Episode 26: Difference between revisions

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| japanese_title_k = 世界の中心でアイを叫んだけもの
| japanese_title_k = 世界の中心でアイを叫んだけもの
| japanese_title_r = Sekai no Chuushin de AI o Sakenda Kemono
| japanese_title_r = Sekai no Chuushin de AI o Sakenda Kemono
| japanese_title_e = The Beast that Shouted Love at the Heart of the World
| japanese_title_e = The Beast that Shouted Love at the Heart of the World<ref>The title ''The Beast that Shouted Love at the Heart of the World'' comes from a collection of short stories by American author [http://harlanellison.com/home.htm Harlan Ellison]. The Japanese word ''ai'' (love), could also be interpreted as representing the English "I". Both meanings are appropriate to the episode, but the Harlan Ellison title is considered the correct one.</ref>
| english_title    = Take Care of Yourself
| english_title    = Take Care of Yourself
| image            = [[Image:ep26_screenshot_sketch_shinji.jpg|260px]]
| image            = [[Image:ep26_screenshot_sketch_shinji.jpg|260px]]
Line 20: Line 20:


==Synopsis==
==Synopsis==
The fear of ceasing to exist. But [[Shinji Ikari]] thinks that he might not need to exist, because he is unwanted, useless. [[Misato Katsuragi]] tells Shinji that was he truly fears is failure. Failure to be loved, and of seeing how weak he is. He replies that Misato does the same thing, and she agrees. In fact, she and other characters say, it’s true for all humanity, this weakness. It’s why Instrumentality is taking place. Humans cannot live alone, but yet they are separate entities: thus conflict and pain is created. Humans cannot live but in Instrumentality. "Really?" asks the text.
The year is 2016. Instrumentality is still ongoing and [[Shinji Ikari]] is one of all the people undergoing the process. The event is viewed from his perspective.


The questions, posed by [[Rei Ayanami]]: What are you alive for? Who are you living for? Are you happy being alive?  [[Asuka Langley Soryu]] thinks it is for herself, and she is happy. Misato only wants to do what she enjoys. But Shinji is unsure of all these things. [[Ryoji Kaji]]’s voice asks: Do you hate feeling lonely? Do you hate suffering? Shinji does. So does Misato. So is that why you run away? Misato asks, what’s wrong with running away from pain?
Shinji is confronted with the fear of ceasing to exist. However, he feels that this fear is not present in him, as he thinks that he might not need to exist, because he feels unwanted and useless. [[Misato Katsuragi]] tells Shinji that what he truly fears is failure. Failure to be loved, and of seeing how weak he truly is. Shinji replies that Misato does the same thing, and she agrees. In fact, she and other characters confirm that it's true for all humanity, this weakness. It is why Instrumentality is taking place. Humans cannot live alone, but yet they are separate entities: thus conflict and pain are created. Humans cannot live but in Instrumentality. "Really?" asks the text.


But, Shinji says, I mustn’t run away! He is asked why, and Shinji replies that it’s because running away hurts just as much as what he ran away from. It’s wrong, even when the others say that he can run away if he wants to. And if he runs, the others will forsake him. Yet also, if he does what others tell him to do, then they won’t forsake him. He’s afraid of being hurt, but the other characters tell him that he’s not the only one who feels pain. Shinji has just made himself believe that he’s the only one who gets hurt.
The questions, posed by [[Rei Ayanami]]: What are you alive for? Who are you living for? Are you happy being alive?  [[Asuka Langley Soryu]] thinks it is for herself, and says that she is happy. Misato only wants to do what she enjoys. But Shinji is unsure of all these things. [[Ryoji Kaji]]'s voice asks: "Do you hate feeling lonely? Do you hate suffering?" Shinji does. So does Misato. "So is that why you run away?" Kaji asks Misato. Misato answers in affirmative, asking what is wrong with running away from pain.


If Shinji believes that he has no worth, and does nothing, then he won’t be hurt. Shinji has made himself believe all these bad things about himself, so that he has to do things like pilot the Eva because he has nothing else of value to give. And he hates himself. Shinji holds the telephone receiver, and through it he hears the other characters saying they hate him. Even so, they like him when he pilots. But again, it is Shinji’s self-deception, both the hatred and the sole value being related to the Eva. The others warn him that with this, he will lose his own identity. But Shinji still believes that he has nothing.
Shinji says "I mustn't run away!", being asked why, as he replies that it is because running away hurts just as much as what he ran away from. It's wrong, even when the others say that he can run away if he wants to. And if he runs, the others will forsake him. Yet also, if he does what others tell him to do, then they won't forsake him. He's afraid of being hurt, but the other characters tell him that he’s not the only one who feels pain. Shinji has just made himself believe that he’s the only one who gets hurt.


Various images of nature are shown, and the characters discuss their feelings related to them. The question is posed: What do you seek? What do you desire? Are you afraid of being insecure? Misato, Rei, Shinji, and Asuka are all afraid of being unloved. Shinji also wants to be worth something, so no one will abandon him.
Shinji believes that he has no worth, and if he does nothing, then he won't be hurt, so that he has to do things like pilot the Eva because he has nothing else of value to give. Then, Shinji holds the telephone receiver, and through it, he hears the other characters saying they hate him. Even so, they like him when he pilots. But again, it is Shinji’s self-deception, both the hatred and his sole value being related to the Eva. The others warn him that with this, he will lose his own identity. But Shinji still believes that he has nothing.


But [[Yui Ikari]] tells her son that only he can find his worth. Shinji can’t understand where he exists, and asks if he is just the sum of items and symbols that others recognize as himself. He knows that what he feels to be himself, is himself, but that’s not good enough. Shinji is still confused, he protests that no one understands him. The others tell Shinji, that only he can truly understand himself, so he must be good to himself. But still he doesn’t comprehend the meaning of that.
Various images of nature are shown, and the characters discuss their feelings related to them. These questions are posed: What do you seek? What do you desire? Are you afraid of being insecure? Misato, Rei, Shinji, and Asuka are all afraid of being unloved. Shinji also wants to be worth something, so no one will abandon him.


The others say that if Shinji depends on outward things to define himself, all these things will eventually change and disappear, as time passes. But his heart and mind can truly change his world.
[[Yui Ikari]] tells her son that only he can find his worth. Shinji can't understand where he exists, and asks if he is just the sum of items and symbols that others recognize as himself. He knows that what he feels to be himself, is himself, but that's not good enough. Shinji is still confused, he protests that no one understands him. The others tell Shinji, that only he can truly understand himself, so he must be good to himself. Again, he doesn't comprehend the meaning of that.


Then the construction of the place changes to a white void, where Shinji exists as a drifting pencil sketch. He interprets this as a world of nothing, but his own voice comes back and says that it’s a world of perfect freedom. But perfect freedom is perfect nothingness, for there is nothing to hold on to, nothing to orient himself in. [[Gendo Ikari]] will give him a restriction: a horizontal line that defines ground and sky. Shinji has lost the ability to fly, but now feels more secure as he has something to walk on. In any world, things change, the person changes, and the person can shape the world, through the shaping of perceptions. Yet this must also be in the presence of others. Shinji in this white world feels that he is disappearing, and it is because he can’t know his own shape without other things to compare it to, and there is nothing else there. Shinji knows who he is, but other people must be there shape his mind as well in order to form a complete self. That is the truth.
The others say that if Shinji depends on outward things to define himself, all these things will eventually change and disappear, as time passes. Only his heart and mind can truly change his world.


Shinji experiences an alternate reality which resembles a domestic comedy, everyone recast in appropriate roles: the Children are normal students, Misato is a teacher, Gendo works at the university, and Yui is a housewife. Shinji himself is drastically changed into a more typical teenage boy, confident and lecherous, while Askua is his oldest childhood friend, and Rei is a transfer student, presented as a perky, ditzy schoolgirl.
Then the construction of the place changes to a white void, where Shinji exists as a drifting pencil sketch. He interprets this as a world of nothing, but his own voice comes back and says that it's a world of perfect freedom. But perfect freedom is perfect nothingness, as there is nothing to hold on to, nothing to orient himself in. [[Gendo Ikari]] steps in and says he will give him a restriction: he draws a horizontal line across the void that defines a separation between ground and sky. With this Shinji loses the ability to fly, and has thereby sacrificed some of his perfect freedom, but in return, he feels more secure as he has something to walk on. In any world, things change, people change, and a person can shape the world, through the shaping of perceptions. Yet this must also be in the presence of others. Shinji, in this white world, feels that he is disappearing, and it is because he can't know his own shape without other things to compare with, and there is nothing else there. Shinji knows who he is, but other people must be there shaping his mind as well in order to form a complete self. That is the truth.


[[Image: Ep_26_congratulations.JPG|thumb|right|250px|"Congratulations!"]]After seeing this, Shinji realizes that there are alternate possibilities to his current life; a Shinji that is not an Eva pilot can exist as well. Reality might no be so bad, if there are all these choices. Shinji still hates himself, though. He is told again that he only believes that he is hated. People can only see things through their own filter. But they can change so much through that, by altering their perspective.
Shinji experiences an alternate reality which resembles a domestic comedy, everyone recast in appropriate roles: the Children are normal students, Misato is a teacher, Gendo works at the university<ref>The AU Gendo's responses to Yui in the original script are "I know" and "Yes", echoing Shinji's way of answering Misato after the battle with Shamshel.</ref><ref>The English-dubbed version of an alternate reality also changed some of the dialogue or added lines to make it raunchier. Most noticeable is the complete changing of Gendo's neutral dialogue with Yui to an involved conversation with some innuendo. (i.e. "I'm ''always'' ready, dear.")</ref>, and Yui is a housewife. Shinji himself is drastically changed into a more typical teenage boy, confident and lecherous, while Asuka is his oldest childhood friend, and Rei is a transfer student, presented as a perky, ditzy schoolgirl.<ref>''In “one of the possible worlds”, Shinji lives with Gendo and Yui, and in this world, Asuka is his childhood friend. Note that on the newspaper Gendo is reading is the headline “South Pole Base Opening Its Doors To Visitors”. The Second Impact has not occurred in this world.'' - [http://www.evamonkey.com/platinum-booklets/episode-commentaries-21-26.php Platinum Episode Commentaries]</ref><ref>''Seeing the remakes, Episode 25 “Air” and Episode 26 “A Pure Heart For You”, may in fact make the content of Episode Twenty-Five easier to understand. The depictions of Misato and Ritsuko being shot to death, Unit-02 hugging its knees in the lake, and Asuka likewise hugging her knees within Unit-02 all correspond to Episode 25.<br>Gendo says, “All souls will become one and find eternal peace”. His Instrumentality Project must have been for all human souls to be combined as one and to compensate each other for what they have been deprived of. In the story that follows from Episode 25 “Air” to Episode 26 “A Pure Heart For You”, he was not able to execute the scenario he had drawn up. It may be that it was in Episode Twenty-Five and Episode Twenty-Six that his wish actually came true. - [http://www.evamonkey.com/platinum-booklets/episode-commentaries-21-26.php Platinum Episode Commentaries]</ref><ref>''The moment that Shinji gains conviction that it is okay for him to be there, the background changes, and the blue Earth spreads beneath his feet. However, there are no continents on this Earth, and it is covered by a gigantic coral reef. It seems this is the Earth that has been transfigured by the Instrumentality Project. This episode ends with the captions “To my father, thank you.” “To my mother, farewell.” “And to all the Children.” “Congratulations!” Eva is something of an Oedipus complex story, where a boy feels love and hatred for his father and mother, so the first two captions can be thought to means that Shinji has come to an understanding with his father and grown out of his dependence on his mother. Perhaps the latter two captions mean, “This is a world where all the children born into it deserve to live.” It is left for the audience to decide whether this ending is the Best Ending or the Bad Ending. - [http://www.evamonkey.com/platinum-booklets/episode-commentaries-21-26.php Platinum Episode Commentaries]</ref>
 
[[Image:Congratulations.jpg|thumb|right|250px|"Congratulations!"]]
After seeing this, Shinji realizes that there are alternate possibilities to his current life; a Shinji that is not an Eva pilot can exist as well. Reality might not be so bad, if there are all those choices. Shinji still hates himself, though. He is told again that he only believes that he is hated. People can only see things through their own filters. But they can change so much through that, by altering their perspective.


[[Image:26 C343 shinji-grin.jpg|left|thumb|250px|"Thank you."]]
[[Image:26 C343 shinji-grin.jpg|left|thumb|250px|"Thank you."]]
After seeing this, Shinji realizes that there are alternate possibilities to his cShinji decides that he can learn to love himself, and he wants to be "me" and to stay "here". The dark world shatters, and Shinji is left standing atop a coral reef under a sunny sky, surrounded by most of the other characters. He is wished "Congratulations!" by the human cast (and a squawking [[Pen Pen]]), and smiles, thanking everyone.
After seeing this, Shinji realizes that there are alternate possibilities to himself, and decides that he can learn to love himself, and he wants to be "me" and to stay "here". The dark world shatters, and Shinji is left standing atop a coral reef under a sunny sky, surrounded by most of the other characters. He is wished "Congratulations!" by the human cast (and a squawking [[Pen Pen]]), and smiles, thanking everyone.


The final text reads:  
The final text reads:  


"To my father, thank you.
"To my father, thank you<ref>Shinji's "Thank you to my father" could be seen as a response to Gendo's "I'm sorry, Shinji." in [[The End of Evangelion]].</ref>.
To my mother, farewell.
To my mother, farewell<ref>One of the final text lines, "To my mother, farewell" is also heard in [[Episode 26']], although Shinji actually says that to his mother.</ref>.
And to all the children...
And to all the children...
Congratulations!"
Congratulations!"


<br>


==Notes==
==Notes==
[[Image:Beast that shouted love cover.jpg|right|thumb|]]
* As a bookend with Episode 01's opening caption of "In the year 2015 AD", this episode opens with the caption "In the year 2016 AD".
*The title "The Beast that Shouted Love at the Heart of the World" comes from a story by American author [http://harlanellison.com/home.htm Harlan Ellison]. The Japanese word ''ai'' (love), could also be interpreted as representing the English "I". Both meanings are appropriate to the episode, but the Harlan Ellison title is considered the correct one.
* The alternate reality presented here was the inspiration for [[Girlfriend of Steel 2]] and its accompanying [[Angelic Days|manga]], although Ritsuko and Kaworu were added to the cast, and more traditional Evangelion elements were later introduced.
*The alternate reality presented here was the inspiration for [[Girlfriend of Steel 2]] and its accompanying [[Angelic Days|manga]], although Ritsuko and Kaworu were added to the cast, and more traditional Evangelion elements were later introduced.
* When the line near the end is spoken, "But, I might be able to love myself.", it is said simultaneously by Shinji, Asuka, and Rei according to the after-recording script<ref>[https://web.archive.org/web/20110913025855/https://eva.onegeek.org/pipermail/oldeva/2001-July/040028.html EML archival link]: It's the after recording script on volume 7 of the Japanese R2 DVD release.  TV episode 26, page 62 of 67, cut 315."</ref>
*The AU Gendo’s responses to Yui in the original script are "I know" and "Yes", echoing Shinji’s way of answering Misato after the battle with Shamshel.  
* "Amidst the many words of congratulations, a faint smile starts at the corners of Shinji's mouth (and spreads across his face). A happy face -- that is the figure of the Complemented Shinji. This conclusion is also one form, one possibility among many." - [https://www.gwern.net/docs/www/www.evaotaku.com/52585feb290ff9d83efb23eea3600bd7278a32a9.html Filmbook Vol. 9]
*The English-dubbed version of the alternate reality also changed some of the dialogue or added lines to make it raunchier. Most noticeable is the complete changing of Gendo’s neutral dialogue with Yui to an involved conversation with some innuendo. (i.e. "I’m ''always'' ready, dear.")
*An early idea for this episode included Aoba playing an instrumental version of [[A Cruel Angel's Thesis]] on the guitar during Shinji's Congratulations scene in [[Episode 26]].<ref>Neon Genesis Evangelion Encyclopedia (Poggio) pp. 79</ref>
*One of the final text lines, "To my mother, farewell" is also heard in [[Episode 26']], although Shinji actually says that to his mother.
 
==Analysis==
==References==
*Shinji's "Thank you to my father" could be seen as a response to Gendo's "I'm sorry, Shinji." in [[The End of Evangelion]].
[[Image:Beast that shouted love cover.jpg|right|250px|thumb|]]
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Latest revision as of 22:37, 5 May 2024

Episode Information
Episode #26
Title 1: 世界の中心でアイを叫んだけもの
Sekai no Chuushin de AI o Sakenda Kemono
The Beast that Shouted Love at the Heart of the World[1]
Title 2: Take Care of Yourself
Written By Hideaki Anno
Directed By Kazuya Tsurumaki, Masayuki
First Aired 3-27-1996
Video Release Date 9-9-1998 (Japan-Video/LD), 6-26-2001 (US-DVD)
Angel Appearances None
Eva Sorties None
Episode chronology
← Previous Next →
"Episode 25" "(none)"

Overview

Instrumentality continues. The focus is primarily on Shinji now, as he learns to accept the individual’s ability to shape their world, and how the self cannot exist without others to define it.

Synopsis

The year is 2016. Instrumentality is still ongoing and Shinji Ikari is one of all the people undergoing the process. The event is viewed from his perspective.

Shinji is confronted with the fear of ceasing to exist. However, he feels that this fear is not present in him, as he thinks that he might not need to exist, because he feels unwanted and useless. Misato Katsuragi tells Shinji that what he truly fears is failure. Failure to be loved, and of seeing how weak he truly is. Shinji replies that Misato does the same thing, and she agrees. In fact, she and other characters confirm that it's true for all humanity, this weakness. It is why Instrumentality is taking place. Humans cannot live alone, but yet they are separate entities: thus conflict and pain are created. Humans cannot live but in Instrumentality. "Really?" asks the text.

The questions, posed by Rei Ayanami: What are you alive for? Who are you living for? Are you happy being alive? Asuka Langley Soryu thinks it is for herself, and says that she is happy. Misato only wants to do what she enjoys. But Shinji is unsure of all these things. Ryoji Kaji's voice asks: "Do you hate feeling lonely? Do you hate suffering?" Shinji does. So does Misato. "So is that why you run away?" Kaji asks Misato. Misato answers in affirmative, asking what is wrong with running away from pain.

Shinji says "I mustn't run away!", being asked why, as he replies that it is because running away hurts just as much as what he ran away from. It's wrong, even when the others say that he can run away if he wants to. And if he runs, the others will forsake him. Yet also, if he does what others tell him to do, then they won't forsake him. He's afraid of being hurt, but the other characters tell him that he’s not the only one who feels pain. Shinji has just made himself believe that he’s the only one who gets hurt.

Shinji believes that he has no worth, and if he does nothing, then he won't be hurt, so that he has to do things like pilot the Eva because he has nothing else of value to give. Then, Shinji holds the telephone receiver, and through it, he hears the other characters saying they hate him. Even so, they like him when he pilots. But again, it is Shinji’s self-deception, both the hatred and his sole value being related to the Eva. The others warn him that with this, he will lose his own identity. But Shinji still believes that he has nothing.

Various images of nature are shown, and the characters discuss their feelings related to them. These questions are posed: What do you seek? What do you desire? Are you afraid of being insecure? Misato, Rei, Shinji, and Asuka are all afraid of being unloved. Shinji also wants to be worth something, so no one will abandon him.

Yui Ikari tells her son that only he can find his worth. Shinji can't understand where he exists, and asks if he is just the sum of items and symbols that others recognize as himself. He knows that what he feels to be himself, is himself, but that's not good enough. Shinji is still confused, he protests that no one understands him. The others tell Shinji, that only he can truly understand himself, so he must be good to himself. Again, he doesn't comprehend the meaning of that.

The others say that if Shinji depends on outward things to define himself, all these things will eventually change and disappear, as time passes. Only his heart and mind can truly change his world.

Then the construction of the place changes to a white void, where Shinji exists as a drifting pencil sketch. He interprets this as a world of nothing, but his own voice comes back and says that it's a world of perfect freedom. But perfect freedom is perfect nothingness, as there is nothing to hold on to, nothing to orient himself in. Gendo Ikari steps in and says he will give him a restriction: he draws a horizontal line across the void that defines a separation between ground and sky. With this Shinji loses the ability to fly, and has thereby sacrificed some of his perfect freedom, but in return, he feels more secure as he has something to walk on. In any world, things change, people change, and a person can shape the world, through the shaping of perceptions. Yet this must also be in the presence of others. Shinji, in this white world, feels that he is disappearing, and it is because he can't know his own shape without other things to compare with, and there is nothing else there. Shinji knows who he is, but other people must be there shaping his mind as well in order to form a complete self. That is the truth.

Shinji experiences an alternate reality which resembles a domestic comedy, everyone recast in appropriate roles: the Children are normal students, Misato is a teacher, Gendo works at the university[2][3], and Yui is a housewife. Shinji himself is drastically changed into a more typical teenage boy, confident and lecherous, while Asuka is his oldest childhood friend, and Rei is a transfer student, presented as a perky, ditzy schoolgirl.[4][5][6]

"Congratulations!"

After seeing this, Shinji realizes that there are alternate possibilities to his current life; a Shinji that is not an Eva pilot can exist as well. Reality might not be so bad, if there are all those choices. Shinji still hates himself, though. He is told again that he only believes that he is hated. People can only see things through their own filters. But they can change so much through that, by altering their perspective.

"Thank you."

After seeing this, Shinji realizes that there are alternate possibilities to himself, and decides that he can learn to love himself, and he wants to be "me" and to stay "here". The dark world shatters, and Shinji is left standing atop a coral reef under a sunny sky, surrounded by most of the other characters. He is wished "Congratulations!" by the human cast (and a squawking Pen Pen), and smiles, thanking everyone.

The final text reads:

"To my father, thank you[7]. To my mother, farewell[8]. And to all the children... Congratulations!"


Notes

  • As a bookend with Episode 01's opening caption of "In the year 2015 AD", this episode opens with the caption "In the year 2016 AD".
  • The alternate reality presented here was the inspiration for Girlfriend of Steel 2 and its accompanying manga, although Ritsuko and Kaworu were added to the cast, and more traditional Evangelion elements were later introduced.
  • When the line near the end is spoken, "But, I might be able to love myself.", it is said simultaneously by Shinji, Asuka, and Rei according to the after-recording script[9]
  • "Amidst the many words of congratulations, a faint smile starts at the corners of Shinji's mouth (and spreads across his face). A happy face -- that is the figure of the Complemented Shinji. This conclusion is also one form, one possibility among many." - Filmbook Vol. 9
  • An early idea for this episode included Aoba playing an instrumental version of A Cruel Angel's Thesis on the guitar during Shinji's Congratulations scene in Episode 26.[10]

References

  1. ↑ The title The Beast that Shouted Love at the Heart of the World comes from a collection of short stories by American author Harlan Ellison. The Japanese word ai (love), could also be interpreted as representing the English "I". Both meanings are appropriate to the episode, but the Harlan Ellison title is considered the correct one.
  2. ↑ The AU Gendo's responses to Yui in the original script are "I know" and "Yes", echoing Shinji's way of answering Misato after the battle with Shamshel.
  3. ↑ The English-dubbed version of an alternate reality also changed some of the dialogue or added lines to make it raunchier. Most noticeable is the complete changing of Gendo's neutral dialogue with Yui to an involved conversation with some innuendo. (i.e. "I'm always ready, dear.")
  4. ↑ In “one of the possible worlds”, Shinji lives with Gendo and Yui, and in this world, Asuka is his childhood friend. Note that on the newspaper Gendo is reading is the headline “South Pole Base Opening Its Doors To Visitors”. The Second Impact has not occurred in this world. - Platinum Episode Commentaries
  5. ↑ Seeing the remakes, Episode 25 “Air” and Episode 26 “A Pure Heart For You”, may in fact make the content of Episode Twenty-Five easier to understand. The depictions of Misato and Ritsuko being shot to death, Unit-02 hugging its knees in the lake, and Asuka likewise hugging her knees within Unit-02 all correspond to Episode 25.
    Gendo says, “All souls will become one and find eternal peace”. His Instrumentality Project must have been for all human souls to be combined as one and to compensate each other for what they have been deprived of. In the story that follows from Episode 25 “Air” to Episode 26 “A Pure Heart For You”, he was not able to execute the scenario he had drawn up. It may be that it was in Episode Twenty-Five and Episode Twenty-Six that his wish actually came true. - Platinum Episode Commentaries
  6. ↑ The moment that Shinji gains conviction that it is okay for him to be there, the background changes, and the blue Earth spreads beneath his feet. However, there are no continents on this Earth, and it is covered by a gigantic coral reef. It seems this is the Earth that has been transfigured by the Instrumentality Project. This episode ends with the captions “To my father, thank you.” “To my mother, farewell.” “And to all the Children.” “Congratulations!” Eva is something of an Oedipus complex story, where a boy feels love and hatred for his father and mother, so the first two captions can be thought to means that Shinji has come to an understanding with his father and grown out of his dependence on his mother. Perhaps the latter two captions mean, “This is a world where all the children born into it deserve to live.” It is left for the audience to decide whether this ending is the Best Ending or the Bad Ending. - Platinum Episode Commentaries
  7. ↑ Shinji's "Thank you to my father" could be seen as a response to Gendo's "I'm sorry, Shinji." in The End of Evangelion.
  8. ↑ One of the final text lines, "To my mother, farewell" is also heard in Episode 26', although Shinji actually says that to his mother.
  9. ↑ EML archival link: It's the after recording script on volume 7 of the Japanese R2 DVD release. TV episode 26, page 62 of 67, cut 315."
  10. ↑ Neon Genesis Evangelion Encyclopedia (Poggio) pp. 79



Episodes & Films
Television Series Episode 01 | Episode 02 | Episode 03 | Episode 04 | Episode 05 | Episode 06

Episode 07 | Episode 08 | Episode 09 | Episode 10 | Episode 11 | Episode 12 | Episode 13
Episode 14 | Episode 15 | Episode 16 | Episode 17 | Episode 18 | Episode 19 | Episode 20
Episode 21 | Episode 22 | Episode 23 | Episode 24 | Episode 25 | Episode 26

Movies Death | Rebirth

The End of Evangelion: Episode 25' | Episode 26'

Rebuild of Evangelion Evangelion 1.0 | Evangelion 2.0 | Evangelion 3.0 | (-46h) | (-120min) | Evangelion: 3.0 + 1.0


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