FGC:Episode 03 Cut 326: Difference between revisions
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The wayneiac (talk | contribs) No edit summary |
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|images= | |images= | ||
[[Image:03_C326.jpg]] | [[Image:03_C326.jpg]] | ||
|cutnumbertext=[[FGC:Episode 03 Cut 326| | |cutnumbertext=[[FGC:Episode 03 Cut 326|326]] | ||
|script= | |script= | ||
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{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
|text=}} | |text=Eva and the Angel within an evening scene — towering silhouettes like objet d'art. }} | ||
{{FGC:Script Text|type=dialogue|speaker= | {{FGC:Script Text|type=dialogue|speaker= | ||
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|comments= | |comments= | ||
{{FGC:Comment|name= | {{FGC:Comment|name=Mr. Tines | ||
|comment=}} | |comment=After all the frantic kinetic scenes, a final still life tableau of the aftermath, almost in a different style to the preceding artwork.}} | ||
{{FGC:Comment|name=Reichu | |||
|comment="Still life", eh? I guess that explains the script's objet d'art comment. <br> | |||
Here we can finally see that the whips are, beneath the energy that they channeled in life, physical structures. <br> | |||
On an aside, notice how, for the third time, an Eva is able to maintain a ridiculous pose when no power is being supplied to her muscles. I guess I'll just have to take it as a given. | |||
}} | |||
{{FGC:Comment|name= | {{FGC:Comment|name= | ||
Revision as of 21:36, 28 May 2009
| Screenshots | Cut # | Description/Dialogue | Commentary | ||
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326 |
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