FGC:Episode 24 Cut 319: Difference between revisions

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{{FGC:Comment|name=Dr. Nick
{{FGC:Comment|name=Dr. Nick
|comment=Oh boy, this scene. As much as I generally like the DC additions, this lake scene is just incongruous in so many ways.
|comment=Oh boy, this scene. As much as I generally like the DC additions, this lake scene is just incongruous in so many ways.
- It introduces the apparent plot hole of Kaworu being informed of where Adam's body actually is.
 
- It features a wrong number of Seele monoliths.
* It introduces the apparent plot hole of Kaworu being informed of where Adam's body actually is.
- Even the art direction is busted, as the angel statue's visual consistency just goes out of the window. In the original on-air scene, it looks like a plausible bit of public art, whereas in here it's this grotesque foreshadowing monster.
* It features a wrong number of Seele monoliths.
* Even the art direction is busted, as the angel statue's visual consistency just goes out of the window. In the original on-air scene, it looks like a plausible bit of public art, whereas in here it's this grotesque foreshadowing monster.


And since the scene in question is a later addition, the usual production crunch explanation doesn't hold water. Was some new staff brought over to take care of this particular sequence?}}
And since the scene in question is a later addition, the usual production crunch explanation doesn't hold water. Was some new staff brought over to take care of this particular sequence?}}

Latest revision as of 21:02, 16 August 2022


Screenshots Cut # Description/Dialogue Commentary

319
Dr. Nick: Oh boy, this scene. As much as I generally like the DC additions, this lake scene is just incongruous in so many ways.
  • It introduces the apparent plot hole of Kaworu being informed of where Adam's body actually is.
  • It features a wrong number of Seele monoliths.
  • Even the art direction is busted, as the angel statue's visual consistency just goes out of the window. In the original on-air scene, it looks like a plausible bit of public art, whereas in here it's this grotesque foreshadowing monster.

And since the scene in question is a later addition, the usual production crunch explanation doesn't hold water. Was some new staff brought over to take care of this particular sequence?

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