Guides:Episode 21 OA vs. DC: Difference between revisions
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''(the On-Air Renewal version restores the caption)'' | ''(the On-Air Renewal version restores the caption)'' | ||
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| [[FGC:Episode_21_Scene_05#cut_21_328|328]] | | [[FGC:Episode_21_Scene_05#cut_21_328|328]] |
Revision as of 10:04, 6 March 2024
As with the rest of the DC episodes, a lot of the cuts were redrawn to be as similar as possible to the original ones and are almost indistinguishable from them, while others were radically modified. The "On-Air Version" of Episode 21 present in the Renewal edition actually uses the DC version of those cuts that were redrawn with minimal changes, and simply omits the footage that wasn't present in the original OA. Exceptions to this rule will be noted below.
Scene 01: Adam
Cut | OA | DC | Comments |
---|---|---|---|
305 | |
The entire Scene 01 was added in the DC. The OA episode starts with the usual opening sequence. | |
306A | |||
307 | |||
308 | |||
309 |
Scene 02: Professor Fuyutsuki
Cut | OA | DC | Comments |
---|---|---|---|
001 | OA cuts fades in from black, and the credit counter goes from 049 to 048 (just like in Episode 13). In DC the counter is stuck at 999. | ||
002B | |||
009 | In the OA edition, Misato removes her ID and handgun together from an interior jacket pocket. The result is a little awkward, as it looks like the two items are fused together. This is fixed in the DC edition, in which Misato's ID is already on the table in front of her, and she simply removes her handgun from her jacket pocket and places it on the table with her ID. | ||
034 | Yui's expression changes and she blushes slightly in the OA version when talking about her future family life. Her face remains immobile in the DC. | ||
035 | DC zooms slightly in. The cut has been reanimated (the background is in a slightly different position) |
Scene 03: Rokubungi Gendo
Cut | OA | DC | Comments |
---|---|---|---|
058 | Redrawn for DC. Yui moves only her head in the DC when she's talking, while in the OA she moves her entire torso. | ||
310 | New sequence for DC. | ||
311 | |||
312 | |||
313 | |||
314 | |||
315 | |||
316 | |||
317 | |||
318 | |||
319 | |||
320 | |||
321 | |||
322 |
Scene 04: The Antarctic Investigation
Cut | OA | DC | Comments |
---|---|---|---|
072 | The ship moves in the OA cut with respect to the "icebergs", while it remains stationary in the DC. | ||
076 | The reflections in the ship's windows look different between OA and DC. | ||
324 | New cuts added in the DC. | ||
325 | |||
326 | Note that the underground cavern under Antartica was added for the DC. Fuyutuski doesn't even mention it in the OA. | ||
327 | 104/105 OA were fused into 327 DC, while adding with new animation.
(On-Air Renewal follows the original OA) | ||
104 | |||
105 |
Scene 05: A Prototype for a God
Cut | OA | DC | Comments |
---|---|---|---|
111 | The foreground moves in the OA. | ||
112 | New cuts for the DC. | ||
113 | |||
114 | |||
115 | |||
117 | The OA version of this cut has a text overlay (Gendo Ikari, Director)
(the On-Air Renewal version restores the caption) | ||
328 | New sequence for the DC. Fuyutsuki's dialogue about the similarity of the Geofront to the South Pole cavern was added for the DC. | ||
329 | |||
330 | |||
331 | |||
136 | Redrawn for the DC. | ||
137 | Redrawn for the DC. | ||
138 | Redrawn for the DC. Ritsuko's jacket and hair look different. | ||
140 | Redrawn for the DC. | ||
142 | Redrawn for the DC. | ||
143 | Redrawn for the DC. | ||
144 | Redrawn for the DC. |
Scene 06: A Mother
Cut | OA | DC | Comments |
---|---|---|---|
Title2 | The 21' designation for the DC episode was added in Renewal. | ||
147B | |||
147D | |||
160 | Misato opens her eyes a little earlier in the DC, and Kaji's embrace is a little different. | ||
161 | |||
164 | |||
332 | New sequence for the DC. | ||
333 | |||
334 | |||
335 | |||
336A | |||
337 | |||
338 | |||
336B | |||
339 | |||
340 | |||
341 | |||
342 | |||
343 | |||
344 | |||
345 |
Scene 07: Contact
Cut | OA | DC | Comments |
---|---|---|---|
166 | |||
174 | Most of the images in the OA were recycled from Episode #16.
(On-Air Renewal follows the original OA) |
Scene 08: Rei I
Cut | OA | DC | Comments |
---|---|---|---|
183 | Ritsuko is drawn differently, and the railway pylons' reflections were added in the DC. | ||
186 | |||
188 | |||
191 | Interestingly, this cut seems more detailed in the OA version. | ||
195 | Ritsuko's expression is slightly different, and she keeps her mouth closed in the OA. | ||
197 | The captions were added in the DC (Geofront Artificial Canopy / Lower Level 2 Support Area (Future Location)) |
Scene 09: Old Hag
Cut | OA | DC | Comments |
---|---|---|---|
221 | |||
222 | |||
223 | |||
242 | The DC added some video effects to Rei's face.
(in this sequence, On-Air Renewal follows the DC) | ||
245 | |||
247 | |||
250 | It's not only a coloration error, the whole frame is redrawn in the DC. | ||
253 | |||
255 | The DC zooms in slightly. | ||
258 | The image is a lot more detailed in the DC. The upper bridge is raised in the OA, while it's lowered in the DC. |
Scene 10: Kaji's Death
Cut | OA | DC | Comments |
---|---|---|---|
347 | New sequence for the DC. | ||
348 | |||
263 | |||
264 | |||
349 | Kaji's talks about the Adam embryo he stole only in the DC. | ||
267 | |||
269 | |||
271 | |||
275 | The fan rotates faster in the OA. | ||
277 | |||
279 | (On-Air Renewal follows the original OA) |