Neon Genesis Evangelion (manga)
Neon Genesis Evangelion is a manga series by Evangelion character designer Yoshiyuki Sadamoto. It is an alternate retelling of the story of the Neon Genesis Evangelion TV series, constituting a separate continuity, with many subtle and obvious changes from the series on which it is based. The manga ran for almost two decades, and was serialized from December 26, 1994 to June 4, 2013 in Shōnen Ace (1994-2009) and Young Ace (2009-2013), and consisted of a total of 96 chapters and a bonus chapter spread across 14 Tankōbon volumes. The manga also ran before the series premiered and well after the series had ended, with its debut some 10 months ahead of the show's release in October 1995 thanks to delays in its production. However, after the early chapters Sadamoto, who prioritized other projects, maintained a very inconsistent release schedule, which caused multiple years-long hiatuses and significant portions of the story to be cut. As a result of this, the manga was only concluded some 17 years after the series' end in March 1996. Links to the summaries of each Tankōbon volume of the manga are listed below.
Unlike it is sometimes assumed, the manga is in fact not the original version of the story, but instead it was created as a supplemental designed to promote the TV series and was continued thanks to the series' popularity. Sadamoto has also repeatedly stated that the manga is his own individual work and should never be used as a reference for anything in the anime. He has also denied links to the Rebuild movies.
|Volume 1 | Volume 2 | Volume 3 | Volume 4 | Volume 5 | Volume 6 | Volume 7 | Volume 8 | Volume 9 | Volume 10|
|Volume 11 | Volume 12 | Volume 13 | Volume 14|
Changes made from the anime series
The plot of the manga follows the anime closely in its first half or so, with Sadamoto adding and changing significant elements in the second half. Most of the Action Arc is removed, as well as several Angels. The manga also features much less introspective, psychological and philosophical scenes.
- The manga's first chapter includes a scene from the Neon Genesis Evangelion Proposal that ultimately did not make it into the TV series, namely introducing the concept of Evangelions (and Rei Ayanami as a character) by showing one engaging in battle with the Angel, but having said battle ending with the Eva having to retreat after being outmatched. The scene is also altered a bit from how the Proposal described it, most prominently in how the Proposal's version had Rei piloting Eva-00 in the battle, but the manga has her in Eva-01 instead.
- Shinji acts more like the typical shounen mecha protagonist, with a lot more sarcasm and backbone than he ever showed in the anime. He is a lot more juvenile and less introspective than in the series.
- Shinji's past is also explored more in-depth, including interactions with his mother.
- Rei is also very different from her anime counterpart, even more so than Shinji. She comes across as more "human" than in the anime, opening up more to people through her complicated interactions with Shinji. The manga also displays more of Rei's thoughts and feelings, and even points towards some sort of affection for Shinji, perhaps even beyond the affection of just friendship.
- Asuka is markedly more childish, and her "popular" façade is more pronounced. In particular, she puts on more of a show for the adults as a proper, responsible girl. She is more self-centered and is somewhat less aggressive towards Shinji but still teases him a lot, and he is still interested in her and Rei, just like the anime.
- Pen Pen is given a backstory; he was a penguin that was being experimented on, and was rescued by Misato.
- Shinji runs away because he finds a journal Misato had been keeping, which detailed Shinji's behavior while she was watching him.
- Shinji, along with Toji and Kensuke, are not present for the fight with Gaghiel; Shinji watches it on tape at NERV HQ, and Asuka defeats the Angel by herself.
- As such, the circumstances of their meeting are changed: Shinji meets Asuka at an arcade, where he, Toji, and Kensuke watch her beat up some men.
- Toji is far more antagonistic and abusive towards Asuka, referring to her as a "bitch" several times. His Kansai dialect and "country manners" are also expanded upon.
- Kensuke is smitten with Asuka, however, he never mentions it to her, and Asuka remains apathetic towards him.
- Hikari approaches Shinji to ask for help in regards to Toji
- Shinji is also aware of Toji's status as the pilot of Eva-03 before the battle, as Toji made sure to tell him.
- Toji dies in the battle, as opposed to surviving with a missing leg.
- Thirteen of the Seventeen Angels are used, with the Lilin being the final Angel encountered, much like EoE.
- Kaji is much more present in the manga than in the anime, giving Shinji a lot more advice, and being there for Shinji on multiple occasions, including just before the battle with Zeruel. It is also made very clear that he is dead in the manga with him embracing his dead brother's spirit, as opposed to the anime's more ambiguous scene depicting his death.
- Kaworu appears much earlier than in the anime, as a replacement pilot for Eva-02, when it appears that Asuka's synch ratio is dropping too low. This pushes Asuka to fight Arael in order to show she can still fight. He is much more alien and aloof than in the series, and Shinji constantly tries to avoid him.
- Kaworu is also present for the fight with Armisael, after becoming Eva-02's pilot.
- Like in the anime, in the manga Shinji shows no sexual attraction to Rei. But he is able to define their relationship when he says "What I feel for Ayanami, it doesn't go with words...like 'like' and 'want to go out with.' It's as if she's a part of me that was torn away a long time ago." (Volume 5 of the manga)
- After Kaworu's death, Shinji openly acknowledges his need for human interaction and the bonds that come along with it, and exhibits his despondency when those bonds are severed. For example, when Shinji heads to see Asuka in the hospital he says, "The Asuka I want to protect isn't this empty shell!" Meaning, Asuka's distance from him represents the completion of his social estrangement, not that he had sexual feelings for her, which is a clear contrast to his masturbating over Asuka's body in End of Evangelion. Asuka then wakes up from her coma and attempts to strangle Shinji before she is subdued (where she proclaims her hate for everyone). After this, the manga begins to loosely follow End of Evangelion.
- However in a change from EoE, Asuka is not brutally dismembered as she was, with Shinji arriving just in time to protect her and fulfill his promise to Misato.
- Unlike End of Evangelion, Shinji is rescued from the JSSDF by Gendo; Misato only shows up later to escort Shinji.
- The ending is drastically different, with the beach scene of Shinji and Asuka from EoE replaced with what appears to be a world where the Evangelions only existed long ago, with petrified Mass Production Evas treated as "relics", possibly eons after the events in the manga, or another reality entirely.
- The overall ending is more less open-ended as well, with Shinji looking forward to the future.
Changes in character backstory
- Shinji Ikari - Instead of living with his sensei for the years after Yui's death, Shinji lived with his aunt and uncle. From Stage 90, it is made clear that his relatives are Yui's relatives, but it is left unknown from dialogue whether his aunt or uncle are the sibling of Yui.
- Asuka Langley Soryu - Asuka was a test-tube baby, instead of being the child of Kyoko and Langley. Kyoko remains her mother, however, and the rest of her story remains similar.
- Ryoji Kaji - Kaji is given a backstory in the manga. He lived with many children on the streets, stealing food to survive after Second Impact.
Character design alterations
- Shinji Ikari - In the anime series, Shinji is always depicted with dark brown hair and dark blue eyes. However, in the manga, Shinji has black hair and brown eyes.
- Asuka Langley Soryu - In the anime, Asuka has dark red hair. In the manga, she has strawberry blonde hair.
- Kaworu Nagisa - Kaworu's hair and face became thinner and more angular, more mature in a way. His hair is shorter and silver-colored, as opposed to a lavender gray. His pupils are more prominently depicted than they are in the anime.
- Toji Suzuhara - In the anime, Toji was depicted with black hair. In the manga, he has light brown hair.
- Shigeru Aoba - His hairstyle is slightly different.
- In the Japanese volumes of the manga there is usually an interview with one of the production team who made, or were otherwise involved in, the television series.
- At the end of each volume a 4-koma called Angel Kiss was usually present.
- This supplemental material was translated and published by Viz Media in their special edition release of Sadamoto's manga.
All artwork by Yoshiyuki Sadamoto
- According to an Interview from April 1996 which was published in the original Japanese Manga Volume 2, Sadamoto stated that he "wrote the script of the manga using the anime as a base", implying that the Evangelion anime was produced first (even though the manga was released first).
- Mari shows up in the bonus chapter of the final volume as a college schoolmate of Yui and Kyoko, who is smitten with Yui, and jealous that she is in a relationship with Gendo.
- All About Kaworu Nagisa interview
- Interview with Sadamoto, includes his confirmation that the Mari bonus chapter was just fanservice.
|Eva and Eva 2 Anthology | Girlfriend of Steel 2 (manga) | Neon Genesis Evangelion (manga) | Evangelion: Campus Apocalypse | Shinji Ikari Raising Project (Manga) | Shinji Ikari's Detective Journal|