FGC:Episode 04 Cut 216: Difference between revisions

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|cutnumbertext=[[FGC:Episode 04 Cut 216|216]]
|cutnumbertext=[[FGC:Episode 04 Cut 216|216]]
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|text=BGM START: "Bay side love story —from Tokyo—"
|text=BGM START: "Bay side love story —from Tokyo—"
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|comment=You'd be surprised. I've heard stories.<br>
|comment=You'd be surprised. I've heard stories.<br>


Here we have the first of the songs by J-Pop artist Masami Okui that turn up in NGE. (They'll all from her album "GYUU". Incidentally, it was published by King Records. Coincidence? I don't think so. ;;> ) You may have already heard her in Slayers or Utena.<br>
Here we have the first of the songs by J-Pop artist Masami Okui that turn up in NGE. (They'll all from her album "GYUU". Incidentally, it was published by King Records. Coincidence? I don't think so. ;;> ) You may have already heard her in ''Slayers'' or ''Utena''.


An interesting thing about these vocal insert songs (from either "Lilia", which we met in episode #02, or "GYUU") is that they all occur within NGE's environment — playing on a radio, or Shinji's S-DAT, etc. Actually, this is the case for all of the music in this particular episode. Was there some kind of artistic reason for this lack of true BGM?
An interesting thing about these vocal insert songs (from either "Lilia", which we met in episode #02, or "GYUU") is that they all occur within NGE's environment — playing on a radio, or Shinji's S-DAT, etc. Actually, this is the case for ''all'' of the music in this particular episode. Was there some kind of artistic reason for this lack of true BGM?
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Latest revision as of 00:28, 6 April 2010


Screenshots Cut # Description/Dialogue Commentary

216
The three of them resume their former poses and look at each other. Toji and Kensuke smile complacently.

BGM START: "Bay side love story —from Tokyo—"

OMF: Such touching male bonding. This kind of thing never works in real life, though.


Reichu: You'd be surprised. I've heard stories.

Here we have the first of the songs by J-Pop artist Masami Okui that turn up in NGE. (They'll all from her album "GYUU". Incidentally, it was published by King Records. Coincidence? I don't think so. ;;> ) You may have already heard her in Slayers or Utena.

An interesting thing about these vocal insert songs (from either "Lilia", which we met in episode #02, or "GYUU") is that they all occur within NGE's environment — playing on a radio, or Shinji's S-DAT, etc. Actually, this is the case for all of the music in this particular episode. Was there some kind of artistic reason for this lack of true BGM?

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