FGC:Episode 05 Cut 195: Difference between revisions
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{{FGC:Comment|name=Xard|comment=Whatever the in-universe reasons for the act were (I think simple curiosity is enough) I think there's important thematic subtext in this scene/act and with Gendo's old glasses in general and what their usage says about relationship between Shinji and Rei in this two-ep "Rei Arc". For one there's Shinji's symbolic "identification" with Gendo by the act of putting glasses on - given what follows right after the Oedipal overtones are hard to miss. | {{FGC:Comment|name=Xard|comment=Whatever the in-universe reasons for the act were (I think simple curiosity is enough) I think there's important thematic subtext in this scene/act and with Gendo's old glasses in general and what their usage says about relationship between Shinji and Rei in this two-ep "Rei Arc". For one there's Shinji's symbolic "identification" with Gendo by the act of putting glasses on - given what follows right after the Oedipal overtones are hard to miss. | ||
More importantly however Gendo's glasses work as a medium that conveys what defines relationship between Rei and Shinji at this point. Or to be more specific, how they see each other. The [[FGC: | More importantly however Gendo's glasses work as a medium that conveys what defines relationship between Rei and Shinji at this point. Or to be more specific, how they see each other. The [[FGC:Episode_05_Scene_03#cut_05_132|previous scene]] in the episode where Shinji literally observed/gazed at Rei was defined by Gendo's presence and bewilderment and jealousy Shinji felt when he saw Rei talking with Gendo. "Who is this girl and what is her relationship with my father?". This is the main driving motivation behind Shinji's wish to know more about Rei. | ||
In other words: '''Shinji sees Rei first and foremost through "Gendo" and nature of his connection with Rei,''' | In other words: '''Shinji sees Rei first and foremost through "Gendo" and nature of his connection with Rei,''' |
Latest revision as of 15:31, 4 April 2011
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