FGC:Episode 03 Cut 326: Difference between revisions

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|cutnumbertext=[[FGC:Episode 03 Cut 326|326]]
|cutnumbertext=[[FGC:Episode 03 Cut 326|326]]
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{{FGC:Script Text|type=music
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{{FGC:Script Text|type=description
{{FGC:Script Text|type=description
|text=Eva and the Angel within an evening scene — towering silhouettes like objet d'art. }}
|text=Eva and the Angel within an evening scene — towering silhouettes like objet d'art. }}


{{FGC:Script Text|type=dialogue|speaker=
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{{FGC:Script Text|type=regsupplemental|speaker=
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{{FGC:Script Text|type=supplemental51|speaker=
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On an aside, notice how, for the third time, an Eva is able to maintain a ridiculous pose when no power is being supplied to her muscles. I guess I'll just have to take it as a given.  
On an aside, notice how, for the third time, an Eva is able to maintain a ridiculous pose when no power is being supplied to her muscles. I guess I'll just have to take it as a given.  
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Revision as of 01:02, 1 January 2010


Screenshots Cut # Description/Dialogue Commentary

326
Eva and the Angel within an evening scene — towering silhouettes like objet d'art.
Mr. Tines: After all the frantic kinetic scenes, a final still life tableau of the aftermath, almost in a different style to the preceding artwork.


Reichu: "Still life", eh? I guess that explains the script's objet d'art comment.

Here we can finally see that the whips are, beneath the energy that they channeled in life, physical structures.

On an aside, notice how, for the third time, an Eva is able to maintain a ridiculous pose when no power is being supplied to her muscles. I guess I'll just have to take it as a given.

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