Difference between revisions of "FGC:OP Cut 010"
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{{FGC:Scene | {{FGC:Scene | ||
|cuts= | |cuts= | ||
− | </noinclude>{{FGC:Cut|episode= | + | </noinclude>{{FGC:Cut|episode=OP |
− | |cutname= | + | |cutname=010 |
|images= | |images= | ||
+ | [[Image:OP_C010_a.jpg]] | ||
− | |cutnumbertext= | + | [[Image:OP_C010_b.jpg]] |
+ | |||
+ | [[Image:OP_C010_c.jpg]] | ||
+ | |||
+ | |cutnumbertext=[[FGC:OP Cut 010|010]] | ||
|script= | |script= | ||
{{FGC:Script Text|type=music | {{FGC:Script Text|type=music | ||
− | |text=}} | + | |text=Dakedo itsuki kizuku deshou, sono senaka ni wa…{{br}} |
+ | (But someday, you are sure to realize that upon your back…) | ||
+ | }} | ||
{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
− | |text= | + | |text=Shinji inside the entry plug.{{br}} |
− | + | His eyes aren't visible.{{br}} | |
− | + | PAN UP (throughout the cut). | |
− | + | }} | |
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− | {{ | ||
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− | {{ | ||
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|comments= | |comments= | ||
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=Reichu |
− | |comment=}} | + | |comment=Shinji: “I have to pilot Eva. ''moan; pout.''" |
+ | }} | ||
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=Dr. Nick |
− | |comment=}} | + | |comment=This series is the ''epitome'' of apocalyptic teen-angst, folks. |
+ | }} | ||
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=MDWigs |
− | |comment=}} | + | |comment=And just to show that I'm true to my word: the classic pan-up, fade-in cross seen here is used many times through the series. We pan-up on Shinji sitting in the pilot's seat, and then fade-in to a shot of the top of his head (effectively a zoomed-in shot of his head from the previous shot) and then have Shinji raise his head, then open his eyes. The whole transition is very smooth and I think works extremely well. }} |
}} | }} | ||
<noinclude>}} | <noinclude>}} | ||
− | [[Category: FGC Cuts]] | + | [[Category:FGC Cuts]] |
− | [[Category: FGC | + | [[Category:FGC OP Cuts]] |
</noinclude> | </noinclude> |
Latest revision as of 05:13, 28 December 2009
Screenshots | Cut # | Description/Dialogue | Commentary | ||
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010 |
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