FGC:Episode 03 Cut 280: Difference between revisions
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|cutname=280 | |cutname=280 | ||
|images= | |images= | ||
[[Image:03_C280a.jpg]] | [[Image:03_C280a.jpg]] | ||
|cutnumbertext=[[FGC:Episode 03 Cut 280| | {{FGC:Imagelink | ||
|image=03_C280b.jpg | |||
|page=Image:03_C280b big.jpg | |||
|height= | |||
|width= | |||
|bcolour=blue | |||
|alttext= | |||
}} | |||
|cutnumbertext=[[FGC:Episode 03 Cut 280|280]] | |||
|script= | |script= | ||
{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
|text=}} | |text=Toji holds onto the interior. Shinji has his head down.}} | ||
{{FGC:Script Text|type= | {{FGC:Script Text|type=dialogue|speaker=Misato (OFF - radio) | ||
|text=}} | |text=Recovery route 34, retreat to the east side of the mountain.}} | ||
{{FGC:Script Text|type=dialogue|speaker= | {{FGC:Script Text|type=dialogue|speaker=Toji (talking over the second half of Misato's line) | ||
|text=}} | |text=New kid… She said, 'Retreat'.}} | ||
|comments= | |||
{{FGC: | {{FGC:Comment|name=Reichu | ||
|comment=And what makes her think Shamshel wouldn't just pursue and screw things up? | |||
}} | |||
{{FGC: | {{FGC:Comment|name=OMF | ||
|comment=With Shinji being consumed by pain and teenage angst, and Kensuke overwrought with desire to keep filming, Toji really is the last sane man left in the cockpit. | |||
}} | |||
{{FGC:Comment|name= | {{FGC:Comment|name=Reichu | ||
|comment=}} | |comment=Kensuke looks more puzzled to me, as if he's checking out the effects of LCL on his camera. I'm willing to bet he ends up losing his 1337 footage.}} | ||
{{FGC:Comment|name= | {{FGC:Comment|name=Mr. Tines | ||
|comment=}} | |comment=Contrast the black background when we're looking at Toji and Kensuke with the active background when focus returns to Shinji in the next cut. | ||
}} | |||
{{FGC:Comment|name= | {{FGC:Comment|name=Reichu | ||
|comment=}} | |comment=Yeah, looks like they completely forgot to composite those wraparound side-screens. }} | ||
}} | }} |
Latest revision as of 14:46, 14 March 2010
Screenshots | Cut # | Description/Dialogue | Commentary | |||
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280 |
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