Resources:Eva 1.0 Promotional Posters: Difference between revisions
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===English Translation=== | ===English Translation=== | ||
''Translation by [[User:Reichu|Reichu]]'' | |||
EVANGELION New Theatrical Feature: PREFACE | EVANGELION New Theatrical Feature: PREFACE | ||
| Line 58: | Line 61: | ||
Image/Yoshiyuki Sadamoto | Image/Yoshiyuki Sadamoto | ||
====Notes==== | ====Translator's Notes==== | ||
'' | * Props to BrikHaus' buddy for providing Shinji's line and bochan_bird for noting my incorrect rendition of 掟の書. | ||
* Regarding the "core unit" (presumably something red, round, and rather familiar), "introconversion" = "mutual/reciprocal exchange". | |||
* "Red Cross of Light" is literally "Red Cross Pillar of Light", but that sounds really Engrishy. (FYI, "Pillar of Light" is how the giant cross-shaped explosions were referenced in NGE.) | |||
===Original Japanese=== | ===Original Japanese=== | ||
| Line 122: | Line 127: | ||
===English Translation=== | ===English Translation=== | ||
''Incomplete translation by [[User:Reichu|Reichu]]'' | |||
"Evangelion New Theatrical Feature: Preface": Out on September 1, 2007<br> | |||
"Evangelion New Theatrical Feature: Breakup": To Be Released in 2008<br> | |||
"Evangelion New Theatrical Feature: Urgency" + "Evangelion New Theatrical Feature: ?": Release Date Pending | |||
A new Eva legend begins here!! | |||
"Neon Genesis Evangelion" (Hideaki Anno: original work & general director) is a sci-fi epic of unprecedented scale. Through the boys and girls pilotting the giant humanoid decisive weapons and the battles with the mysterious "Angels", it pressed all the way to the human heart, the connections between people, and the very basis of what makes people who they are, resulting in the greatest story told in human history. | |||
Even though twelve years have passed since its first appearance, its popularity continues unabated.<br> | |||
Amazingly enough, the modern era is turning out new "Eva" fans left and right.<br> | |||
Going beyond mere frames of animation, it has moved multiple generations on a deep emotional level.<br> | |||
And that's because, in penetrating and capturing "The Human Heart" within this drama, it possessed a universal power to provoke [the viewer].<br> | |||
In response to the demands of the new age, a new story was prepared for a new audience. <br> | |||
Its name is "Evangelion New Theatrical Feature", a work in four parts. <br> | |||
A screen, a story, and a complete renovation. | |||
With an ultra-refined image appropos of the digital age, it will take things to the next level and issue a challenge to the big screen! | |||
====Translator's Notes==== | |||
I never made it through the last two (well, three, technically) paragraphs and the list of credits. (See below.) Somehow, it didn't feel worth the effort... | |||
===Original Japanese=== | ===Original Japanese=== | ||
| Line 128: | Line 156: | ||
「ヱヴァンゲリヲン新劇場版：急」＋「ヱヴァンゲリヲン新劇場版：？」公開日未定<br> | 「ヱヴァンゲリヲン新劇場版：急」＋「ヱヴァンゲリヲン新劇場版：？」公開日未定<br> | ||
新たなるEVA伝説、ここに始まる!! | 新たなるEVA伝説、ここに始まる!! | ||
『新世紀エヴァンゲリオン』(庵野秀明：原作・総監督)は未曾有のSFアニメ超大作。<br> | 『新世紀エヴァンゲリオン』(庵野秀明：原作・総監督)は未曾有のSFアニメ超大作。<br> | ||
Revision as of 22:55, 29 August 2007
Rebuild of Evangelion 1:0 Promotional Posters and their translations in English.
Poster 1
English Translation
Translation by Reichu
EVANGELION New Theatrical Feature: PREFACE
SHINJI: "...... I have nothing worth protecting."
The FOURTH ANGEL
A.T. FIELD
Private Organization Under the Direct Supervision of the UNITED NATIONS, Special Agency NERV
STRATEGIC OPERATIONS Section, TACTICAL DEPARTMENT Division 1, Section Chief, LT. COL. MISATO KATSURAGI
Surface-to-Surface INTERCEPTION SYSTEM Operating at 7.5%
MARDUK REPORT
The THIRD BOY, SHINJI IKARI
All-Purpose HUMANOID DECISIVE WEAPON, Artificial Human EVANGELION TEST TYPE-01
TECHNOLOGICAL RESEARCH & DEVELOPMENT Section, Technology Department Division One, Managing Director of PROJECT E, DR. RITSUKO AKAGI
L-01 TYPE Interconversion System CORE UNIT
RED CROSS OF LIGHT
HUMAN INSTRUMENTALITY PROJECT, 27th Interim Report
SECOND IMPACT
Fortified City for ANGEL Interception, TOKYO-3
HEDGEHOG'S DILEMMA
DEFENSE SYSTEM 48.6% Complete
UMBILICAL CABLE Disconnected
RAIN OF BLOOD
CHILDREN OF PREORDAINED FATE
The FIRST GIRL, REI AYANAMI
All-Purpose HUMANOID DECISIVE WEAPON, Artificial Human EVANGELION PROTOTYPE-00
ACTIVATION EXPERIMENT No. 1
RAINBOW
FORCED RECOVERY of [Eva] Unit
BLASTING BOLT
Outline for OPERATION YASHIMA
SSDF Technological Research Headquarters' Large-Scale Output Model 2nd Prototype Self-Propelled 460mm POSITRON CANNON
EVANGELION Solo Defense Equipment, ENCHANTED SHIELD OF VIRTUE
G-TYPE EQUIPMENT for EVANGELION Sharp-Shooting
LEVEL EEE
FUTAGOYAMA 2ND FORTIFICATION Expansion Plan
Shiki 880 (B2 Beam) Type DEPRESSED CENTER CAR
Nerv's NEW GOTEMBA 1000kV Ultra High Voltage Large-Scale TRANSFORMER SUBSTATION
Superconducting Magnetic Energy Storage (SMES) ARRAY
COFFIN
DEAD SEA SCROLLS Apocrypha, the BOOK OF COMMANDMENTS
MISATO: "I believe in Eva-01's pilot, too."
EVANGELION:1.0
YOU ARE (NOT) ALONE.
Image/Yoshiyuki Sadamoto
Translator's Notes
- Props to BrikHaus' buddy for providing Shinji's line and bochan_bird for noting my incorrect rendition of 掟の書.
- Regarding the "core unit" (presumably something red, round, and rather familiar), "introconversion" = "mutual/reciprocal exchange".
- "Red Cross of Light" is literally "Red Cross Pillar of Light", but that sounds really Engrishy. (FYI, "Pillar of Light" is how the giant cross-shaped explosions were referenced in NGE.)
Original Japanese
ヱヴァンゲリヲン新劇場版：序
シンジ「・・・ボクに守る価値なんてないよ」
第4の使徒
A.T.FlELD
国際連合直属非公開組織 特務機関ネルフ
戦術作戦部 作戦局1課 課長 葛城ミサト2佐
地対地迎撃システム稼働率7.5%
マルドゥックの報告書
第3の少年 碇シンジ
汎用人型決戦兵器 人造人間エヴァンゲリオン 試験初号機
EVANGELlON TESTTYPE-01
技術研究開発部 技術局1課 E計画担当責任者 赤木リツコ博士
L-01型相互交換式コアユニット
赤い十字の光柱
人類補完計画 第27次中間報告書
セカンド・インパクト
使徒迎撃専用要塞都市 第3新東京市
ヤマアラシのジレンマ
防御システム完成率48.6%
アンビリカブル・ケーブル断線
血の雨
運命を仕組まれた子供達
第1の少女 綾波レイ
汎用人型決戦兵器 人造人間エヴァンゲリオン 試作零号機
EVANGELION PROTO TYPE-00
第1回再起動実験
虹
機体強制回収
爆砕ボルト
ヤシマ作戦概要
戦略自衛隊技術研究本部 大出力型第2次試作自走460mm陽電子砲
エヴァンゲリオン専用単独防御兵装 ENCHANTED SHIELD OF VIRTUE
エヴァンゲリオン狙撃専用G型装備
LEVEL EEE
二子山第2要塞増設計画
シキ880(B2梁)型大物車
ネルフ専用新御殿場1000kV超々高圧大型変電所
超伝導大容量電力貯蔵装置(SMES)集団
棺
死海文書外典 掟の書
ミサト「私も、初号機パイロットを信じます」
EVANGELION:1.0
YOU ARE (NOT) ALONE.
画／貞本義行
Poster 2
English Translation
Incomplete translation by Reichu
"Evangelion New Theatrical Feature: Preface": Out on September 1, 2007
"Evangelion New Theatrical Feature: Breakup": To Be Released in 2008
"Evangelion New Theatrical Feature: Urgency" + "Evangelion New Theatrical Feature: ?": Release Date Pending
A new Eva legend begins here!!
"Neon Genesis Evangelion" (Hideaki Anno: original work & general director) is a sci-fi epic of unprecedented scale. Through the boys and girls pilotting the giant humanoid decisive weapons and the battles with the mysterious "Angels", it pressed all the way to the human heart, the connections between people, and the very basis of what makes people who they are, resulting in the greatest story told in human history.
Even though twelve years have passed since its first appearance, its popularity continues unabated.
Amazingly enough, the modern era is turning out new "Eva" fans left and right.
Going beyond mere frames of animation, it has moved multiple generations on a deep emotional level.
And that's because, in penetrating and capturing "The Human Heart" within this drama, it possessed a universal power to provoke [the viewer].
In response to the demands of the new age, a new story was prepared for a new audience.
Its name is "Evangelion New Theatrical Feature", a work in four parts.
A screen, a story, and a complete renovation.
With an ultra-refined image appropos of the digital age, it will take things to the next level and issue a challenge to the big screen!
Translator's Notes
I never made it through the last two (well, three, technically) paragraphs and the list of credits. (See below.) Somehow, it didn't feel worth the effort...
Original Japanese
「ヱヴァンゲリヲン新劇場版：序」2007年9月1日公開
「ヱヴァンゲリヲン新劇場版：破」2008年公開予定
「ヱヴァンゲリヲン新劇場版：急」＋「ヱヴァンゲリヲン新劇場版：？」公開日未定
新たなるEVA伝説、ここに始まる!!
『新世紀エヴァンゲリオン』(庵野秀明：原作・総監督)は未曾有のSFアニメ超大作。
巨大な人型決戦兵器に乗る少年少女と謎の“使徒”の戦いを通じ
人の心、人と人の関係、そして人の成り立ちの根幹にまで迫りぬいた、人類史上最大スケールの物語である。
初出後12年経っても、その人気は衰えを知らない。
驚くべきことに、新たな時代は次々に新しい『エヴァ』ファンを産み出している。
単なるアニメーションの枠を超え、多くの世代に感動をもたらす。
それはこのドラマに「人の心」を貫き、とらえ、つき動かす普遍的なパワーがあるからだ。
新時代の要求に応え、新たな観客のため新たな物語が用意された。
その名も『ヱヴァンゲリオン新劇場版』全四部作。
画面も物語も完全刷新。
デジタル時代にふさわしい最先端映像を得て壮絶なスケールアップをはたし、大スクリーンに挑戦する！
リメイクを超えたEVA、圧巻のビジュアル!!
「序」となる『EVA：1.0』のクライマックスは、国家規模のオペレーションを描いた「ヤシマ作戦」。
銀幕を圧倒する物量、使徒対EVAの激戦。投入される先端のデジタル映像技術。
圧巻の大規模作戦の画コンテを担当するのは
映画『ローレライ』、『日本沈没』のヒットも記憶に新しい樋口真嗣。
『EVA：1.0』には単なるリメイクを超えた驚愕の展開が待っている。
新たな伝説が、ここから始まるのだ。もう引き返すことはできない。
今秋、衝撃が日本全土を席巻する!
『EVA』その実力：
【`06年文化庁“日本のメディア芸術100選”アニメーション部門1位】
作品トータルセールス1500億円以上/TVシリーズCD・ビデオグラム類計1000万枚
前劇場版（`97年、`98年後公開）興業収入45億円を突破/貞本義行によるコミック版（角川書店刊）類型1500万部突破
ヤフーBBのVODを100万人が視聴(`06年3月より)/パチンコ「エヴァンゲリオン」合計50万台以上を出荷
原作・脚本・総監督/庵野秀明
監督/摩砂雪、鶴巻和哉
主・キャラクターデザイン/貞本義行
主・メカニックデザイン/山下いくと
新作・画コンテ/樋口真嗣、京田知己
演出/原口浩
総作画監督/鈴木俊二
美術監督/加藤浩
色彩設定/菊池和子(Wish)
撮影監督/福士享(T2スタジオ)
編集/奥田浩史
音楽/鷺巣詩郎
制作/スタジオカラー
共同配給/クロックワークス、カラー
配給協力・宣伝/日活
製作/カラー
