaki_and_Toshiya_Ueno_.28Newtype_11.2F1996.29 Eva Special Talk with Anno Hideaki and Toshiya Ueno (Newtype 11/1996)] [https://forum.evageeks.org/post/405232/Books-Shizo-Parano/#405232 alt. translation]</ref> His original intent was a long live action segment for the film:<ref>[https://ia802905.us.archive.org/17/items/neongenesisevangeliongenesis00inthebeginningjapanesevhs/Neon%20Genesis%20Evangelion%20Genesis%2000%20In%20The%20Beginning%20Japanese%20Vhs.mp4 Genesis 0:0 - In The Beginning]</ref> the original segment focused on Asuka. [https://www.youtube.com/watch?v=cwBs3VsNfdY In the alternate universe], Shinji would never have existed; walking the streets of Tokyo-2, however, Asuka would hear his voice calling her, voiced by Anno.<ref>[http://style.fm/as/05_column/animesama62.shtml Oguro Staff Commentary no. 62]</ref> Sadamoto conceived their dance training in the manga as akin to a "kiss", underlining his psychological connection "with a girl he loves", in place of kiss scene in [[Episode 15]]. Asuka would be Shinji's symbol for his longing for the opposite sex, differently from Rei's "motherly" existence.<ref>Sadamoto: Like in the anime, Asuka will act like she is a "good girl," but have a second aspect to her personality. I think it would be good if I can make Asuka an existence that, to Shinji as a member of opposite sex, he can respect to a certain extent and feels longing for. Sometimes a friend, sometimes a rival, but sometimes a member of the opposite sex.<br>[...]
''Main article: [[Angelic Days]]''
I decided not to do the kiss scene that was present in the anime as part of the storyline where Asuka and Shinji have to come together in unison in order to defeat the angel. From a boy's point of view, the first kiss is an enchanting incident. But if you start to think about what a kiss is, isn't it the first incident where you connect physically with the girl you love? But to me it is more real that before that psychological connection comes first. Moreover, I felt I could depict the psychological connection between fourteen-year-olds as being more pure than that between adults. For me, the scene depicted in the manga where they dance together to the music is something like a kiss.<br>[...] Sadamoto: I think, if you take Asuka as being, for Shinji, a symbol of the longed-for opposite sex, Rei is "maternal." For one, it seems like she has the genetic material of Shinji's mother. For myself, if I am asked who between Asuka and Rei I like more, it is probably because somewhere in Rei there is something motherly, and when Shinji looks disheartened she "scolds" him ever so softly. Rei asks Shinji, "Are you running away again?" Quite often she says harsh things that really get down to the point. It would be ideal if a friend of his would say it, but for some reason that doesn't happen. That [action of Rei's] is because a mother will absolutely not abandon her child. I think that, for Shinji, Rei is that sort of motherly existence. - [https://forum.evageeks.org/post/504388/Everyones-favorite-manga-topic-again/#504388 Sadamoto interview, Newtype 1997]</ref> As such, he decided to give Rei more room in the manga, emphasizing Rei's maternal role.<ref>'''''Asuka and her relationship with Shinji have a central role in the series, while in the manga she is kept in the background compared to Rei. What is the reason for this difference?'''(laughs) Anno and I have a different point of view on this. The manga is less spectacular than the anime, there's less action, so I preferred to focus on the relationship between Shinji and his mother, which is the core of my work. The anime, on the other hand, precisely because it's more spectacular, has another point of view. Of course, the relationship between me and my mother is different (laughs). A manga that influenced me a lot was Hyouryuu Kyoushitsu, by Kazuo Umezuo, which talks about the relationship between mother and son. Any mother in the world wants the best for her child, and my manga is about that.'' - [https://web.archive.org/web/20130814092522/http://www.dummy-system.com/sadamoto-days-i-fan-meet-e-lintervista/ Sadamoto Days – i fan meet e l’intervista]</ref> Shinji Higuchi, one of the chief animators and Shinji's namesake, had a large part in animating Asuka's scenes and came to feel for her as a daughter. He felt very strange to be called "idiot" and later "brat" by her during recording<ref>''"Evangelion is a work closely related to director Shinji Higuchi's name to the extent that the name of the main character was used. In the TV series, director Shinji Higuchi mainly participated in the part where 'Asuka' appeared. "She feels like a daughter," he said of Asuka."<br>"Honestly, it didn't feel good to keep being called by my name during the recording process. Others keep calling me 'idiot' (ばか). Asuka used to call me a fool in the TV series and the old movie version, but the new theatrical version I became a kid (がKI) in Es. It was painful to listen to."<br>"'' - [http://gamefocus.co.kr/detail.php?number=25696&thread=22r04 GameFocus interview with Higuchi]</ref>


Similarly to ''SIRP'', Asuka is Shinji's childhood friend and has strong feelings for him. They constantly get into fights and Asuka is shown to be jealous of Rei and particularly Kaworu. At one point, Shinji is invited to play a concerto with Kaworu but he decides to take care of a sick Asuka instead. Her feelings of inferiority are preserved, and she tries to overcompensate, as she is especially violent in the earlier chapters of the series, but mellows out eventually. She and Shinji eventually realize their feelings and declare their feelings for one another, and by the ending are adjusting to being a couple.
In a ''[https://en.wikipedia.org/wiki/Newtype Newtype] ''poll from March 2010, Asuka was voted as the third most popular female anime character from the 1990s. The June 2010 issue of Newtype ranked Asuka Shikinami Langley No. 8 in its monthly top 10 character survey. One reviewer describes her fatal flaw as "excessive Pride", noting that her mother goes insane after taking a test pilot experience on herself just as Asuka suffers a mental breakdown or contamination when challenging the 16th Angel herself.<ref>"An extrapolation of these verses also incorporates the eventual similar 'fate' and punishment of parents and children. With this in mind, the seeming parallels are shocking:...Asuka's mother, after direct (1st level) contact with an Angel, goes 'insane' and eventually kills herself. Asuka, after direct contact with the 16th Angel, as well as an extremely wounded hubris (excessive Pride), has a complete mental breakdown and attempts to commit suicide, but fails; she is effectively 'dead.'" Kenneth Lee, in [http://www.animenewsnetwork.com/editorial/1998-09-09 "The Thin Veneer Known as "Evangelion""], ''ANN''; Lee also describes Asuka in one scene as "completely misanthropic".</ref> Mike Crandol, also of ANN, states that "Again it is Asuka that it is most interesting to consider in this [semi-romantic] light. Sensing a kindred soul beneath her aggressive exterior (or perhaps admiring the determination he lacks), Shinji comes to love her, but does not know how to express it. Likewise, it is hinted that Asuka has similarly romantic feelings for Shinji, but her ego prevents her from admitting it even to herself."<ref>[https://www.animenewsnetwork.com/feature/2002-06-11 Understanding Evangelion]</ref> Pete Harcoff of Anime Critic described Asuka as providing much of the comic relief, while also being an "annoying snot".<ref>[https://web.archive.org/web/20131004215400/http://www.animecritic.com/evangelion/anr-evangelion.html Neon Genesis Evangelion]</ref> IGN ranked her as the 13th greatest anime character of all time, saying that "On the surface, she's a simple character. ... But as the series progresses we see that her pride is a cover for deeper emotions and deep, deep psychological problems."<ref>[http://www.ign.com/articles/2014/02/04/top-25-greatest-anime-characters?page=3 25 Greatest Anime Characters]</ref> Japanese critic Manabu Tsuribe considers that End of Evangelion was concluded by Shinji finding "an other" in her.<ref>[http://www001.upp.so-net.ne.jp/tsuribe/anime/critique/evae.html Prison of Self-consciousness: an Essay on Evangelion] "In my view, The End of Evangelion ended on the phase when Shinji, the hero, found Asuka as "the other." For Shinji, Asuka is an ambiguous existence. On the one hand she lectures and inspires him because she minds him, but on the other she is also an existence beyond his control-the other that can never be interiorized. Asuka's ambiguity is also the ambiguity of the work Evangelion as it is."</ref> For Hiroki Azuma, Asuka was the "symbol of the outside" in the world of ''Evangelion'', taking Shinji away from his comfort zone in the "Nerv family", in contrast to Rei, who'd play an "imaginary healing" role, Asuka would be an independent person in reality. Japanese band speena wrote a song about their relationship, "ジレンマ" (Dillema), on her having a love/hate relationship with him despite her feelings.<ref>[https://ja.wikipedia.org/wiki/%E3%82%B8%E3%83%AC%E3%83%B3%E3%83%9E_(speena%E3%81%AE%E6%9B%B2) Dillemma (speena song)]<br>
https://www.youtube.com/watch?v=oklwi4GKrcE</ref>


===Neon Genesis Evangelion: Gakuen Datenroku===
Asuka was initially less successful and popular than Rei, however over time Rei's popularity gave in to Asuka's, particularly with the release of [[Evangelion 3.0]].<ref>[https://www.crunchyroll.com/pt-br/anime-news/2015/04/14-1/evangelion-creator-hideaki-anno-discusses-rei-versus-asuka Creator Hideaki Anno Discusses Rei Versus Asuka]</ref> She is consistently ranked the most popular character in merchandising sales.<ref>[https://www.animenewsnetwork.com/interest/2019-02-05/eva-store-character-popularity-poll-yields-surprising-results/.143034 Eva Store's Character Popularity Poll Yields Surprising Results]</ref> Asuka is also credited as being highly influential in establishing the [https://en.wikipedia.org/wiki/Tsundere tsundere] archetype in subsequent anime.<ref>[https://www.kotaku.com.au/2013/08/how-to-identify-popular-japanese-character-types/ How To Identify Popular Japanese Character Types]</ref>
''Main article: [[Neon Genesis Evangelion Academy: Record of Heaven's Descent]]''


Asuka is generally the same as she is depicted in the original manga and routinely teases Shinji. She is an artificially created child, like Rei and Kaworu. She is the only one of the three to have had parents or go to school prior to her current one. It is later revealed that on one of her first assignments, Asuka was forced to kill her mother after Angels took possession of her body. Despite her hatred of Angels, she still befriends Kaworu after he reveals his true heritage to her. Unlike other versions, she also seems to get along well with Rei, and is visibly upset when Rei is shot by Gendo. At the end of the series, she is shown attending school alongside Shinji and Rei, starting up a normal life after Gendo's death and the defeat of the Angels.
==In Other Media==


=== Petit Eva: Evangelion@School ===
{{expand}}
''Main article: [[Petit Eva: Evangelion@School]]'


In Petit Eva, Asuka is also shown to be Shinji's childhood friend, constantly getting into fights. She is very energetic. In the Nintendo DS videogame adaptation, she also shows romantic interest in him and almost kisses him before being interrupted by Kensuke filming them and the rest of the cast watching them.
===Manga Adaptation===


===Tengen Toppa Gurren Lagann ===
Apart from having a different shade of hair color (more of a strawberry blonde), Asuka's personality and origins are vastly different from those seen in the anime. In the manga she is a test-tube baby, proud of being "The product of an elite sperm and an elite egg". She is also trained in the martial arts, and single-handedly beats up a group of thugs who threaten her and Shinji. Her family situation is also different- the issue of her father, Langley, is never brought up, but as in the anime, she does want her mother's attention and love. She was actually throttled by her dysfunctional mother, and later "reenacts" this with Shinji when hospitalized.
In the 2007 anime ''Tengen Toppa Gurren-Lagann'', Asuka, alongside [[Rei]], as well other female characters from other Gainax works, appear in episode 6, dressed in bunny outfits working in a bathhouse. However, it is revealed by the end of the episode that those girls were instead beastmen in disguise.


Other characters include Mahoro from ''Mahoromatic'', Nono, and Lal'c from ''Diebuster''.
Unlike the anime, where Shinji develops romantic feelings for her very quickly, Sadamoto's Shinji thinks of Asuka as "a real bitch", and his relationship with her is one of with a disagreeable coworker but gradually evolves into something of a friend, with romantic feelings hinted toward the end.  Similar to the anime, when they first meet in the manga, Shinji calls her "Soryu", and later "Asuka", her first name implying a greater degree of intimacy. However, after Kaworu's death, Shinji comes to visit Asuka in the hospital, similar to [[The End of Evangelion]]. He confesses his need for Asuka, saying, "The Asuka I want to protect isn't this empty shell!" She wakes up from her sedated state after this, and begins to choke Shinji, screaming about how she "hates everyone."


===Edge Of Spider-Verse===
===In Rebuild of Evangelion===
Asuka makes a cameo appearance alongside Kaworu, Rei and Shinji in the fifth chapter of Marvel's ''Edge of Spider-Verse'' storyline, as classmates of Peni Parker.
{{Rebuildcontentstart}}
Asuka's counterpart in [[Rebuild of Evangelion]] is [[Asuka Shikinami Langley]], whose character develops in a markedly different manner from the original Asuka, aside from the change in name.
{{Rebuildcontentend}}
==Theories==


===Non-Franchise Video Games===
* [[Theory and Analysis:Asuka and the Bathtub]]


Asuka appears in the Super Robot Wars game series, where she often butts heads with equally hot-headed and intelligent Kouji Kabuto, the pilot of Mazinger Z and Mazinkaiser. She is also implied to have developed crushes on famous heroes, such as Char Aznable (in the guise of Quattro Bageena) and Amuro Ray. However, the writers of the Super Robot Wars are evidently believers in Asuka and Shinji's suppressed feelings for each other. For example, in Super Robot Wars Alpha, Asuka jealously seizes a bouquet of roses Shinji meant for Lynn Minmei. In Super Robot Wars Alpha 3, she snaps Shinji out of his depressed state during the battle with the mass-produced Evas by declaring that she could not be with someone who'd simply lie down and die.
* [[Shinji and Asuka's Relationship]]


In KOF: Maximum Impact 2 the character Leona Heidern has an alternate costume that resembles Asuka's plug suit. She also has a costume that resembles Rei.
* [[Theory and Analysis:Film Montage Theory in Evangelion]] detailing Asuka's mental attack sequence
 
=Notes=
 
''See also: [[Character Name Origins]]''
 
Asuka's Japanese surname comes from the Japanese WWII aircraft carrier [[Warships_in_Evangelion#IJN_Soryu.28.E8.92.BC.E9.BE.8D_.29| Soryu]]. Her German surname comes from the American aircraft carrier [[Warships_in_Evangelion#USS_Langley.28CV-1.29| Langley]], also from WWII, while her mother's name refers to the nearly completed Nazi German aircraft carrier [[Warships_in_Evangelion#DKM_Graf_Zeppelin| Graf Zeppelin]].
 
Her first name comes from Saki Asuka, who is the main character of a Japanese manga "SuperGirl Asuka", ''超少女明日香, Cho-Shojo Asuka'', written by Shinji Wada. Her mother's first name, "Kyoko", also comes from that manga's character Kyoko Aoi.
 
Depending on the Kanji used, "Asu" could mean "tomorrow" and "Kyo", "today" in Japanese.<ref>https://jisho.org/word/%E6%98%8E%E6%97%A5</ref><ref>https://jisho.org/search/%E4%BB%8A%E6%97%A5</ref> For the German terms used in the scenes with Asuka, Anno asked for help from an American employee of Gainax, Michael House, who exploited his basic knowledge of the language, acquired in high school, and a Japanese-German dictionary from a local library.<ref>[https://www.gwern.net/docs/eva/2011-house https://www.gwern.net/docs/eva/2011-house]</ref> Gainax did not pay attention to the dialogues' German grammar, believing the series would never be successful enough to be distributed to native German speakers.<ref>[https://www.animenewsnetwork.com/feature/2018-03-02/the-indestructible-studio-gainax-part-iii/.128475 The Indestructible Studio Gainax, ANN]</ref> Anno originally placed Asuka with a clear-cut personality, but the character rapidly gained his affection and he spontaneously started to develop her further. He says the character was truly born when he created the "Are you stupid?" line<ref>[https://www.buymeacoffee.com/rikki/i-want-told-what-stupid-2 "I want to be told, "What are you, stupid?"] Miyamura and Anno interview, Animage July 1996.</ref> Asuka eventually became his favorite character.<ref>[https://web.archive.org/web/20020606012703/http://masterwork.animemedia.com/Evangelion/anno.html “Virtual Panel! Meet Hideaki Anno,” Animerica vol 4, no.9]</ref> Miyamura had originally auditioned for the role of Rei.<ref>https://twitter.com/khara_inc/status/1312610900302413825</ref>
 
Asuka's story reflected the changes in the latter half of the series: although she had been introduced in an essentially positive role, her character became increasingly dramatic and introverted, going against the expectations and the pleasure principle of anime fans. In the twenty-second episode, Anno focused on the girl's disastrous emotional situation, harassed by her first menstrual cycle, but not considering herself capable of exploring such a delicate and feminine theme, he condensed everything into a single scene. The author's original intent was a long live action segment for the film, with different content than the final version. The original segment focused on Asuka. [https://www.youtube.com/watch?v=cwBs3VsNfdY In the alternate universe], Shinji would never have existed; walking the streets of Tokyo-2, however, Asuka would hear his voice calling her. Ogata actually choking Miyamura for the EoE scenes was clearly consensual, despite rumours to the contrary.<ref>''MO: I'm delighted that you think I sounded natural as if I was doing ad-libs. I don't remember doing anything experimental. There was a time when I actually pushed Yuko Miyamura to the floor to strangle her during the last scene of the "Evangelion" movie in which Shinji strangles Asuka. I couldn't act very well in playing that scene. I was so agitated that I strangled her too hard, making it impossible for her to say her lines for a while. Of course, I apologized to her for doing that. I almost killed her.'' - [[Statements by Evangelion Staff#Megumi Ogata on fandom and choking Yuko Miyamura|Statements by Evangelion Staff - Megumi Ogata on fandom and choking Yuko Miyamura]]<br>
''CF: Did Megumi Ogata (Shinji) really strangle you while recording the voices for the End Of Evangelion to get a realistic performance?''<br>''YM: Yes, she did. I tried many times to make it sound like I was being strangled, but I couldn’t get it right. So, Megumi Ogata helped me make realistic sounds by actually strangling me. She’s nice isn’t she!?'' - [http://forum.evageeks.org/thread/11619/Miyamura-Gold-Coast-Film-Festival-2010/ Gold Coast Film Festival 2010]</ref>


==References==
==References==
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[[Category:A to Z]]
[[Category:A to Z]]
[[Category:Asuka Langley Soryu]]
[[Category:Evangelion Characters]]
[[Category:Evangelion Characters]]

Latest revision as of 04:20, 2 October 2024

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For information on the New Theatrical Edition character, see Asuka Shikinami Langley
Asuka Langley Soryu
惣流・アスカ・ラングレー
Rank / Title Second Children
Affiliation(s) Nerv
National Heritage Japanese, American, German
Relations Kyoko Zeppelin Soryu (mother), Mr. Langley (father),
Stepmother (Kyoko's doctor and Asuka's stepmother)
Age 13[1]
Birthday 12/04/2001
Seiyū Yuko Miyamura
Voice Actor (English): Tiffany Grant (ADV)
Stephanie McKeon (Netflix)
(Italian): Ilaria Latini, Domitilla D'Amico (young)
(Brazilian): Fernanda Bullara,
(French): Marjolaine Poulain
(Spanish,Spain): Georgina Sanchez
(Spanish,Latin America): Norma Echavarría
(German): Julia Ziffer

Asuka Langley Soryu is the Second Children, the designated pilot of Evangelion Unit-02.

Name

Asuka's given name (center, upside down and scribbled over) rendered in kanji as 明日香 during the Episode 26 AU sequence.

See also: Character Name Origins

Asuka is named after two warships, one Japanese, the Aircraft Carrier Soryu, the other U.S., the USS Langley. For more information on how Asuka and the other characters were named, see Character Name Origins. Asuka's surname is spelled differently from the name of the warship Soryu(蒼龍). The warship's name literally means "Green Dragon", but Asuka's name contains characters for "All" and "flow/flux/current/stream". No explanation has been given for the difference in name. Although the change could have been because "Green Dragon" would be a rather fantastical surname, Japanese surnames with the character for "dragon" in them exist. Adding to the mystery, aside from Ritsuko Akagi all the other characters share the same Kanji in their surnames as the warships they were named after, making their names at least as improbable.

Asuka's Japanese surname comes from the Japanese WWII aircraft carrier Soryu. Her middle name comes from the American aircraft carrier Langley, also from WWII, while her mother's surname refers to the nearly completed Nazi German aircraft carrier Graf Zeppelin.

Her first name comes from Saki Asuka, who is the main character of a Japanese manga "SuperGirl Asuka", 超少女明日香, Cho-Shojo Asuka, written by Shinji Wada. Her mother's first name, "Kyoko", also comes from that manga's character Kyoko Aoi. A brief shot from the Episode 26 alternate universe sequence shows the words "Ikari" and "Asuka" under an umbrella. Asuka is shown here as 明日香 - using the same Kanji as Wada's heroine, with the meanings of "clear/bright/to understand";"day,sun,date";"fragrant incense" respectively[2].

This particular rendering of her name - in the original Neon Genesis Evangelion TV series, no less - is unique, because all canonical materials render Asuka's given name in Katakana as アスカ, consistent with the Katakana rendering of all Evangelion characters' given names. The use of Katakana given names is seen at numerous points in the series - in ID cards or on-screen information on individuals - and is consistent throughout. This consistency is repeated in the New Theatrical Edition where Asuka Shikinami Langley has her given name rendered as アスカ, same as her original series counterpart.

Given that Asuka's canonical name in all other materials is in Katakana, the most likely explanation is that Asuka's name being written in kanji is only applicable within the alternate universe scenario seen in Episode 26, as a meta-instance of the rules and established details of the original series being pushed aside. If this is meant to be intentional and not an oversight or blooper by one of the animators, it makes Asuka the only member of the main cast for whom the Kanji in her given name is given in any universe or continuity. In the absence of further details confirming this, this one instance of Kanji being used for a character's given name remains anomalous, if fascinating.

Character Summary

Early Life

Asuka is 1/4 Japanese and 1/4 German (from her mother Kyoko Zeppelin Soryu's side), although her nationality is American, as is, apparently, her father's. When Asuka was very young — prior to her selection as an Evangelion pilot — her mother was involved in a contact experiment with Evangelion Unit-02 and lost her mind as a result, thinking that a rag doll was her daughter and ignoring Asuka. At the same time, Asuka's father proceeded to have an affair with Kyoko's doctor. Kyoko eventually turned suicidal, and asked Asuka to die with her, which Asuka agreed to, as she was too young to understand what her mother asked of her and believed it was the only way she could convince Kyoko to be her mother again. After being selected as an Evangelion pilot at a very young age, an overjoyed Asuka rushed to tell her mother, only to be devastated on finding that her mother had committed suicide, having hanged the doll in Asuka's place. At Kyoko's funeral, Asuka refused to cry, declaring she would have to look out for herself now. Following Kyoko's death, her father married his mistress. Asuka's new stepmother initially tried to bond with Asuka, but she ended up being discouraged as she found the young girl's overly serious disposition for her age and coldness towards her to be somewhat disturbing, and the two have kept each other at a mutual distance ever since. Her mother's death and her father's infidelity and remarriage have left deep scars on Asuka's psyche.

Until some point in 2015, Asuka lived in Germany[3], where she met Misato Katsuragi and Ryoji Kaji.

Arrival in Tokyo-3

Main articles: Episode 8, Episode 9

Asuka and Eva 02 are transported from Germany to Japan by the Pacific Fleet. Upon meeting (and attempting to impress) her former handler and the first children, she isn't impressed by Shinji (in fact, she seems very annoyed when Kaji praises Shinji's first battle in the lunchroom) but changes her mind when Kaji tells her he achieved 40% synchronization on his first battle. Right after that, Asuka feels the need to bring Shinji with her and show him the Eva-02 while talking about the Eva's capabilities. During this demonstration, they hear an explosion, and quickly get to the deck to see what was the cause, upon realizing that it's caused by an Angel she mutters to herself that it's her "chance" and drags Shinji along with her to sortie on Eva-02, forcing him to wear one of her plugsuits, as the two manage to eventually defeat the angel.

After failing to defeat Israfel the first time, on a suggestion of Kaji's, Asuka moves in with Misato and Shinji in Misato's Apartment to properly train for a coordinated double attack on the angel. After initial difficulties coming to a proper unison with Shinji, Asuka is "persuaded" to improve when faced with the prospect of Rei taking her place. After rigorous practice, Asuka and Shinji manage to defeat the Angel. At the end of the battle, Asuka and Shinji start arguing, and Shinji unwittingly ends up confessing he tried to kiss her while she was asleep.

Ace pilot and schoolgirl

Main Articles Episode 10, Episode 11, Episode 12, Episode 13, Episode 14

Asuka participates in Nerv's attempt to capture Sandalphon, descending in a magma filled crevice in Eva-02 using D-Type Equipment. The operation is aborted when the Angel awakens, and with some quick thinking, Asuka is able to defeat it by subjecting it to thermal shock using her equipment's cooling fluid. Asuka narrowly escapes falling into the abyss when Eva-02's cables fray, but she's caught in time by Shinji in Eva-01. Asuka will later recall this rescue during Arael's mind probe.

During the blackout, Shinji, Asuka and Rei have to manually infiltrate Nerv HQ, with Asuka assuming the self appointed leadership of their party. Asuka tries to tease Rei for being the commander's favourite, but is angered when Rei does not respond. Along the way, the trio discover that the ninth angel Matarael is attacking the base. When Shinji asks what the Angel's are and why they are attacking, Asuka remarks that they have to fight back at the strange beings attacking them. Eventually reaching the Eva Cages, All three Evangelions sortie under emergency power. Upon encountering the Angel's acid attack, and with their power supplies running low Asuka devises a plan to defeat it, placing herself in the most dangerous "offence" position during this. The plan works and Matarael is defeated, with Asuka regarding her debt to Shinji's earlier rescue repaid.

Asuka is irritated by Shinji's improving synchronization scores, though they remain behind her own. When Tokyo-3 is attacked from orbit by the 10th angel Sahaquiel, Misato orders all three Evangelions sortie in order to catch the Angel as it falls; Asuka openly disapproves of the reckless nature of the operation -- though puts on a show with Shinji afters Misato promises them a steak dinner. Before the operation begins, in response to his question, Asuka tells Shinji that she pilots her Evangelion to display her talents to the world. During Sahaquiel's attack, after Eva-01 catches the angel first, Eva-00 and Eva-02 arrive to dispatch it, with Asuka delivering the killing blow with her Prog knife. After the battle, when Shinji tells Misato that he pilots the Eva for his father's praise, Asuka regard this as a silly reason for piloting.

Asuka takes part in the tests with the simulation bodies in the Pribnow Box along with Shinji and Rei. During the tests, the 11th angel Ireul infiltrates the Pribnow Box and attacks, and Asuka and the other pilots are ejected. Nerv deals with the angel without using the Evangelions, while the pilots are left alone in their plugs for the duration, much to Asuka's irritation.

Asuka does not take part in the Eva cross-synch tests in Episode 14. When she asks why, Misato convinces her that she wouldn't want to pilot any other Eva but Eva-02 anyway -- though Misato does not tell her Eva-02 is not in fact interchangeable at all. After Eva-00's accident during the tests, Asuka wonders what kind of girl Rei really is.

Descent and Arael's mind invasion

Main articles: Episode 15, Episode 18, Episode 19, Episode 22, Episode 23, Episode 24

While Misato and Kaji are out at a wedding, Asuka asks Shinji if he wants to kiss, claiming she is bored. Due to Asuka and Shinji's respective interpersonal difficulties the kiss does not go well, and despite her overt reaction, Asuka is secretly deeply disappointed by Shinji's awkward reaction. This disappointment is compounded when Asuka smells Misato's lavender perfume on Kaji after he brings her home. It is very possible that the failure of the kiss and the feeling of "losing" Kaji are among the primary factors that lead to her sync ratio and capacity as a pilot gradually decay, further increasing her anguish and making her issues more apparent.

Shortly before the attack of Leliel, Shinji surpasses Asuka in sync ratio, an event which leaves Asuka stewing in barely restrained anger. The battles of Bardiel and Zeruel both end for Asuka in her being defeated while being outshined by Unit 01, something which further erodes her confidence and sanity. Asuka also becomes increasingly aware and ultimately jealous of Shinji and Rei's close relationship, eventually expressing a perceived defeat to Rei when she spots her and Shinji having a casual conversation. Asuka also starts having increasingly frequent anger breakdowns, something which does not go unnoticed by Misato, who admits to Ritsuko that she considers placing Shinji and Asuka in separating housing.

When Arael attacks, Asuka and Eva-02 are trapped by a beam of light from the Angel which proceeds to invade Asuka's mind. Asuka is forced to confront her relationships with Kaji, Shinji, and with herself with devastating consequences. When Rei defeats the Angel with the Lance of Longinus, Asuka is recovered, Shinji tries hesitantly to comfort Asuka, but she is furious by having been saved by Rei, which is yet another perceived humiliation for her. In the aftermath of Arael's attack, Asuka avoids returning to the Katsuragi household for extended periods of time, instead staying at Hikari's house, where she does nothing but play video games all day.

The lingering effects of Arael psychic attack finally becomes apparent during the attack of Armisael. Asuka's sync ration by this point is so low that she is send out as backup for Rei, though only with the hope that Eva-02 might be able to act as a decoy. Asuka, however, is by this point so deeply depressed that she is unable to making the Eva move even in the slightest, necessitating her immediate retrieval from the field.

Later, Shinji informs Asuka about Kaji's death, which seems to be what finally pushes her over the edge and makes her run away from home (similar to Shinji in episode 4) only to be found naked and malnourished in an abandoned apartment by Nerv agents[4] seven days later.

For her own safety, Asuka is interned in the Geofront's hospital, and placed under an artificial coma in hospital room 303.

The End of Evangelion

Shinji, in a stage of deep sorrow and depression over Kaworu's death at his hands, visits the sedated Asuka in the Geofront hospital, being too afraid to turn to Misato or Rei. He attempts desperately, but fruitlessly, to wake Asuka, and in his attempt he ends up ripping her shirt open and expose her breasts. He then goes on to masturbate to the sight.

When the JSSDF attack NERV, Misato realizes that Asuka will be a high-priority target for the invaders and has her placed inside Eva-02 on the bottom of the Geofront lake to keep her out of their reach. No longer sedated, Asuka eventually returns to consciousness and is surprised to find herself inside the Eva. Just then the JSSDF, having located the Eva, attempts an attack with depth charges, the explosions from which sends Asuka into a panic. Asuka starts repeatedly declaring that she refuses to die, and as she does so, she hears Kyoko's voice inside the Eva, telling her not to give up, and realises that her mother was inside the Evangelion all along and makes contact with her soul. A reinvigorated Asuka proceeds to reactivate the Eva, and rises from the lake engaging the the JSSDF force in battle and later defeat all of the Mass Production Evangelions single handedly. However, Eva-02 is eventually defeated when its power runs out and it is impaled through the left eye by a replica of the Lance of Longinus. The horde of Mass Production Evas, able to reactivate themselves with their S2 engines proceeds to brutally rip Eva-02 apart, with Asuka feeling all the pain. The Mass Production Evas eventually pauses their attack and takes to the skies, leaving a decrepit and mostly broken Eva-02 behind. Despite the pain and the state of Eva-02, Asuka manages through pure persistence and rage to force the Eva into berserk mode, as she determinedly reaches for the Mass Production Eva in the sky, swearing repeatedly she will kill them all. But in response, the Mass Production Evas each throw their replica spear into Eva 02, killing Asuka inside.

During Third Impact, Asuka features heavily in Shinji's experiences in Complementation.

After Third Impact, during One More Final, Asuka ends up alongside Shinji on a beach, seemingly unconscious and with a bandaged right arm and left eye. Shinji starts to strangle her. However, Asuka stops him with a gentle caress of her hand across Shinji's cheek. Shinji begins to sob into her chest and after a few seconds she looks directly at him. She breaks the silence by simply saying "Kimochi warui." meaning "How disgusting." and the movie ends.

Profile

Education

Asuka graduated college despite being a minor[5], although what degree she received is not stated. She is attending school with the rest of the children in order to learn kanji.[6]

Personality

The series' creators have described Asuka as a girl "who seeks to put herself above all others"[7]: in the very first scene Asuka appears in, she is standing on the control tower of the aircraft carrier, physically standing high above the landing pad where Shinji, Misato & Co. exit their helicopter transport. This also occurs later in this same episode, when Asuka feels driven to show off Eva 02 to Shinji, and is compelled to stand on top of Eva-02 to look down on Shinji far below. Also, when Asuka initially finds Shinji and orders him to come see Eva-02 with her, she is standing at the top of an escalator he is riding.

As an Eva pilot

As a consequence of these needs, Asuka loves to pilot an Evangelion for the positive attention she receives, but beyond that, Asuka seems to have a genuine zest for piloting, because it makes her feel powerful. Asuka is so proud of being a pilot that she constantly wears her Interface Headset, even when in a swimming pool or at a hot springs bath. However, because Asuka does not pilot out of a pure warrior’s spirit, she is trapped in the same bind that Shinji Ikari is, of being unable to have an identity separate from an Evangelion.

Asuka is the character with the most consistent "color scheme" in the series. Her Plug suit, Interface Headset, Evangelion, and hair are all red. This might be meant to symbolize her temperamental, passionate personality or to solidify the sense of identity she needs from her Eva. This can be further supported by the fact that she is also the only Children whose number designation matches with her Evangelion's.

Asuka is so identified with piloting that the loss to Zeruel in Episode 19 devastates her. This, followed by a mind-rape from Arael that forced Asuka to relive childhood trauma, and then being rescued by Rei Ayanami, whom she despised, started a breakdown that lead to a nearly comatose state in which she cared about nothing.

Relationships with Other Characters

With her mother

After her contact experiment with Evangelion Unit-02, Kyoko Zeppelin Soryu went insane and eventually committed suicide. Before Kyoko killed herself, she would talk to a doll that she thought was Asuka and ask her daughter to die with her, as Asuka's father wanted neither of them. On the day she was chosen to be an Eva pilot, the young Asuka opened the door to see that Kyoko had hanged herself along with the doll. When her mother told Asuka that she was not wanted, and so should die with her, it might have been the impetus for Asuka’s entire teenage personality, as she certainly tries to make people "notice" her, and also to assert her independence and adulthood.

Much of Asuka's obsession with being seen as an adult and fear and hatred of dolls, also stems from her experiences with her mother. When Kyoko asked Asuka to die with her, Asuka, at the time, being both too young to fully understand what was asked of her and desperate for Kyoko to acknowledge her as her daughter, agreed to the request, begging Kyoko to be her mother again while doing so. It is obvious that Asuka has later come to realize the implications of Kyoko's request, and felt deeply disturbed and powerless about how easily and readily she agreed to it; how she at that very moment was her "mommy's doll", so obedient to and depended on another person that she was willing to give up her life without a second thought. As a result, Asuka has come to resent the idea of being so beholden to anyone again and has become obsessed with being an independent adult who thinks only for herself in order to shield herself from ever ending up in a similar situation again.

With Shinji

Asuka, upset that Shinji didn't hold her as they kissed.

Asuka is somewhat attracted to Shinji Ikari, although the Asuka-Shinji relationship is less of a straight romantic relationship and more the deconstruction of one. Asuka initially dismissed Shinji in Episode 08 as "boring" and then saw him as competition because of all the praise he was getting. When she heard of his surprisingly high initial synch rate, from Kaji, she feels compelled to show off Eva-02 and its production model features, and then to demonstrate her prowess first hand by dragging Shinji into battle with her. Following this, Asuka developed a level of friendship with Shinji that lasted until Episode 15, when Shinji refused to give her the physical intimacy she desired and even more so in Episode 16, when Shinji's synch rate surpassed Asuka's and directly threatened her sense of self-worth as a human being.

Asuka also showed frustration with Shinji’s accepting nature and reflexive apologies, often arguing with him and using her "Anta baka?" catchphrase on him [8], but Asuka also flirted with Shinji and was extremely hurt when he didn’t respond and give her the attention she deeply desires. [9]

Episode 22 shows Asuka internally complaining about Shinji. "You won't do anything!" (After the "Wall of Jericho" sequence from Episode 09, in which Shinji didn’t take to her reverse psychology), "You won’t help me! (Shinji had actually saved Asuka from the volcano in Episode 10, but Asuka forgot about that) "You won’t even hold me!", (upset that Shinji didn't hold her while they kissed in Episode 15, although she was using Shinji as a substitute for Kaji). However, by the end of Episode 22, any romantic feelings that may have been between the two of them are lost, because Asuka is too deeply damaged by the attack and Shinji, traumatized by the events of the next two episodes, is left with only Asuka to go to for help despite being afraid of her.

With Rei

Asuka’s relationship with Rei Ayanami is also strained. Though it starts with Asuka often mocking Rei, later in the series Asuka acts blatantly hostile towards her, likely reflecting Asuka’s own deteriorating level of control. But the motivation is the same in either case: Asuka hates Rei because she’s the opposite of everything Asuka has tried to be. This antithesis is also spelled out thematically though re-occurring motifs. When Asuka makes her first appearance, she is standing facing the "camera" silhouetted against the Sun behind her, just as Rei is often seen against the moon. In addition, Asuka’s blue eyes and red hair are the inverse of Rei Ayanami’s blue hair and red eyes.

Asuka also sees Rei as mechanical and doll-like because of her tendency to do anything she is ordered to. When confronted in Episode 22, Rei admits that, if ordered, she would kill herself, which sends Asuka into a frenzy because of her traumatic childhood experience with dolls.

With Misato

It is made clear that Asuka views Misato as more a barricade stopping her from becoming an adult. She is constantly seen berating Misato for various things, ranging from her preferring Shinji to her messy apartment.

Asuka also shows jealousy for Misato's awkward relationship with Kaji. She expresses this to him before arriving in Tokyo-3 by dismissing her as boring, and is deeply disturbed when Kaji and Misato return in Episode 15, with Kaji smelling of Misato's lavender perfume.

With Others

Asuka tends to push people away, acting abrasive towards others if not snubbing them completely. She also tends to avoid relationships with boys of her own age (despite her popularity with them)[10], possibly to enhance her own image of "maturity". For this same reason, Asuka prefers to chase after the adult Ryoji Kaji though he ignores her advances.

Episode 22 demonstrates that Asuka also tries to appear totally independent in order to distance herself from the sadness caused by her mother’s death, swearing that she would never cry again. Episode 25, however, reveals that Asuka really doesn’t want to be alone, that retreating from others didn’t cure her pain. Despite her outer strength, Asuka does not have inner happiness.

End of Evangelion

In Episode 25', Asuka appeared to have regained her power through contact with her mother’s soul, however, the extent of Asuka's control over Unit-02's actions is a matter of debate.

During pre-Third Impact Instrumentality, Asuka told Shinji that she knows how he masturbated by her bedside at the start of Episode 25', and told him to "Do it again like usual... I'll even stand here and watch." But she also said that if she couldn’t have Shinji all to herself, she didn’t want anything from him, indicating that she wanted to possess him utterly. In Pre-Instrumentality, Asuka also told Shinji to stay away--for all he ever did was hurt her--and accused him of only going to her for help because she was the person who would hurt him the least.

Although Asuka was the first person to return to human form after Shinji rejected Instrumentality, it was unclear why she did this. She may have been motivated by a strong will to live, or merely a desire not to be so close to others’ souls, as one of her lines towards Shinji in Pre-Instrumentality was, "But, if I have to be with you, I'd rather die!"

Despite wearing bandages that coincide with her final battle injuries in the final scene of The End of Evangelion, the fact Asuka was able to move her right arm and caress Shinji's cheek suggests she imagined herself in her own heart as healed. Asuka caressing Shinji's cheek is a noted as a sign that she may have changed for the better.

Development

Asuka's early design

Asuka's Japanese surname comes from the japanese World War II aircraft carrier Japanese aircraft carrier Sōryū. Her German surname comes from the American aircraft carrier Langley, also from World War II, while her mother's name refers to the nearly completed Nazi German aircraft carrier Graf Zeppelin. "SuperGirl Asuka" (超少女明日香, Cho-Shojo Asuka) written by Shinji Wada (和田 慎二, Wada Shinji?).Her mother's first name, "Kyoko", also comes from that manga's character Kyoko Aoi (葵 今日子, Aoi Kyoko). "明日 Asu" means "tomorrow" and "今日 Kyo" means "today" in Japanese.[11][12]

Sketches of Asuka's early plugsuit design

For her scenes featuring German terms, Anno asked for help from an American employee of Gainax, Michael House, who used high school knowledge of the language, and a Japanese-German dictionary from a local library.[13] Gainax did not pay attention to the dialogues' German grammar, believing the series would never be successful enough to be distributed to native German speakers.[14][15] Anno originally placed Asuka with a clear-cut personality, but the character rapidly gained his affection and he spontaneously started to develop her further. He says the character was truly born when he created the "Are you stupid?" line.[16][17][18] Asuka eventually became his favorite character.[19][20][21] Miyamura had originally auditioned for the role of Rei.[22] Miyamura also designed Asuka's stuffed monkey doll.[23]

Asuka's story reflected the changes in the latter half of the series: although she had been introduced in an essentially positive role, her character became increasingly dramatic and introverted, going against the expectations and the pleasure principle of anime fans. In the twenty-second episode, Anno focused on her troubled emotional state, harassed by her first menstrual cycle, but not considering himself capable of exploring such a delicate and feminine theme, he condensed everything into a single scene.[24] Like other characters, Anno based Asuka on himself, and along Shinji and Misato, Anno considered Asuka as part of his conscious self. Anno felt difficulty in representing a female character, and liked to read romance novels written by women to better understand their feelings.[25] His original intent was a long live action segment for the film:[26] the original segment focused on Asuka. In the alternate universe, Shinji would never have existed; walking the streets of Tokyo-2, however, Asuka would hear his voice calling her, voiced by Anno.[27] Sadamoto conceived their dance training in the manga as akin to a "kiss", underlining his psychological connection "with a girl he loves", in place of kiss scene in Episode 15. Asuka would be Shinji's symbol for his longing for the opposite sex, differently from Rei's "motherly" existence.[28] As such, he decided to give Rei more room in the manga, emphasizing Rei's maternal role.[29] Shinji Higuchi, one of the chief animators and Shinji's namesake, had a large part in animating Asuka's scenes and came to feel for her as a daughter. He felt very strange to be called "idiot" and later "brat" by her during recording[30]

In a Newtype poll from March 2010, Asuka was voted as the third most popular female anime character from the 1990s. The June 2010 issue of Newtype ranked Asuka Shikinami Langley No. 8 in its monthly top 10 character survey. One reviewer describes her fatal flaw as "excessive Pride", noting that her mother goes insane after taking a test pilot experience on herself just as Asuka suffers a mental breakdown or contamination when challenging the 16th Angel herself.[31] Mike Crandol, also of ANN, states that "Again it is Asuka that it is most interesting to consider in this [semi-romantic] light. Sensing a kindred soul beneath her aggressive exterior (or perhaps admiring the determination he lacks), Shinji comes to love her, but does not know how to express it. Likewise, it is hinted that Asuka has similarly romantic feelings for Shinji, but her ego prevents her from admitting it even to herself."[32] Pete Harcoff of Anime Critic described Asuka as providing much of the comic relief, while also being an "annoying snot".[33] IGN ranked her as the 13th greatest anime character of all time, saying that "On the surface, she's a simple character. ... But as the series progresses we see that her pride is a cover for deeper emotions and deep, deep psychological problems."[34] Japanese critic Manabu Tsuribe considers that End of Evangelion was concluded by Shinji finding "an other" in her.[35] For Hiroki Azuma, Asuka was the "symbol of the outside" in the world of Evangelion, taking Shinji away from his comfort zone in the "Nerv family", in contrast to Rei, who'd play an "imaginary healing" role, Asuka would be an independent person in reality. Japanese band speena wrote a song about their relationship, "ジレンマ" (Dillema), on her having a love/hate relationship with him despite her feelings.[36]

Asuka was initially less successful and popular than Rei, however over time Rei's popularity gave in to Asuka's, particularly with the release of Evangelion 3.0.[37] She is consistently ranked the most popular character in merchandising sales.[38] Asuka is also credited as being highly influential in establishing the tsundere archetype in subsequent anime.[39]

In Other Media

"Making something... Nurturing something is really great. You can see and learn so many things from the process."
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Manga Adaptation

Apart from having a different shade of hair color (more of a strawberry blonde), Asuka's personality and origins are vastly different from those seen in the anime. In the manga she is a test-tube baby, proud of being "The product of an elite sperm and an elite egg". She is also trained in the martial arts, and single-handedly beats up a group of thugs who threaten her and Shinji. Her family situation is also different- the issue of her father, Langley, is never brought up, but as in the anime, she does want her mother's attention and love. She was actually throttled by her dysfunctional mother, and later "reenacts" this with Shinji when hospitalized.

Unlike the anime, where Shinji develops romantic feelings for her very quickly, Sadamoto's Shinji thinks of Asuka as "a real bitch", and his relationship with her is one of with a disagreeable coworker but gradually evolves into something of a friend, with romantic feelings hinted toward the end. Similar to the anime, when they first meet in the manga, Shinji calls her "Soryu", and later "Asuka", her first name implying a greater degree of intimacy. However, after Kaworu's death, Shinji comes to visit Asuka in the hospital, similar to The End of Evangelion. He confesses his need for Asuka, saying, "The Asuka I want to protect isn't this empty shell!" She wakes up from her sedated state after this, and begins to choke Shinji, screaming about how she "hates everyone."

In Rebuild of Evangelion

Asuka's counterpart in Rebuild of Evangelion is Asuka Shikinami Langley, whose character develops in a markedly different manner from the original Asuka, aside from the change in name.

Theories

References

  1. Going by Asuka's birthday, she is actually 13 for the majority of the series, as opposed to 14 (the "official age" for Eva pilots). Curiously enough, her age is provided as 14 in official materials, even, in some instances, right in juxtaposition with her birthday (e.g., Evangelion Chronicle)!
  2. https://en.wiktionary.org/wiki/明日香#Old_Japanese
  3. In Episode 08, Asuka's voice actress, Yuko Miyamura, noticeably struggles to pronounce Asuka's extended piece of German dialogue as she is starting up Eva-02. The English voice actress for Asuka, Tiffany Grant, quickly recites the German startup list much more fluidly. Aside from the fact that Tiffany Grant speaks German in real life, English and German are fairly closely related languages, while German is entirely alien to a speaker of Japanese. In the original Japanese track, Asuka actually speaks German only at two distinct points in the entire series: in Episode 08 when Asuka recites Eva 02's startup checklist, and later in Episode 22 when she has a phone conversation in German with her stepmother. For the English dub, Tiffany Grant (aided by her ability to speak German in real life) inserted many German words and phrases into Asuka's dialogue throughout the series.
  4. Theories float around on whether or not Asuka tried to kill herself, taking note the red surrounding her.
  5. She tells Shinji of this in Episode 10.
  6. Characters in the Japanese writing system that are borrowed from Chinese and represent words, as opposed to hiragana and katakana, which represent syllables.
  7. Platinum Vol 2 Episode Commentary. Retrieved 2011/03/03.
  8. "Anta baka?" becomes a trademark line delivered by Asuka, and is such a fan favorite that her voice actress often includes the phrase when signing autographs or when giving TV interviews. The best translation is "Are you stupid?". Throughout the series and End of Evangelion, "Anta baka" is said 14 times, "baka" by itself is said 8 times and "baka Shinji" ("Stupid Shinji") is said 9 times.
  9. See Theory and Analysis:Shinji and Asuka's Relationship for more details.
  10. See the locker full of ignored love letters in Episode 09.
  11. Jisho: 明日
  12. Jisho: 今日
  13. https://www.gwern.net/docs/eva/2011-house
  14. The Indestructible Studio Gainax, ANN
  15. In her phone conversation with her stepmother in Part A, Asuka speaks German. The contents of which are roughly as follows: "Hello? Mother? We just finished eating. What about you? You want me to introduce him? Please, of course not. He's not sociable. Uh-huh, uh-huh. Really, wow, I didn't know. That's great. I don't have anything to say, either. Talk to you again later. I'm hanging up, okay? Well, goodnight!" This dialogue was not written in the script, and was left up to Yuko Miyamura, who plays Asuka. - Platinum Episode Commentaries
  16. "I want to be told, "What are you, stupid?" Miyamura and Anno interview, Animage July 1996.
  17. For example, for the role of Asuka in Evangelion there are some lines in German, so the director told me I had to take German lessons. Off I went to Nova [a major language school in Japan] to study. So how's your German now? Well, at the time I was doing the role I could hold an ordinary, everyday conversation, but my German lines in Evangelion were all military jargon. So my lessons were basically worthless. - MixxZine 1999 Interview with Yuko Miyamura
  18. This episode depicts the actions of Eva Unit-02 and its pilot, Asuka Langley Sohryu. Starting here, the series charges into the second part, the “Action Arc,” which depicts battles with various Angels in standalone episodes. The spirited character of Asuka ushers in a new phase of Neon Genesis Evangelion. Apparently, Asuka’s character became solidified in Director Anno’s mind when he came up with the lines “This is my Chance!” and “What are you, stupid?!” - Platinum Episode Commentaries
  19. On his favorite Evangelion character...
    ANNO: Asuka , because she's cute.
    When told that the American audience favors Misato ...
    ANNO: I'm surprised. In Japan, the overwhelming favorite is Rei . They can't handle strong women such as Misato and Asuka. - [“Vir­tual Pan­el! Meet Hideaki An­no,” Ani­mer­ica vol.4, no.9
  20. When asked about his favorite character from Evangelion, he answered he liked Asuka the most - ``I feel the most for Asuka Hideaki Anno in front of an exhibit that traces his footsteps in Nagoya
  21. Q: Who are your favorite EVA units and character? A: Favorite EVA is Unit-01. Favorite characters are Misato and Asuka, Ric-chan (Ritsuko), Fuyutsuki. -First Anniversary Khara Q&A
  22. Khara inc Twitter
  23. "It was extremely difficult/painful to tear apart the stuffed monkey doll in episode 22. Can you understand this feeling? She is also actually 13 years old through most of the series.< ONE DAY, Director Anno: "Hey, what kind of stuffed animal do you like?" Miyamura: "Monkeys (heart mark)" Director Anno: "Because that's what you're going to trample." Miyamura: "Huh!?" .... WHY~??? (Drawing of Asuka's stuffed monkey doll sweating bullets) "Beware the traps of Director Anno..." [Note: Asuka's stuffed monkey doll is a pre-Eva character drawn by Miyamura Yuko, and is her trademark, appearing in many of her other works and sometimes her autograph.] LD Liner Notes Vol.4: Voices from the Cast - Miyamura Yuko
  24. 2nd JUNE Interview
  25. Eva Special Talk with Anno Hideaki and Toshiya Ueno (Newtype 11/1996) alt. translation
  26. Genesis 0:0 - In The Beginning
  27. Oguro Staff Commentary no. 62
  28. Sadamoto: Like in the anime, Asuka will act like she is a "good girl," but have a second aspect to her personality. I think it would be good if I can make Asuka an existence that, to Shinji as a member of opposite sex, he can respect to a certain extent and feels longing for. Sometimes a friend, sometimes a rival, but sometimes a member of the opposite sex.
    [...] I decided not to do the kiss scene that was present in the anime as part of the storyline where Asuka and Shinji have to come together in unison in order to defeat the angel. From a boy's point of view, the first kiss is an enchanting incident. But if you start to think about what a kiss is, isn't it the first incident where you connect physically with the girl you love? But to me it is more real that before that psychological connection comes first. Moreover, I felt I could depict the psychological connection between fourteen-year-olds as being more pure than that between adults. For me, the scene depicted in the manga where they dance together to the music is something like a kiss.
    [...] Sadamoto: I think, if you take Asuka as being, for Shinji, a symbol of the longed-for opposite sex, Rei is "maternal." For one, it seems like she has the genetic material of Shinji's mother. For myself, if I am asked who between Asuka and Rei I like more, it is probably because somewhere in Rei there is something motherly, and when Shinji looks disheartened she "scolds" him ever so softly. Rei asks Shinji, "Are you running away again?" Quite often she says harsh things that really get down to the point. It would be ideal if a friend of his would say it, but for some reason that doesn't happen. That [action of Rei's] is because a mother will absolutely not abandon her child. I think that, for Shinji, Rei is that sort of motherly existence. - Sadamoto interview, Newtype 1997
  29. Asuka and her relationship with Shinji have a central role in the series, while in the manga she is kept in the background compared to Rei. What is the reason for this difference?(laughs) Anno and I have a different point of view on this. The manga is less spectacular than the anime, there's less action, so I preferred to focus on the relationship between Shinji and his mother, which is the core of my work. The anime, on the other hand, precisely because it's more spectacular, has another point of view. Of course, the relationship between me and my mother is different (laughs). A manga that influenced me a lot was Hyouryuu Kyoushitsu, by Kazuo Umezuo, which talks about the relationship between mother and son. Any mother in the world wants the best for her child, and my manga is about that. - Sadamoto Days – i fan meet e l’intervista
  30. "Evangelion is a work closely related to director Shinji Higuchi's name to the extent that the name of the main character was used. In the TV series, director Shinji Higuchi mainly participated in the part where 'Asuka' appeared. "She feels like a daughter," he said of Asuka."
    "Honestly, it didn't feel good to keep being called by my name during the recording process. Others keep calling me 'idiot' (ばか). Asuka used to call me a fool in the TV series and the old movie version, but the new theatrical version I became a kid (がKI) in Es. It was painful to listen to."
    "
    - GameFocus interview with Higuchi
  31. "An extrapolation of these verses also incorporates the eventual similar 'fate' and punishment of parents and children. With this in mind, the seeming parallels are shocking:...Asuka's mother, after direct (1st level) contact with an Angel, goes 'insane' and eventually kills herself. Asuka, after direct contact with the 16th Angel, as well as an extremely wounded hubris (excessive Pride), has a complete mental breakdown and attempts to commit suicide, but fails; she is effectively 'dead.'" Kenneth Lee, in "The Thin Veneer Known as "Evangelion"", ANN; Lee also describes Asuka in one scene as "completely misanthropic".
  32. Understanding Evangelion
  33. Neon Genesis Evangelion
  34. 25 Greatest Anime Characters
  35. Prison of Self-consciousness: an Essay on Evangelion "In my view, The End of Evangelion ended on the phase when Shinji, the hero, found Asuka as "the other." For Shinji, Asuka is an ambiguous existence. On the one hand she lectures and inspires him because she minds him, but on the other she is also an existence beyond his control-the other that can never be interiorized. Asuka's ambiguity is also the ambiguity of the work Evangelion as it is."
  36. Dillemma (speena song)
    https://www.youtube.com/watch?v=oklwi4GKrcE
  37. Creator Hideaki Anno Discusses Rei Versus Asuka
  38. Eva Store's Character Popularity Poll Yields Surprising Results
  39. How To Identify Popular Japanese Character Types



Characters
Main characters: Shinji Ikari | Rei Ayanami | Asuka Langley Soryu
Nerv staff: Misato Katsuragi | Gendo Ikari | Ritsuko Akagi | Kozo Fuyutsuki | Ryoji Kaji | Maya Ibuki | Makoto Hyuga | Shigeru Aoba
Classmates: Toji Suzuhara | Kensuke Aida | Hikari Horaki
Other characters: Kaworu Nagisa | Yui Ikari | Naoko Akagi | Kyoko Zeppelin Soryu | Dr. Katsuragi | Mr. Langley | Keel Lorenz | Pen Pen
Rebuild of Evangelion: Asuka Shikinami Langley | Mari Makinami Illustrious | Sakura Suzuhara | Ryoji Kaji (Jr)
Miscellaneous: Minor Characters | Minor Characters (Rebuild) | Extracanonical Characters
Theory and Analysis: Name Origins (Warships) | Designs | Relationships | Profiles
Resources: 2015: The Last Year of Ryohji Kaji