FGC:OP Cut 068: Difference between revisions
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{{FGC:Scene | {{FGC:Scene | ||
|cuts= | |cuts= | ||
</noinclude>{{FGC:Cut|episode= | </noinclude>{{FGC:Cut|episode=OP | ||
|cutname= | |cutname=068 | ||
|images= | |images= | ||
|cutnumbertext=[[FGC:OP Cut 068| | |cutnumbertext=[[FGC:OP Cut 068|068]] | ||
|script= | |script= | ||
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{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
|text=}} | |text=Misato's pendant.}} | ||
{{FGC:Script Text|type=SE | {{FGC:Script Text|type=SE | ||
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|comments= | |comments= | ||
{{FGC:Comment|name= | {{FGC:Comment|name=Reichu | ||
|comment=}} | |comment=Another recurring shot. If you're received any sort of artistic training (as I have), you can have all sorts of fun analyzing these things compositionally. The most important part of the image (the cross) is located in the dead-center, and the light-against-dark contrast helps draw your eye. The composition is one of virtual symmetry, with the zipper on the left being balanced by the hair on the right. Blah blah blah blah…}} | ||
{{FGC:Comment|name= | {{FGC:Comment|name=Jinpun | ||
|comment=}} | |comment=Yeah, all of the negative space around the cross really brings it out and offsets it from the rest of the frame. It flashes by really fast in the OP, and the cross is all you really see.}} | ||
{{FGC:Comment|name= | {{FGC:Comment|name= | ||
Revision as of 05:30, 22 April 2008
| Screenshots | Cut # | Description/Dialogue | Commentary | ||
|---|---|---|---|---|---|
| 068 |
|
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