FGC:Episode 04 Cut 216: Difference between revisions

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|cutnumbertext=[[FGC:Episode 04 Cut 216|216]]
|cutnumbertext=[[FGC:Episode 04 Cut 216|216]]
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|text=The three of them resume their former poses and look at each other. Toji and Kensuke smile complacently. }}


{{FGC:Script Text|type=SE
{{FGC:Script Text|type=music
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|text=BGM START: "Bay side love story —from Tokyo—"
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{{FGC:Script Text|type=dialogue|speaker=
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{{FGC:Comment|name=OMF
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|comment=Such touching male bonding. This kind of thing never works in real life, though.}}


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{{FGC:Comment|name=Reichu
|comment=You'd be surprised. I've heard stories.<br>


{{FGC:Comment|name=
Here we have the first of the songs by J-Pop artist Masami Okui that turn up in NGE. (They'll all from her album "GYUU". Incidentally, it was published by King Records. Coincidence? I don't think so. ;;> ) You may have already heard her in ''Slayers'' or ''Utena''.
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{{FGC:Comment|name=
An interesting thing about these vocal insert songs (from either "Lilia", which we met in episode #02, or "GYUU") is that they all occur within NGE's environment — playing on a radio, or Shinji's S-DAT, etc. Actually, this is the case for ''all'' of the music in this particular episode. Was there some kind of artistic reason for this lack of true BGM?
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Latest revision as of 00:28, 6 April 2010


Screenshots Cut # Description/Dialogue Commentary

216
The three of them resume their former poses and look at each other. Toji and Kensuke smile complacently.

BGM START: "Bay side love story —from Tokyo—"

OMF: Such touching male bonding. This kind of thing never works in real life, though.


Reichu: You'd be surprised. I've heard stories.

Here we have the first of the songs by J-Pop artist Masami Okui that turn up in NGE. (They'll all from her album "GYUU". Incidentally, it was published by King Records. Coincidence? I don't think so. ;;> ) You may have already heard her in Slayers or Utena.

An interesting thing about these vocal insert songs (from either "Lilia", which we met in episode #02, or "GYUU") is that they all occur within NGE's environment — playing on a radio, or Shinji's S-DAT, etc. Actually, this is the case for all of the music in this particular episode. Was there some kind of artistic reason for this lack of true BGM?

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