Difference between revisions of "FGC:Episode 03 Cut 029"
(Automated import of articles) |
The wayneiac (talk | contribs) |
||
Line 5: | Line 5: | ||
|cutname=029 | |cutname=029 | ||
|images= | |images= | ||
− | + | [[Image:03_C029a.jpg]] <br> | |
− | [[Image:03_C029a.jpg]] | ||
[[Image:03_C029b.jpg]] | [[Image:03_C029b.jpg]] | ||
− | |||
− | |||
− | |||
− | |||
− | |cutnumbertext=[[FGC:Episode 03 Cut 029| | + | |cutnumbertext=[[FGC:Episode 03 Cut 029|029]] |
|script= | |script= | ||
{{FGC:Script Text|type=music | {{FGC:Script Text|type=music | ||
− | |text=}} | + | |text=BGM START: C-4 [Waking up in the morning] |
+ | }} | ||
+ | |||
+ | {{FGC:Script Text|type=regsupplemental|speaker=Weather Girl | ||
+ | |text="Yes! Good morning. This is Shinohara." | ||
+ | }} | ||
{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
− | |text=}} | + | |text=Dining room. Misato's dining table has a rice bowl and instant miso soup.}} |
{{FGC:Script Text|type=SE | {{FGC:Script Text|type=SE | ||
− | |text=}} | + | |text=KNOCK-KNOCK}} |
{{FGC:Script Text|type=dialogue|speaker= | {{FGC:Script Text|type=dialogue|speaker= | ||
Line 31: | Line 31: | ||
|text=}} | |text=}} | ||
− | |||
− | |||
{{FGC:Script Text|type=supplemental51|speaker= | {{FGC:Script Text|type=supplemental51|speaker= | ||
Line 39: | Line 37: | ||
|comments= | |comments= | ||
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=HeWhoPostsStuff |
− | |comment=}} | + | |comment="Waking Up in the Morning" is another very "retro" sounding piece of BGM. Tracks like this tend to give the scenes they accompany a very surreal feeling: NGE overall is focused on the divisions between people, the things they do to hurt each other, etc., while such "Leave it to Beaver"-esque tunes as this one are unapologetically happy-go-lucky. It's as if the soundtrack is trying to ignore what's going on and half-heartedly attempt to put a happy "spin" on it. |
+ | |||
+ | In this scene, for instance, Misato is more or less completely brushing Shinji off and making him feel worthless, but the music suggests a scene along the lines of "Honey, I'm home! And guess what, I got a raise and Junior won the science fair!" "That's just spiff-er-iffic, darling! The house is spick and span and the pork chops with applesauce are just about ready; here are your slippers!" The latter scenario, and the music which suggests it, is otherwordly enough as it is, but putting it on top of a scene like this one only makes it even weirder to listen to, from my point of view. | ||
+ | |||
+ | }} | ||
+ | |||
+ | {{FGC:Comment|name=Shin-seiki | ||
+ | |comment=Yuka Miramura (Asuka's VA) is earning her paycheck by doing Weather Girl's voice here (since we still have a ways to go before Asuka shows up).}} | ||
+ | |||
+ | {{FGC:Comment|name=thewayneiac | ||
+ | |comment=Weather Girl is irritatingly perky in this scene. | ||
+ | }} | ||
+ | |||
+ | {{FGC:Comment|name=Reichu | ||
+ | |comment=You should see Miyamura in Battle Royale. She's got a gift for it. | ||
+ | |||
+ | Notice the complete transformation of Misato's apartment from the previous episode. As alluded to last time ("She calls this a 'little' messy?!?"), Shinji is a neat freak of Hamtonian proportions. Although cleaning up after Misato seems like it would be a full-time job; one wonders how Shinji finds time for it in between school and work. | ||
+ | }} | ||
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=OMF |
− | |comment=}} | + | |comment=It's Shinji's prudish side, hard at work. He probably couldn't sleep if he felt there was an unwashed dish in the sink! He's rather poignantly set Misato's place at the breakfast table. I wonder if this is his own, silent little way of pleading for attention.}} |
− | {{FGC:Comment|name= | + | {{FGC:Comment|name=Reichu |
− | |comment=}} | + | |comment=I imagine his obsession with cleanliness also serves, on a basic psychological level, as one of the only means by which he can actually bring some order to his life…}} |
}} | }} |
Revision as of 00:17, 14 May 2008
Screenshots | Cut # | Description/Dialogue | Commentary | ||
---|---|---|---|---|---|
029 |
|
|