Komm, süsser Tod: Difference between revisions
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*Two versions exist: The "Director's Cut" used in [[Episode 26']], and "KIDA", where the choir continues after the final chorus in broken, incoherent song. | *Two versions exist: The "Director's Cut" used in [[Episode 26']], and "KIDA", where the choir continues after the final chorus in broken, incoherent song. | ||
*Reminiscent of The Beatles' "Hey Jude". | *Reminiscent of The Beatles' "Hey Jude". | ||
*There is also a remix of the song called "Tumbling Down Remix" which was made for Evangelion Vox. The singer is Loren of Loren and Mash, who also sang Thanatos~If I Can't Be Yours~, the End Credits song for [[Episode 25']]. It's sung in a more cheerful manner, reminiscent of funk. | |||
[[Category:A to Z]] | [[Category:A to Z]] | ||
Revision as of 21:50, 17 August 2007
Komm, süsser Tod (German: Come Now, Sweet Death) is the English-language song which plays during Third Impact when Instrumentality is initiated in The End of Evangelion. The song is performed by Arianne, backed by piano, pipe-organ and various string arrangements by Shiro Sagisu.
Notes
- Two versions exist: The "Director's Cut" used in Episode 26', and "KIDA", where the choir continues after the final chorus in broken, incoherent song.
- Reminiscent of The Beatles' "Hey Jude".
- There is also a remix of the song called "Tumbling Down Remix" which was made for Evangelion Vox. The singer is Loren of Loren and Mash, who also sang Thanatos~If I Can't Be Yours~, the End Credits song for Episode 25'. It's sung in a more cheerful manner, reminiscent of funk.
