FGC:Episode 26 Cut 223: Difference between revisions
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|comment=One of those images resembles the Neo-Atlantean flying battleships from Nadia, and we get other Hallucigenia like the Angel figure. The arrow-headed creature looks like a mashup between a lizard and a hammerhead shark (if such a thing did live on Earth, I'd put it way back in the Mesozoic Era rather than present). EDIT: Tines is right on the money, it really is a diplocaulus - and that's a creature of the Paleozoic Era, ''before'' the dinosaurs. No idea what it's doing there except for adding to the general surrealness of the scene, unless someone on the staff was a fan of the diplocaulus-esque Pokemon ''Dreepy'' or just Paleozoic lifeforms in general. Perhaps it was a byproduct of the same thought process that led to Sandalphon being modeled off an anomalocaris?}} | |comment=One of those images resembles the Neo-Atlantean flying battleships from Nadia, and we get other Hallucigenia like the Angel figure. The arrow-headed creature looks like a mashup between a lizard and a hammerhead shark (if such a thing did live on Earth, I'd put it way back in the Mesozoic Era rather than present). EDIT: Tines is right on the money, it really is a diplocaulus - and that's a creature of the Paleozoic Era, ''before'' the dinosaurs. No idea what it's doing there except for adding to the general surrealness of the scene, unless someone on the staff was a fan of the diplocaulus-esque Pokemon ''Dreepy'' or just Paleozoic lifeforms in general. Perhaps it was a byproduct of the same thought process that led to Sandalphon being modeled off an anomalocaris?}} | ||
{{FGC:Comment|name=Dr. Nick | |||
|comment=This remarkable sequence illustrates a thematic parallel. It's about the individual's potential to remake themselves, and the visuals link it to the Angels' incredible shape-shifting abilities that seem only limited by their imaginations. This is humanity's version of the same power, and that's an almost starry-eyedly optimistic message.}} | |||
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Latest revision as of 00:37, 5 September 2022
Screenshots | Cut # | Description/Dialogue | Commentary | ||
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