https://wiki.evageeks.org/api.php?action=feedcontributions&user=Nuclear+Lunchbox&feedformat=atomEvaWiki - User contributions [en]2024-03-28T21:38:08ZUser contributionsMediaWiki 1.34.0https://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=106954User:Nuclear Lunchbox2021-04-30T05:58:08Z<p>Nuclear Lunchbox: </p>
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<div>{{User Infobox<br />
| name = Nuclear Lunchbox<br />
| real name = varies<br />
| date of birth = varies<br />
| homeland = varies<br />
| role = varies<br />
| lot in life = varies<br />
| favorite episode = varies<br />
| favorite character = varies<br />
| favorite relationship = varies<br />
| favorite angel = varies<br />
| favorite evangelion = varies<br />
}}<br />
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{{#babel:en|ja-4}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=106949User:Nuclear Lunchbox2021-04-30T05:54:42Z<p>Nuclear Lunchbox: </p>
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<div>{{User Infobox<br />
| name = Nuclear Lunchbox<br />
| real name = varies<br />
| date of birth = varies<br />
| homeland = varies<br />
| role = varies<br />
| lot in life = varies<br />
| favorite episode = varies<br />
| favorite character = varies<br />
| favorite relationship = varies<br />
| favorite angel = varies<br />
| favorite evangelion = varies<br />
}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=106154User:Nuclear Lunchbox2021-03-27T15:17:10Z<p>Nuclear Lunchbox: Deleted personal information</p>
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<div></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Evangelion_3.0%2B1.0_Assorted_Translations&diff=106149Evangelion 3.0+1.0 Assorted Translations2021-03-27T13:11:38Z<p>Nuclear Lunchbox: </p>
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<div>'''Evangelion New Theatrical Edition: 3.0+1.0 Records Collection''' became available at the theatrical release of ''[[Evangelion: 3.0 + 1.0 Thrice Upon a Time]]''. It features final character and mecha designs from the film, cast interviews and theatrical posters.<br />
<br />
'''Please note most of these translations are early and are likely to get revised. Many interviews are still undergoing translation.'''<br />
<br />
''See also: [[Resources:Evangelion Q Records Collection]]''<br />
==Interviews==<br />
===Megumi Ogata as Shinji Ikari===<br />
'''Translation: [https://forum.evageeks.org/post/917171/Megumi-Ogata-Theatrical-Pamphlet-Interview-Translation/#917171 Pluto]'''<br />
<br />
'''On July 6, 2019, when the video of Avant 1 was announced, Ms. Ogata participated in the Japan EXPO in Paris, France.'''<br />
<br />
In Paris, I was given a great role. About three weeks before, I was suddenly asked to fly to Paris. I adjusted my schedule and managed to get there, but I was the only one on the last minute flight. Others took an early flight to prepare for the show, but I flew on a midnight flight the day before the show, arrived in Paris at 4AM early in the morning that day, and left my luggage at the hotel. It was a super-forced schedule to go to [the place where the expo was held]. At that time, I was asked, "Ms. Ogata, I'm really sorry, but would you please bring the completed video to be played simultaneously all over the world?" Even though I was the last one, I wasn't worried that I had such a big role. For example, if you fell in the bathroom, you wouldn't apologize to the entire world.<br />
<br />
If that’s the case you’re ready to say, "There are two parts to being a manager. Please bring a spare for Ms. Ogata." As expected, I’m ready. (laughs). "I have to do this. I brought it to France” and I said that “I shouldn't run away” (in Shinji's voice). I think I apologized with the manager for the other animations, saying," I can't bear that heavy of a responsibility. "However, the production team of Evangelion knew that it would be a trial and error process until the very end, and they thought that “if Ogata loses it, that's it.”(laughs). No, I can't afford to be spoiled, but if I thought about it, I was likely to be crushed by the pressure. I've been associated with "Eva" for the last 25 years, but it wasn't difficult (laughs). For 25 years, I experienced something that I couldn't experience anywhere else, but every time I talk about [Eva], all the other animation producers turn around and say, "No way? Is that true!?" (Laughs)<br />
<br />
'''––What was it like to directly see the reactions of the audience in Paris?'''<br />
<br />
All the overseas fans are passionate. We were enthusiastically welcomed by everyone in Paris. However, the difficult thing is that I talk through an interpreter overseas, so there is a delay between when I talk and getting it to everyone. In Paris, there was an online broadcast, so Japanese people would understand as soon as I spoke, but since it was live in Paris, it took a long time for the reaction to come back, even while thinking ”Is this okay for a show?” I was also able to do it.<br />
<br />
'''––Was that the first time you saw the video?'''<br />
<br />
I could only see a little bit. The Eiffel Tower was shown a lot. Anyway, it was amazing. Rather than the content, instead, I was really relieved that [the video] was delivered safely (laughs).<br />
<br />
'''––How did you feel when you first read the script?'''<br />
<br />
It was a long time ago that I read the script for the first time. I mean, I wanted to read in advance the scenario in the pre-planning stage before it became a completed script. That's something I've never done before ... Suddenly in the winter of 2018, Mr. Khara<ref>''"Mr. Khara"'' is Anno. This is one of the ways Ogata refers to Anno.</ref> contacted me saying "I would like to talk about the scenario." It was the first time I was told such a thing. Voice actors rarely participate in the scenario development stage at the animation studio. Evangelion, especially, is a work that expresses the inner world of director Anno, so in the scenario meeting, I wondered what it would be like to be called on by him. I received a preliminary scenario that said, "I want you to read it when you attend the meeting," I nervously read it, and somehow I understood. Then, when I finally attended the meeting, the first thing Anno said was “I want to hear your opinion on what to do to bring back Shinji who can’t speak anymore at the end of Q”<ref>''Q'' is the Japanese name for ''[[Evangelion 3.0: You Can (Not) Redo]]''</ref>. So I asked, "Why did you ask me that in the first place!?" I don't know if it was instrumental at that time or what it meant, but he said, "Among the members of this meeting only Todoroki (Ikki) and you understand Shinji's feelings”. (laughs). So I had a little discussion with the staff about how Shinji would act.<br />
<br />
'''––What did Ogata think about Shinji's comeback?'''<br />
<br />
I thought that his conduct was not important and that whatever Shinji's feelings were drawn, it would work. In addition, the result of saying "If anything, this is it" has led to the depiction of some of Shinji in Part A. As an aside, after a very responsible meeting, everyone went out to eat and took a picture there. Then Anno uploaded our first “two-shot” picture I took with him the following new year's.<br />
[Two shot picture: a photograph of two people, usu. male and female]<br />
By going through that process, when I received the completed script, I knew the rough content a little earlier than everyone else in the cast.<br />
<br />
'''––Did the content that you read the earlier change in the final script?'''<br />
<br />
I just read it roughly, so I knew what had changed and what hadn't changed. In the first place, I didn't really see the scenario during the review stage, and I was worried that if there was a difference in the final draft after provisionally reading it, there would be a problem if it influenced my performance. I read it as if I borrowed it for a meeting, and sealed it away after that.<br />
<br />
'''––How did you feel when the voice recording started?'''<br />
<br />
First of all, do you have multiple scripts? I was surprised that it was the final volume. In the end, there were four parts, but at first I received two volumes, Avant and the A and B Part. The B part is very light and I thought it was like a doujinshi (laughs). The A and B parts were recorded in early 2019. At first, I recorded the A part with Kensuke (Iwanaga Judgment) and Asuka (Yuko Miyamura), but at a relatively early stage, as usual, by like, Take 30 we began to attack it intensely.<br />
<br />
'''––Did Ms. Ogata have to do any retakes?'''<br />
<br />
There weren't many Shinji lines in Part A, and there were many reaction ad-libs (expressions such as breathing) such as "ha" and "fu", so there weren’t many retakes. I sometimes got out of the booth and waited for the other actors to finish. I didn’t talk but I watched the two performances because I thought it would be difficult for them to do it. The C and D parts in the latter half have more lines in the performance, but I think that it was almost like recording by myself throughout the whole story, not with everyone. However, in the latter part, I was told that "Gendou and Shinji want to record together," and I did it with Fumihiko Tachiki. But at that time, when it was Mr. Tachiki’s turn to record, he recorded many takes over and over again, so I waited once more, and in the end, after our recording time was finished for the day, on the way home, I went to drink with Mr. Anno and all the main staff came. "I drank with my dad (in Shinji's voice)" (laughs)<ref>She's referring to Fumihiko Tachiki, [voice of [[Gendo Ikari]</ref><br />
<br />
'''––Were there any diagrams (illustrations) when you were recording alone?'''<br />
<br />
What do you mean? I don’t know but...In any case, at the stage of recording the latter part, it was said that all of Shinji’s parts would be finished recording, except for the scenes that involve Gendo. After all, as I said, the interaction with Gendou was limited to the first few pages.<br />
<br />
'''––Isn't Shinji so special?'''<br />
<br />
I felt that this time Shinji played a major supporting role. In the final act, the conflicts of various characters are drawn abundantly and Shinji as a major supporting character in his line interjects by saying, “So how was it?”Is it a position like "another Shinji" that often appeared in the TV series? Often, when Shinji A shouted, "What the!?", Shinji B replied, "What does that mean? Do you think you're bad?" This time, only B (who asks) feels, and it is not Shinji who is expressing his thoughts but Gendou and Asuka. In that sense, after previously completing the story of Gendou and Asuka, maybe I wanted Shinji to speak with objectivity. This is just a guess.<br />
<br />
'''––Wasn't it difficult to perform by yourself?'''<br />
<br />
To be honest, I like to perform with people rather than acting alone. Obviously, it's best to perform live together. It's more fun to perform together than alone. It’s because [it’s something that] can only be created in the moment. As expected, I don't say the lines without listening to the previous lines, but I perform while listening to the voices recorded by everyone else in advance, but I think it's different from performing together in a scene. But, well, it's a work that has been done for as long as 25 years, and I think the first thing is to be able to do what the executive director wants to do. Since the actors are all veterans, I felt that they were talking with an awareness along the lines of "Ogata would say something like this."<br />
<br />
Although it was recorded separately, it seems that everyone formed a LINE group<ref>Japanese instant messaging app</ref> and solidified their unity. I made it when a lot of actors unexpectedly came to the New Year's party hosted by Mr. Khara on New Year's Day 2019. It’s always busy at the launch of [a new] "Eva”, so the actors don't get together so much, but at that time, a lot of people gathered, so I created a LINE group as a contact network. At first, when I made it, I thought that everyone wouldn't actively send messages, but surprisingly, there were many people who reported on their activities. Even during the recording sessions, they would say, "I'm going to record today." Good luck! " Because we bought a lot of Eva LINE stamps, we used the stamps to say "Good luck" (laughs). It's a pity that the picture alone doesn't show up. There are many Eva stamps but unfortunately, there aren’t many “boy stamps”.<ref>Megumi Ogata [https://soranews24.com/2019/08/31/voice-of-evangelions-main-character-sad-to-see-how-often-he-gets-left-out-of-anime-group-shots/ tweets a lot] about how Shinji isn’t prominently featured as much in promotional material as the other characters.</ref><br />
<br />
'''––How did you feel about meeting your old colleagues who took a year to live again in this world?'''<br />
<br />
I already experienced the surprise that my acquaintances are getting older before I knew it in “Q”. At first, Shinji couldn't understand the current situation in "Q". Asuka has the same face, but why did she get scared so suddenly? Misato and her crew feel like they're getting older, but he doesn’t understand what they're saying. Black plugsuit Rei Ayanami helped him, but what can I say? And so on, there were only such questions. The reason he finally realized the current situation was when Kaoru showed Shinji the devastated scenery, saying, "This is what you did." After that, Shinji was extremely depressed ……….<br />
<br />
'''––In the "Q" pamphlet, Ms. Ogata's thoughts at that time were spelled out.'''<br />
<br />
During the second half of "Q" Shinji rushed just for the hope that he might return to his original state if only those spears were pulled out. As a result, his friend died in front of him and he lost his will to speak. In short, in "Q", Shinji was informed that the situation has drastically changed, but in the A part of "Shin", in the part where Shinji cannot speak, it took time for Shinji to be able to slowly understand and comprehend that 14 years had passed. That said, as I said earlier, I have never spoken about the scenes where Shinji is silent, and I haven't seen any pictures, so at this point, I've only imagined what it looks like by reading the script. When I recorded the A part, there were almost no images yet ... With normal dubbing, by actually listening to the exchanges in the previous scenes, the emotions of various people come out, and I myself can act after being moved by them. I didn't have that this time, and I had no choice but to fill in my emotions only from my imagination, so I'm still not sure if I'm performing properly, but I believe in the executive director who gave me the OK! (Laughs)<br />
<br />
'''––How did you interpret the feeling of returning to the Wunder?'''<br />
<br />
Overall, Shinji was kind of lonely or perhaps I should say I think Shinji manufactured a world inside his heart that he fell into where only he was left behind. Everyone is his friend, but they’re not the same friends, right? Although he treats everyone the same as before, from Shinji's point of view, they are no longer the same friends as he was back then. Everyone has been accumulating experiences for the past 14 years, and each has a different family or has put themselves in a new living environment. In short, everyone has grown up. So, they’re not the same as him anymore. The reality is that he is only 14 years old and can't return to the same place as everyone else, he is in the midst of despair, yet one step to live again in this world is to return to the Wunder. I think it was the choice to go back there. I think it's gradually becoming possible for him to swallow and accept the situation he was placed into.<br />
<br />
'''–– How did you feel in your performance when Asuka told you that she had grown up first?'''<br />
<br />
I know how Asuka feels. For example, when I met a classmate at a class reunion, I had grown 14 years older, and although I was 14 years older and had various life experiences in those 14 years, the boy I liked at that time [in junior high school] remained a junior high school student, both emotionally and physically, and was an adult. If you haven't grown up at all, you won't feel like you used to. I think the other boy is the same [as Shinji] as what I’m talking about. <br />
<br />
'''––You really read the script thoroughly, didn’t you?'''<br />
<br />
Rather than reading the script thoroughly, it's more like a long accumulation [of experience]. In the last scene of "2.0", I was so tired from recording the scene where Shinji saved Ayanami that I couldn't move, so I sat down on the floor of the studio. Then Anno-san jumped in and came into the studio with me. He sat down on the floor and took my hand and said, "Thank you for adding your experience to Shinji while still maintaining the heart of a 14 year old." He said, "You managed to do it because you haven't let go of your 14-year-old heart." I was really happy [that he said that]. Then, with "Q", [Anno said,] "This time, everyone around you has grown up. What I want you to do is to show your own loneliness of being left behind with a 14-year-old heart in this film." "If you keep feeling like when you were 14 years old, you [Ogata] personally should have a sense of discomfort with others and a feeling of loneliness that only you can fall into, so please act with that in mind." In "Shin", if anything I noticed that if I was alone, then, with this, what should be done becomes an exploration on what I should do in my own way as Shinji acts. I think that is also the part that is familiar to me now. There is a stereotypical way of thinking that "adults should be like this", especially Japanese people tend to think and say that. He has a strong sense of conformity and tends to impose things like "shouldn't it be like this" and "shouldn’t be like this for members of society", and excludes other people. When I realize that "everyone around me may be different from me," I also go through the process of finding where I should be.<br />
<br />
'''––It's been 25 years since you've performed that type of role where you’ve included your inner self. Miyamura, who plays Asuka, said in an interview earlier, "Ms. Ogata, thank you very much for your hard work."'''<br />
<br />
Like Shinji, I think Miyamura became Asuka because it was her. Twenty-five years ago, she was still a voice actor, and although she doesn't know it, I think she performed with her body, which was the basis of Asuka. Of course, not only Miyamura, but everyone else, I think it's a rare work in which the individuality and experiences [of the performers] are projected into their roles. I wonder if we were the "chosen children" (laughs).<br />
<br />
'''––Ms. Ogata, please tell us the lines that you were most impressed with this time.'''<br />
<br />
I don't really think about the lines because they just come out, but the additional line that was suddenly given to me at the time of the last recording, "Goodbye, all of Evangelion" [stood out]. I was surprised by that. I was told, "Goodbye to your current feelings," and I did it several times while thinking "Um." Gradually, I didn't know if Shinji was saying it or Megumi Ogata was saying it. When I asked, "Which will you use in the end?", I was told, "I'll decide later because they’re all good", so I don't know which [take] will be included until I see the finished product (laughs).<br />
<br />
'''––Looking back on 25 years, how do you feel now?'''<br />
<br />
Thankfully, I was fortunate enough to have many hits in the 90's, including "Eva". Currently, in addition to "Eva", there are series from the 90's that continue to make new works such as "Cardcaptor Sakura" and "Yu Yu Hakusho", and not only animation but also apps and games are attached to them. Many collaboration products were also made. Among them, "Eva" has continued for 25 years, although there [were times when a new Eva series wasn’t being made], above all, I continued to be involved as the main character the whole time. I'm really grateful that I was able to come into contact with such a work. How many actors can have such an experience, leaving a character that can only be projected onto their own life? I really appreciate it.<br />
<br />
'''––To that extent Shinji and yourself are connected?'''<br />
<br />
I don't think my acting is particularly good ... I don’t think I’m suitable as an actress in terms of my personality. Previously, when I made my second animation, "Glass Mask", I played the role of the main character, Kitajima Maya. Maya is an actor who "wears a thousand masks", but I want to be an actor who "removes masks" rather than an actor who "wears a mask". If you have a thousand pieces of armor that you have worn, then peel off a thousand pieces. Everyone is acting = wearing armor and living. But it's difficult to remove it at the right time. I want to be an actor who can convey that. You can peel it off at any time. All ages and genders can be transcended. I have thought that there is no value as an actor other than being myself. Even if the people around me grow up, I can stay 14 years old... I almost backed down many times, but fortunately, I was praised in the "new movie version" for "holding on well", and for the first time I thought "I'm glad I’m an actor". Of course, I also love other works, but maybe I was able to become a voice actor to do "Evangelion"... I don't know what it is, but I think I was able to come this far because I was able to do it with a power that cannot be seen.<br />
<br />
Knowing that it is misunderstood, "Evangelion" itself is like another life of mine. So, at the same time as it is incredible at the end, it is strange to say "somehow it does not end", but it is a complete work, and since there is a large part that links the role to myself, as long as I am alive, I feel like I will continue to live in the story of "Evangelion". Someday, when I'm asked if "I'm going to do another world beyond the final edition, but can I still be 14 years old?", I want to be able to say "I'll do it" without hesitation. I wish I could stay as an actor who can play the heart of a 14 year old until I die.<br />
<br />
===Yuko Miyamura as Asuka Langley Shikinami===<br />
'''Translation: [https://forum.evageeks.org/thread/20722/Yuko-Miyamura-Theatrical-Pamphlet-Interview-Translation/#p917446 Pluto]'''<br />
<br />
'''I've always wanted Asuka to be happy'''.<br />
<br />
'''--You've performed Asuka for 25 years. Now that the recording of the concluding chapter in the series is finished, are you having thoughts about all kinds of different feelings?'''<br />
<br />
Thoughts of all kinds of different feelings ... I haven't had them yet ... because there are still some parts that remain to be recorded. However, this time, from beginning to end, I had warm feelings. That's because this time, the cast members made a LINE group, and those who had finished their recordings reported, "It's over today!" in order. Since "Eva" is recorded separately, there are few opportunities to be in scenes together, so we communicated with each other. In this way, and every time someone finished, we all sent out stamps clapping "Congratulations". I'm really reserved on LINE, and I just send stamps in the [part of the conversation] where everyone is talking, but when I was mostly finished, I gently reported to everyone that it was over. I'm glad that technology has evolved dramatically since the TV series started 25 years ago, and it has become possible to [share warm feelings among the group] even when they are far away.<br />
<br />
'''--What were your candid thoughts when you first received the script?'''<br />
<br />
First, when the A part came in, I reread the script of " Q" and remembered "Ah, so that was it," and then read the script. I recorded the A part and the B part together and after that, I think maybe I got the script for the C and D parts.<br />
<br />
'''--Asuka appears equally from the A to the D part. What do you think about Asuka this time?'''<br />
<br />
I think everyone who has seen "Eva" up until now will understand. Throughout the entire series, I’ve felt sorry for Asuka. I have been worried about this for a long time. Even though I do my best. Because I always suffer and feel sorry [for Asuka] , I've been hoping for a long time that her ending would be happy. I want everyone to imagine Asuka's happiness in the future for me. Everyone, I leave Asuka’s happiness to each and every one of you!<br />
<br />
'''--In any case, I think it seems that one possibility of happiness was depicted.'''<br />
<br />
Because [Asuka] is like a daughter to me, [I was thinking] “Kensuke, you bastard, I didn’t realize it!” I was surprised that Asuka suddenly became close to Kensuke without any lead up to it. For example, Kensuke shoots a video of Asuka when she is facing the other direction*. In this scene [I was thinking], “what’s going on here?” I wanted to put a clever comeback in this scene (Laughs). Asuka also entered Kensuke's room and played games without permission**.<br />
<br />
*This is the scene where Kensuke has his video camera and is recording the docking of the Wunder in the third village. Kensuke points his camera at her and she’s like: don’t point that camera at me!<br />
**This is a cultural thing<br />
<br />
<br />
'''--After understanding your relation to Kensuke, did the nuance of your [young dry] voice change?'''<br />
<br />
But that's not the case for Asuka. Regarding Shinji’s condition and her role in Wille, she has many problems. When Misato says "Asuka please [pilot the Eva]", she must immediately launch. "This crappy organization! I'm forced to do everything! It’s only me and Mari [who do all the work]!" (In Asuka's tone). While surely being frustrated, she also has the resignation to not grow up as a child. By now, Asuka has no other option but to fight hard.<br />
<br />
'''--You mentioned in the “Q” pamphlet that you performed "like a mercenary or a military commander".'''<br />
<br />
That's right. I was fighting and thinking that I was a professional soldier. I don't know what Misato thinks or knows and at any rate, I have to obey her orders. When you are told to "protect [something]", you protect it. When you are told to "recapture [something]", you recapture it.<br />
<br />
Every day, I was in a situation where I had no choice but to do it, and I think I was happy with the warmth of Kensuke (laughs). I've said a lot, but I was very happy when I was recording my scenes with Kensuke. The reason is that the Kensuke that I can see, who seems to have been abruptly thrust into a heavy burden, was gracious and trying very hard to support her. Mr. Iwanaga, who played the role of Kensuke, said a lot, "I'm doing my best to rescue Asuka! Can this make Asuka happy?”, so I thought, "I'm glad that Kensuke was so concerned about Asuka." However, before, when I played the heroine in another work, I also thought that I would be connected to the main character because she was the heroine, but sometimes the main character was taken by a character that appeared in the middle of the series. This time too……. I thought that there weren't many roles like that in terms of cause and effect (laughs).<br />
<br />
The only thing I could figure out is that Gendou is selfish (laughs).<br />
<br />
'''--How was the scene where you met Asuka's original, the former Asuka [Shikinami], face-to-face?'''<br />
<br />
I recorded some of Asuka’s lines as an adult and as a villain, but I didn't know which one to use in the end. When it comes to Asuka's feelings, “Original” Asuka’s [Shikinami's original clone] existence is one that I definitely do not want to get on the side of, but for Yuko Miyamura, up until now, she has been pecked by something like a bird, stabbed by a spear, or as if I turned into a messy pile of meat. Compared to being attacked (laughs), I thought it was welcome because it was a very beautiful impression.<br />
<br />
'''--Both Rei and Asuka are said to have been "prepared from the beginning" by Gendo.'''<br />
<br />
Still, I don't think Asuka is in control! Even so, that's not true...I tried to say that, but I don't know for sure. However, I just thought, "That’s it, that’s it, Gendou is selfish" (laughs). It's like, "What are you talking about, Gendo!? What do you know!?" This selfishness has involved the world! I wonder if I understand Gendo. It's very troublesome to other human beings. Isn’t it? Good grief. What do you think of Gendou? Isn't he extremely selfish? (shouts)<br />
<br />
'''--Ms. Miyamura is still passionately shouting and Asuka has been screaming fiercely in every series.'''<br />
<br />
To that extent, do I think “Asuka screaming” is “Eva”? She sure does scream. This time I shouted with Mari, not with Shinji. At the time of the recording of the screaming, the picture was not completed yet, so I imagined scenes from the stage directions and listened to the director’s explanations for the scenes and heard "It hurts" or "It's passionate" at that time I tried my best to feel it. While being told, "It doesn't hurt yet" ... At that time--this time, we weren't together and I remember Ms. Ogata's moral support. Because Shinji also had the same painful experience, there were a lot of screaming scenes (laughs), [Ogata] gave me motivation and I screamed.<br />
<br />
'''--This time, I was surprised because you suddenly pulled out a sealing pillar from your left eye. How was it for you when you saw that image?'''<br />
<br />
I pulled it out, didn’t I? It seems painful! There have been times when something pierced me, but I thought, "this time I’m pulling it out?" (laughs). At the time of "2.0", I knew there was a theory that I became an angel from all the fan speculations. I started dubbing after seeing everyone's speculations (laughs).<br />
<br />
'''--Wasn't there any explanation from the directors?'''<br />
<br />
There was an explanation from the directors before the recording, “I see” I said and understood the theory, but it is difficult because I’ve never personally had a [angel] sealing pillar or spear stabbed [in my eye] (laughs). But when an actor says "I can't do [something] because I've never done it", it's over. So, I used all of my imagination and I pretended to stab my body. I understand that it corresponds to pain when I pull [the sealing pillar] out. I imagine that it's like peeling off flesh while you’re doing it. Anno and Tsurumaki had detailed criticisms and asked me for more realism. "It feels like something really hot is coming out." Humans usually feel the heat at about 43°C in the bath (laughs), and that's not enough, so imagine how hot it is. But even though I asked "How [hot] was it?" I don't remember. In my performance, I'm 100% desperate and I can't hold on to [these feelings] and live my daily life. So when the recording was finished and I left the studio, I tried to forget everything.<br />
<br />
'''--Don’t you worry about damaging your throat? Do you perform in a somewhat controlled way?'''<br />
<br />
That won’t happen because my schedule for "Eva" is open (laughs). In the case of "Eva", I am fully prepared to push myself to the limit so the scheduling and health care are perfect. Moreover, I exerted myself this time as well and [my voice] was completely flawless. Apart from that, I might be talking the whole time. When I shouted, "Yes, OK, now the next cut," I said to myself, "Even if you do your best as Asuka, you won't be rewarded next time!" Even if Asuka does her best by saying, “I'll do something about it!”, I'll fall into a trap next time, won’t I?" That's Yuko Miyamura’s “meta-speech”, but when I do Asuka, I become Asuka and perform as Asuka, but if I don't put in a comeback line like that, I will feel bad about Asuka’s loneliness.<br />
<br />
Everyone is like war buddies who have been together for 25 years.<br />
<br />
'''--You say you used to like Shinji. What was that exchange like?'''<br />
<br />
Unfortunately, I haven't interacted with Ms. Ogata. Ms. Ogata said that she would after recording. In the part before Part A, Shinji was still like an invalid no matter what he did. When he realized that 14 years have passed and such a thing happened to Kaoru-kun in front of him, I think I felt sorry for Shinji because he’s depressed and there’s nothing he can do. The only thing Asuka can say is “Do the best you can."Asuka is doing her personal best, so she can tell other people to do their best.That's why I wanted Shinji to wake up and say, "I'll do my best," but I guess she felt like she couldn't reach Shinji no matter what she said. Asuka's effort is not rewarded. [When Asuka says,] “You are too mentally weak,” she blame’s Shinji. When I performed this line of Asuka’s, I really almost cried. In the 14 years of effort Asuka has accumulated, by saying this, I didn’t expect Shinji to do anything about it but she was unable to say what she wanted. But, in this way, thanks to saying what she wanted, I have a feeling that Asuka was able to progress.<br />
<br />
'''--For Ms. Miyamura, Asuka’s peak is in Part A.'''<br />
<br />
I didn't precisely say what I clearly liked there and I guess I went ahead and said it at the end. In the A Part, I didn't say "I liked you," but I felt like I had already made a break in my feelings for Shinji.<br />
<br />
'''--In performing Asuka for the first time in 8 years with various things coming to an end, did you feel a weight off of your shoulders as an actress?'''<br />
<br />
Yes, I feel like a weight off of my shoulders has been lifted. Executive director Anno said, "I'm glad Asuka was Miyamura" when my screen time was over.In fact, not only me, but the cast, staff, and everyone involved was good. So the executive director faced this work with thanks by saying to everyone, "I'm glad you were in this cast" and "I'm glad you were in this staff." I think so too. It’s because everyone is like a war buddy who have been together for 25 years and avoided the verge of death. I think I said to all members, “Good work. Well done, everyone!” Above all, I personally want to say that to Ms. Ogata. Ms. Ogata, that was really good work! I definitely want to participate if there is a cast party. Now that I'm back in Japan, I want to go to the cast party.<br />
<br />
'''--Finally, the way Asuka says "Baka Shinji". How did you come up with this?'''<br />
<br />
This was also a storyboard shot, so I think I was shown a picture of Asuka's appearance at that time and performed it with that impression. That "Baka Shinji" is just a love letter to the people who have supported Shinji x Asuka!<br />
<br />
'''--Lastly, what is happiness for Yuko Miyamura?'''<br />
<br />
Happiness? I want someone to tell me too (laughs). It's difficult. Hmmm. But conversely, I would like to ask you something. Each character went in their own direction, and on the other hand, I think the audience may sense it too. "Was your happiness inside this [work]?"<br />
<br />
===Mitsuishi Kotono as Katsuragi Misato===<br />
IN PROGRESS (by Nuclear Lunchbox)<br />
<br />
==Notes==<br />
<br />
[[Category:Resources (Japanese)]]<br />
[[Category:Publications]]<br />
[[Category:Translations]]<br />
{{reflist}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=98548User:Nuclear Lunchbox2016-07-04T16:45:09Z<p>Nuclear Lunchbox: </p>
<hr />
<div>{{User Infobox<br />
| image=[[Image:Nuclear_Lunchbox_wiki_photo.jpeg|300px]]<br />
| name =Nuclear Lunchbox (AKA Nuke-kun)<br />
| real name =<br />
| date of birth = July 11th, 1997<br />
| homeland =[[United States of America|United States]]<br />
| role =Learning from my mistakes<br />
| lot in life =Student<br />
| favorite episode =[[Episode 22]]<br />
| favorite character =[[Asuka|A certain fiery redhead]]<br />
| favorite relationship =[[Theory and Analysis:Shinji and Asuka's Relationship|Shinji and Asuka]]<br />
| favorite angel =[[Armisael]]<br />
| favorite evangelion =[[Eva-01]]<br />
}}<br />
<br />
=Where did Nuke go?=<br />
<br />
He got fed up with the Evageeks community and left for good.<br />
<br />
=Why is this wiki page still here?=<br />
<br />
Nuke kept it here for posterity. He also didn't feel like deleting his gigantic "how I got into Evangelion" screed.<br />
<br />
=The Fandom=<br />
Evangelion was my first true fandom. The series somehow sunk its fangs into me and just never let go. I've spent a while addicted to it, and it's not an addiction that I want to kick. The story of how I got into Evangelion is a very long one, and I never properly explained it in the forum for that very reason.<br />
===Part One===<br />
So, when I was a wee lad of about seven, my father downloaded an application that would select daily webcomics for him and display them in their own little window. Naturally, young me was interested in these. Every day, I would hoist myself into one of the giant chairs and read comics for around half an hour.<br />
After a few months of this, I got into the guts of the program. I discovered that there were comics that ''weren't'' being displayed. Of course, younger me had to have these. I opened all of the comics up to the application, and that was that. I went on to read all of them. Then, I came across a webcomic called CTRL+ALT+DEL. [http://www.cad-comic.com/cad/20021023: Check it out, it's awesome.] I read it for a few weeks, until my mother caught me, deemed that it was "inappropriate", and uninstalled the app. I got bored and found other things to do, and the webcomic lay forgotten in some of the barren corners of my mind.<br />
<br />
===Part Two===<br />
[[File:Replica Lance Transformation A.jpg|200px|right|thumb|Yeah, I would have been ''pissed'' if I had been spoiled by this.]]<br />
Fast forward to when I was twelve years old. I was patrolling the internet on my parent's laptop, when I came across the webcomic for the first time in five years. I happily started reading it again. Of course, I began to become irritated by all of the ads on the site. I was able to ignore them, but then one particularly annoying advert came along. This was advertising for something called ''Evangelion 1.0.'' I ignored the ad, but over the next month it grew more and more irritating. Finally, I said, "Oh, screw this," and clicked it. I was redirected to the first 8 minutes of Evangelion 1.0., sadly in English. That aside, talk about an instant hook. This was my first anime experience, I didn't care. It should be noted here that when I was searching for the first episode on youtube, I came across a video titled ''' ''Asuka's Final Battle'' '''. I wisely ignored it and moved on.<br />
===Part Three===<br />
After the 8 minutes that I watched, I had to have more. Mistakenly believing that what I had viewed was part of NGE, I went to youtube and found the rest of Episode 1 with subtitles. I watched it, crappy cliffhanger and all. From there, I went to Episode 2, then 3, until I had watched up through Episode 19. By this time, Jewish Holidays had come and gone, and I was the proud owner of a Platinum Edition copy of NGE. I finished the series on the DVDs, Director's Cuts and all.<br />
===Part Four, or Nuke's Original Reaction===<br />
[[File:1jl2jo.jpg|200px|left|thumb|"Make a better ending, Anno. Make it NOW."]]<br />
I finished the series when I was twelve. My reaction was a resounding "What the fuck kind of ending was that?" Angered, I proceeded to watch the series ''again'' and was stunned out of my anger by realizing how deep certain parts of the series were. My irritation was gradually replaced by a sense of "ZOMFG THIS IS AWESOME". Then, I reached the end of the series again. I thought that I understood it a bit better, but I still thought that Anno had magnificently screwed up. It wasn't until June of that year that I found Death and Rebirth, as well as End of Evangelion.<br />
<br />
===Part Five===<br />
When I discovered that there were parts of Eva that I hadn't watched, I dashed out to Blockbuster and picked them up on DVD. I shoved Death into my DVD player, got some popcorn and watched it. Really, I thought it was a glorified recap of the series. This edition didn't have any of EoE on it, for some reason. I mean, it was ''good''; it just wasn't anything that new or interesting. I turned to EoE and put it into my player. Episode 25' began to play.<br />
====Part Six, or the second part of Part Five====<br />
Episode 25' blew me away. It was the end that I had secretly always wanted; it fulfilled every desire I had for the end of NGE. Granted, some of it was a tad much for my 12-year old brain; watching Shinji wanking over Asuka's comatose body was a lovely sight, as well as watching Maggot-ridden Asuka and the two parts of Misato's body go flying in opposite directions. Of course, I just stared at the screen in awe and watched on. Then Episode 25' ended. Since I was a respectful person, I sat through the credits while I made myself some more popcorn. Episode 26' started.<br />
====Part Seven, or the third part of Part Five====<br />
[[File:Bffcci.jpg|200px|righ|thumb|Yeah, that was my initial reaction too.]]<br />
I really had no words for Episode 26'. It was a mindfuck, pure and simple. The animation was amazing and the plot... just WOW, but it crossed the line from "mildly disturbing" to "fuck this shit, we're going to blow up some heads". I still loved it, of course. Watching every event transpire as it did, watching GNR devour Shinji with the Vagina Eye, watching everybody explode into Tang... it was one of the coolest movies I had ever seen. Then, of course, we had the obligatory fucked-up ending. Shinji and Asuka. Beach. Strangulation. You know the drill by this point. I loved it all the same, but spent forever trying to understand it. That was when I visited Evageeks for the first time. It was just the wiki, which I used to search for the answers to all of my elusive questions. Two more years went by, with me introducing all of my friends to Eva. Finally, I decided that I would create an account on the Forum, just for the lulz. I did, became enamored with it, and I've been with y'all ever since. HERE ENDS THE STORY OF THE FANDOM.</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:Nuclear_Lunchbox_wiki_photo.jpeg&diff=98547File:Nuclear Lunchbox wiki photo.jpeg2016-07-04T16:39:53Z<p>Nuclear Lunchbox: Nuclear Lunchbox uploaded a new version of &quot;File:Nuclear Lunchbox wiki photo.jpeg&quot;</p>
<hr />
<div>== Summary ==<br />
Nuke-kun being an idiot with 50 lbs of meat. Destined to be his picture on the wiki. [[Category:Images (User Pics)]]<br />
== Licensing ==<br />
{{self|GFDL|cc-by-3.0|migration=redundant}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User_talk:Nuclear_Lunchbox&diff=98241User talk:Nuclear Lunchbox2015-08-30T16:51:28Z<p>Nuclear Lunchbox: /* Standards and Conventions */</p>
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<div>'''THIS PAGE IS PURGED ANNUALLY.'''</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Rebuild_of_Evangelion&diff=97577Rebuild of Evangelion2014-09-11T03:05:48Z<p>Nuclear Lunchbox: /* Films */</p>
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{{RebuildofEvaMovies}}<br />
'''Rebuild of Evangelion''' (ヱヴァンゲリヲン新劇場版 Evangelion Shin Gekijōban, lit. "Evangelion New Theatrical Edition") is a series of four movies by the creators of [[Neon Genesis Evangelion]], which form an alternate retelling of the original TV series. "Rebuild of Evangelion" constitutes a separate continuity from the continuity of the original TV series and associated movies, [[Evangelion: Death and Rebirth]] and [[The End of Evangelion]]. The first film in the series was released in Japan on September 1st, 2007; the second on June 27, 2009; the third was released on November 17, 2012; the final movie was originally slated for 2013 but the date has been removed. <br />
<br />
The ''Rebuild'' movie series is intended to be more accessible and understandable to non-fans of the original series, even if new viewers have never seen the original series at all, while at the same time satisfying fans of the original series.<br />
<br />
==Production History==<br />
<br />
On February 17, 2007 series creator [[Hideaki Anno]] released an [[Statements_by_Evangelion_Staff#Hideaki_Anno:_Statement_about_New_Evangelion_Movies|official statement]] in a form of a movie poster that was shown in 50 cinemas in Japan, providing an explanation for his motivations in creating a new version of the franchise, and stating that the release date for the first film in Japanese theaters was September 1st, 2007. <br />
<br />
Many who worked on the original ''Evangelion'' production team returned to work on Rebuild. Hideaki Anno has written the script for the first movie and will be the general director and manager for the entire project. [[Kazuya Tsurumaki]] and [[Masayuki]] directed the movies while [[Yoshiyuki Sadamoto]] provides character designs and [[Ikuto Yamashita]] provides mechanical designs. [[Shinji Higuchi]] and [[Tomoki Kyoda]] provided storyboards for the first movie.<br />
<br />
==Films==<br />
<br />
There are four films in the ''Rebuild of Evangelion'' series. The first is titled “[[Evangelion 1.0: You Are (Not) Alone]]”, and the second "[[Evangelion 2.0: You Can (Not) Advance]]". The third is called "[[Evangelion 3.0: You Can (Not) Redo]]". The last film is known as “[[Evangelion: Final]]”.<br />
<br />
{| class="wikitable" width="900px"<br />
|-<br />
! width="18%"| '''Episode''' !! width="22%"| '''Japanese Title''' !! width="30%"| '''English Translations''' !! width="30%"| '''Release date''' <br />
|-<br />
|''Evangelion 1.0:<br>You Are (Not) Alone''<br />
|ヱヴァンゲリヲン新劇場版:序 (Evangelion Shin Gekijōban: Jo)<br />
|Evangelion New Theatrical Edition: Prelude<br />
|September 1, 2007 (Japan)<br />
|-<br />
|''Evangelion 2.0:<br>You Can (Not) Advance''<br />
|ヱヴァンゲリヲン新劇場版:破 (Evangelion Shin Gekijōban: Ha)<br />
|Evangelion New Theatrical Edition: Break<br />
| June 27, 2009 (Japan)<br />
|-<br />
|''Evangelion 3.0:<br>You Can (Not) Redo''<br />
|ヱヴァンゲリヲン新劇場版:Q (Evangelion Shin Gekijōban: Q)<br />
|Evangelion New Theatrical Edition: Quickening<br />
| November 17, 2012 (Japan)<br />
|-<br />
|''Evangelion: Final ''<br />
|シン・エヴァンゲリオン劇場版:<nowiki> 3.0 + 1.0</nowiki>(Shin Evangelion Gekijōban: <nowiki>3.0 + 1.0</nowiki> )<br />
|New Evangelion Theatrical Edition: <nowiki>3.0 + 1.0</nowiki><br />
| Not Fixed<br><br />
|}<br />
<br />
==Storyline==<br />
<br />
“Rebuild of Evangelion” was originally presented as an alternate retelling of the original ''Neon Genesis Evangelion'': the first three movies were intended to be an “alternate retelling” of the series, while the fourth and final film is promised to be an entirely new, alternate ending to the series. <br />
<br />
Major differences include that while [[Kaworu Nagisa]] was originally introduced very late in the series in [[Episode 24]], in ''Rebuild of Evangelion'' he was briefly present in the first film. In addition, a new female major character named [[Mari]] appears starting from the second film.<br />
<br />
The plot of the first ''Rebuild'' film ends with “Operation Yashima,” the battle against the Angel [[Ramiel]] in [[Episode 06]] which concluded the introductory story arc. The plotline of the second film ends in the battle against [[Zeruel]] in [[Episode 19]], but the story greatly differs from that of the original series, with the added developments of Kaworu's alternate role and Mari's entrance to the series. The third movie in the Rebuild, Evangelion 3.0: You Can (Not) Redo, has just about no relation to the orignal tv series, skewing out of the alternate events occurring in You Can (Not) Advance, setting up the final film in the series.<br />
<br />
==Wiki note==<br />
<br />
{{Rebuildcontentstart}}<br />
Articles on the wiki that have a hexagon border, for example see the border to the left, denotes content related to Rebuild of Evangelion.<br />
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{{Rebuildcontentend}}<br />
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[[Category:A to Z]]<br />
[[Category:Rebuild of Evangelion]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96701FGC:Episode 07 Cut 3332014-07-22T20:53:38Z<p>Nuclear Lunchbox: </p>
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</div></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_04_Cut_001&diff=96522FGC:Episode 04 Cut 0012014-07-21T04:49:10Z<p>Nuclear Lunchbox: </p>
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|text=Panoramic view of a rainy Tokyo-3. <br />
A gloomy sky. (Sometime past 8 AM.)<br />
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|text=Sound of rain}}<br />
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|comments=<br />
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{{FGC:Comment|name=Reichu<br />
|comment=Still raining from the end of last episode. }}<br />
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{{FGC:Comment|name=Magami No ER<br />
|comment=Rain. For me, this is the most boring and depressive form of weather. There are many people who feel the same way about this episode, but I like it for a few reasons — mostly the character interaction. }}<br />
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{{FGC:Comment|name=Incisivis<br />
|comment=For me, this episode continues the early-series winning streak. While there is continuity between all the episodes, episode #04 has the distinct feel of being a "sequel" to episode #03, being that it deals with the aftermath of not only the Angel's attack, but of Shinji's induction into school. It's also very character-driven, which is a big plus.}}<br />
<br />
{{FGC:Comment|name=Ark<br />
|comment=In my opinion it's one of the most meaningful episodes in the series. I also appreciate it because it makes it clear early on that this is not some simple mecha vs. monster type show. I don't know why some people still act like the direction of the series changed halfway through even when they've seen this episode.}}<br />
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{{FGC:Comment|name=Quiddity<br />
|comment=I agree. This episode was an interesting change of pace compared to what you'd expect from the typical mecha show. For not only the action, but the plot to stop entirely for an episode was quite an interesting path to take. (In saying that the plot stops, I don't mean it's a waste of an episode, but it certainly can't be put on the level of, say, episode #15 or #17, which don't feature new Angels to fight but still are plot heavy episodes.) Focusing entirely on Shinji and his early anguish with the Eva gives us a pretty good result. [Although I have to admit, the typing up/translation process certainly didn't enthrall me as much as the other three episodes I've worked on thus far (#03, #05, #06).] }}<br />
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{{FGC:Comment|name=Ark<br />
|comment=I just feel that there is something very mature about this episode. There were hints of this in the first three episodes, but they were balanced with moments of humour. This, on the other hand, is a depressing acid trip through the Hakone countryside.}}<br />
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{{FGC:Comment|name=Reichu<br />
|comment=Fortunately, it's not ''completely'' deprived of funny moments. Hint: What starts with a "ke" and ends with a "ke"? ;;>}}<br />
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{{FGC:Comment|name=Hexon.arq<br />
|comment=With the exception of fleeting glimpses of an Eva and of Ritsuko conducting tests, this episode holds almost no traces of the formalism present in the previous (and subsequent) episodes. Its events are such that one could very well have filmed them in live-action on a starving artist's budget. Were it not for the sights mentioned, as well as a bit of the dialogue, one might not have any idea that this was a mech show at all.}}<br />
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{{FGC:Comment|name=Incisivis<br />
|comment=And I suppose here's as good a place to say it as any, even though there's many examples throughout the episode: #4 makes very effective use of silence. That's true for the entire series, but here it stands out particularly. }}<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=The first time I watched this, I thought it was weird to have an episode with this mood in the middle of what seemed to me at the time to be a standard giant mecha anime. Of course, it's now one of my favorite episodes. It grows on you.}}<br />
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<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 04 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_182&diff=96521FGC:Episode 07 Cut 1822014-07-21T04:25:46Z<p>Nuclear Lunchbox: </p>
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|text=Misato reflexively makes a sarcastic remark.}}<br />
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{{FGC:Script Text|type=dialogue|speaker=MISATO<br />
|text=That robot's as badly behaved as the guy who built it.}}<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=Zing!}}<br />
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[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_181&diff=96520FGC:Episode 07 Cut 1812014-07-21T04:24:27Z<p>Nuclear Lunchbox: </p>
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|text=Bird's-eye view of the scene. The ceiling, with a foot-shaped hole in it, is in the foreground. Beyond it can be seen the foot-shaped piece of the ceiling that has come out of it.{{br}}<br />
Suddenly Misato sticks her head out.}}<br />
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|text=*cough* *cough* *cough*}}<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=Cute shot, but from the way JA was walking, its legs should have kept shearing through the ceiling in a straight line like in cut 183.}}<br />
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[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:ObsessiveMathsFreak/FGC7_test&diff=96519User:ObsessiveMathsFreak/FGC7 test2014-07-21T04:08:25Z<p>Nuclear Lunchbox: Edited first two scenes. I wonder what to do about the third, though.</p>
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</div></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96516FGC:Episode 07 Cut 3332014-07-20T18:40:37Z<p>Nuclear Lunchbox: </p>
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=The storyboards actually denote <i>this</i> cut as containing Ritsuko's lines, but the scripts moved the content to cut 332 instead. Script directions supersede storyboard directions, so this cut became obsolete.}}<br />
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{{FGC:Comment|name=<br />
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<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96515FGC:Episode 07 Cut 3332014-07-20T18:35:40Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
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|cutname=333<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=The storyboards actually denote <i>this</i> cut as containing Ritsuko's lines, but the scripts moved the content to cut 332 instead. Script directions supersedes storyboard directions, so this cut became obsolete.}}<br />
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[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96514FGC:Episode 07 Cut 3332014-07-20T18:33:44Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=333<br />
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[[Image:07_C333.png]]<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=The storyboards actually denote <i>this</i> cut as containing Ritsuko's lines, but the scripts moved the content to cut 332 instead. Script directions supersedes storyboard directions..}}<br />
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{{FGC:Comment|name=<br />
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}}<br />
<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96513FGC:Episode 07 Cut 3332014-07-20T18:33:18Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=333<br />
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[[Image:07_C333.png]]<br />
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|cutnumbertext=[[FGC:Episode 07 Cut 333|333]]<br />
|script=<br />
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{{FGC:Comment|name=[[User:Nuclear Lunchbox|Nuclear Lunchbox]]<br />
|comment=The storyboards actually denote <i>this</i> cut with Ritsuko's lines, but the scripts moved the content to cut 332 instead. Script directions supersedes storyboard directions..}}<br />
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<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_333&diff=96512FGC:Episode 07 Cut 3332014-07-20T17:23:14Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=333<br />
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[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_224&diff=96511FGC:Episode 07 Cut 2242014-07-20T17:18:10Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
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|cutname=224<br />
|images=<br />
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|cutnumbertext=[[FGC:Episode 07 Cut 224|224]]<br />
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|text=Engine roar}}<br />
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<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_163&diff=96510FGC:Episode 07 Cut 1632014-07-20T17:14:31Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=163<br />
|images=<br />
[[Image:07_C163.png]]<br />
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|cutnumbertext=[[FGC:Episode 07 Cut 163|163]]<br />
|script=<br />
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<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_150&diff=96509FGC:Episode 07 Cut 1502014-07-20T17:13:19Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=150<br />
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}}<br />
<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C333.png&diff=96508File:07 C333.png2014-07-20T17:05:12Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C224.png&diff=96507File:07 C224.png2014-07-20T17:04:53Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C163.png&diff=96506File:07 C163.png2014-07-20T17:03:09Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C150.png&diff=96505File:07 C150.png2014-07-20T17:02:39Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_105&diff=96504FGC:Episode 07 Cut 1052014-07-20T16:59:07Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=105<br />
|images=<br />
[[Image:07_C105.png]]<br />
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|cutnumbertext=[[FGC:Episode 07 Cut 105|105]]<br />
|script=<br />
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{{FGC:Script Text|type=music<br />
|text=}}<br />
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{{FGC:Script Text|type=description<br />
|text=A point of light comes into view behind a marker in the foreground.}}<br />
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{{FGC:Script Text|type=SE<br />
|text=The faint sound of a jet turbine engine}}<br />
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}}<br />
<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C105.png&diff=96503File:07 C105.png2014-07-20T16:56:37Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07_Cut_255&diff=96502FGC:Episode 07 Cut 2552014-07-20T16:28:47Z<p>Nuclear Lunchbox: </p>
<hr />
<div><noinclude><br />
{{FGC:Scene<br />
|cuts=<br />
</noinclude>{{FGC:Cut|episode=07<br />
|cutname=255<br />
|images=<br />
[[Image:07_C255.jpg]]<br />
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|cutnumbertext=[[FGC:Episode 07 Cut 255|255]]<br />
|script=<br />
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{{FGC:Script Text|type=music<br />
|text=}}<br />
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|text=Missing number.}}<br />
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{{FGC:Script Text|type=SE<br />
|text=Thud thud thud}}<br />
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|comments=<br />
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}}<br />
<noinclude>}}<br />
[[Category: FGC Cuts]]<br />
[[Category: FGC Episode 07 Cuts]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=File:07_C255.jpg&diff=96501File:07 C255.jpg2014-07-20T16:08:32Z<p>Nuclear Lunchbox: Category:Images (FGC 07 Thumbnails) Category:FGC Thumbnails</p>
<hr />
<div>== Summary ==<br />
[[Category:Images (FGC 07 Thumbnails)]] [[Category:FGC Thumbnails]]<br />
<br />
== Licensing ==<br />
{{subst:uwl}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_08&diff=95835FGC:Episode 082014-05-04T05:28:50Z<p>Nuclear Lunchbox: DURRR EPISODE 8 =/= 7</p>
<hr />
<div>{{FGC:MW}}<br />
{{FGC:Header|text=The Scene Index for The Fangeeks Commentary: Episode #08|name=scene_list|num=1}}<br />
{{FGC:Episode 08 Scene List}}{{br}}<br />
{{FGC:Header|text=Credits: Episode #08|name=credits}}<br />
<div class="fgc_credits"><br />
'''Ending Theme:''' FLY ME TO THE MOON <Aya Bossa Techno TV.Size Version><aya Bossa Techno TV.Size Version><br />
<br />
{{FGC:Header|num=2|text=STAFF}}<br />
<br />
'''Script''': Akio Satsukawa, Hideaki Anno {{br}}<br />
'''Storyboards''': Shinji Higuchi {{br}}<br />
''' Director''': Seiji Mizushima {{br}}<br />
<br />
'''Chief Animator''': Shinya Hasegawa {{br}}<br />
'''Assistant Character Designers:''' Mahiro Maeda, Mitsumu Wogi{{br}}<br />
'''Closing Animation''': Masayuki {{br}}<br />
'''Key Animators''': Keiji Goto, Fumitomo Kizaki, Yuichi Tanaka, Keisuke Watabe, Yutaka Nakamura, Nobutsoshi Ogura, Munenori Nawa, Toru Takahashi, Katsuichi Nakayama, Shigeki Sunada, Hidenori Fukuoka, Hideyuki Morioka, Hajime Kamikura, Shinya Hasegawa, Masayuki, Shunji Suzuki {{br}}<br />
'''Animation Director''': Noriko Goto{{br}}<br />
'''Animation''': NEOX, M-I, Studio Dean, Studio Argoship, GAINAX, Marsa Inc., Tezuka Productions, Production IG{{br}}<br />
'''Color Desgin''': Harumi Takahoshi{{br}}<br />
'''Cel Check''': Yuka Izumisawa{{br}}<br />
''' Special Effects''': Noriyuki Ohta{{br}}<br />
''' Computer Graphics Production''': GAINAX SHOP {{br}}<br />
'''Film Processing''': Tokyo Laboratory {{br}}<br />
'''Cel Painting:''' Tatsunoko Color Center, Marsa Inc., Shaft, Ltd., Tezuka Productions, Studio Argoship, Trans Art Inc., Studio Fantasia, Studio Tarji{{br}}<br />
'''Titles:''' Maki Productions {{br}}<br />
'''Backgrounds:''' Kyoto Animation, Joji Unoguchi, Atsushi Morikawa, Misa Takatsuka, Hiroshi Igaki{{br}}<br />
'''Photography: ''' Cosmos, Katsunori Maebara, Tetsuo Ohto, Shinji Ikegami, Takashi Shimada, Toshikazu Hisano, Natsuki Orihara, Shoji Yazawa{{br}}<br />
''' Editor''': Sachiko Miki {{br}}<br />
'''Production Desk''': Yudo Ohishi{{br}}<br />
''' Production Coordinator''': Manabu Ishikawa{{br}}<br />
''' Production Room Assistant''': Tomoko Takahashi {{br}}<br />
'''Sound Effects''': Toru Noguchi (ANIME Sound) {{br}}<br />
'''Adjustment''': Yoshio Ohara {{br}}<br />
''' Studio''': TAVAC{{br}}<br />
''' Video Editor''': Hiroshi Uchimura {{br}}<br />
''' Operator''': Kozo Yoneyama (Video Sunmall) {{br}}<br />
'''Animation Producers''': Motoki Ueda, Shuji Uchiyama, Hiroyuki Yamaga {{br}}<br />
'''Production''': TV Tokyo, NAS {{br}}<br />
<br />
{{FGC:Header|num=2|text=CAST|name=cast}}<br />
<br />
'''Shinji Ikari:''' Megumi Ogata {{br}}<br />
'''Misato Katsuragi:''' Kotono Mitsuishi {{br}}<br />
'''Ritsuko Akagi:''' Yuriko Yamaguchi {{br}}<br />
'''Asuka Langley Soryu:''' Yuko Miyamura {{br}}<br />
'''Gendou Ikari:''' Fumihiko Tachiki {{br}}<br />
'''Toji Suzuhara:''' Tomokazu Seki{{br}}<br />
'''Kensuke Aida:''' Tetsuya Iwanaga{{br}}<br />
'''Ryoji Kaji:''' Koichi Yamadera {{br}}<br />
'''OTR Captain:''' Tomomichi Nishimura {{br}}<br />
'''OTR Vice Captain:''' Hitoshi Yamanoi {{br}}<br />
{{FGC:Header|num=2|text=RENEWAL STAFF}}<br />
<br />
'''Cast:''' Masanobu Kariya, Kiyotaka Furushima, Takushi Akiyama, Daisuke Kita, Takuhiro Imamura, Isao Yamagishi, Rika Okamoto, Mayumi Yanagisawa, Rina Satoh, Ryoko Kawano, Noriko Katsuhata, Eri Mizuhara, Yoshiko Okamoto, Shima Izumi, Kyoko Muramatsu, Kazuko Shiraishi, Chizuru Miyashita, Maki Gotoh, Yuki Fukunaga, Miyoshi Nomata, Keiko Mizumori, Noriko Kitamura, Megumi Hayashibara{{br}}<br />
<br />
'''Cel Check''': Mihoko Hamatani{{br}}<br />
''' Photography:''' Studio Cosmos, Shinji Ikegami, Akihiro Nishiyama {{br}}<br />
'''Film Processing:''' Tokyo Laboratory {{br}}<br />
<br />
'''Telecine (Movie Tone):''' IMAGICA West {{br}}<br />
'''2D Work Cooperation''': Yasuhiro Kamimura, Shohei Sotoyama {{br}}<br />
'''Production Coordinator''': Daisuke Hirose {{br}}<br />
'''Animation Producer:''' Hiroki Satoh {{br}}<br />
<br />
'''Post Production:''' Sony PCL {{br}}<br />
'''Colorist''': Yasutaka Ishihara {{br}}<br />
'''Video Editor''': Masashi Nitta {{br}}<br />
'''Post Production Assistants''': Hideki Itoh, Masato Yukita {{br}}<br />
<br />
'''Video Encoding''': Hideki Ishizaka {{br}}<br />
'''Authoring Coordinator:''' Satoshi Takashima {{br}}<br />
'''AR Script Producer:''' Toshiaki Kaneko{{br}}<br />
'''Coordinator:''' Takeshi Ishigaki{{br}}<br />
<br />
'''Menu Design''': Shinji Higuchi, Atsuki Satoh{{br}}<br />
'''Menu Screen Production''': Hibiki Watanabe{{br}}<br />
'''Coordinator''': Kyoko Denda (Motorize){{br}}<br />
'''Recording:''' Yutaka Kanai (DIGITAL TV STUDIO){{br}}<br />
<br />
'''Sound Effects:''' Toru Noguchi (Anime Sound){{br}}<br />
'''Remix''': Haru Yamada, Hijiri Kouhara (Sound Team Donfan){{br}}<br />
'''Studio Assistant:''' Souiji Shiihara (Studio Gong){{br}}<br />
'''Recording Studio''': Studio Gong <br />
<br />
{{FGC:Header|num=2|text=Music Staff}}<br />
<br />
'''Engineers''': Kouichi Suzuki, Hiroyuki Tsuji{{br}}<br />
'''Assistant Engineer''': Mitsuru Ishii{{br}}<br />
'''Technical Engineer''': Kuniaki Takahashi{{br}}<br />
'''Music Editors''': Shirou Sagisu, Toshiyuki Ohmori <br />
<br />
'''DVD Producer''': Tomohiro Ogawa{{br}}<br />
'''Executive Producer:''' Toshimichi Ohtsuki {{br}}<br />
'''Editor:''' Masayuki {{br}}<br />
'''Executive Editor:''' Hideaki Anno<br />
</div><br />
<br />
<br />
<br />
{{FGC:Master_Navigation_Box}}<br />
<br />
[[Category:Commentary Interface Pages]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_08&diff=95834FGC:Episode 082014-05-04T05:28:22Z<p>Nuclear Lunchbox: </p>
<hr />
<div>{{FGC:MW}}<br />
{{FGC:Header|text=The Scene Index for The Fangeeks Commentary: Episode #08|name=scene_list|num=1}}<br />
{{FGC:Episode 08 Scene List}}{{br}}<br />
{{FGC:Header|text=Credits: Episode #07|name=credits}}<br />
<div class="fgc_credits"><br />
'''Ending Theme:''' FLY ME TO THE MOON <Aya Bossa Techno TV.Size Version><aya Bossa Techno TV.Size Version><br />
<br />
{{FGC:Header|num=2|text=STAFF}}<br />
<br />
'''Script''': Akio Satsukawa, Hideaki Anno {{br}}<br />
'''Storyboards''': Shinji Higuchi {{br}}<br />
''' Director''': Seiji Mizushima {{br}}<br />
<br />
'''Chief Animator''': Shinya Hasegawa {{br}}<br />
'''Assistant Character Designers:''' Mahiro Maeda, Mitsumu Wogi{{br}}<br />
'''Closing Animation''': Masayuki {{br}}<br />
'''Key Animators''': Keiji Goto, Fumitomo Kizaki, Yuichi Tanaka, Keisuke Watabe, Yutaka Nakamura, Nobutsoshi Ogura, Munenori Nawa, Toru Takahashi, Katsuichi Nakayama, Shigeki Sunada, Hidenori Fukuoka, Hideyuki Morioka, Hajime Kamikura, Shinya Hasegawa, Masayuki, Shunji Suzuki {{br}}<br />
'''Animation Director''': Noriko Goto{{br}}<br />
'''Animation''': NEOX, M-I, Studio Dean, Studio Argoship, GAINAX, Marsa Inc., Tezuka Productions, Production IG{{br}}<br />
'''Color Desgin''': Harumi Takahoshi{{br}}<br />
'''Cel Check''': Yuka Izumisawa{{br}}<br />
''' Special Effects''': Noriyuki Ohta{{br}}<br />
''' Computer Graphics Production''': GAINAX SHOP {{br}}<br />
'''Film Processing''': Tokyo Laboratory {{br}}<br />
'''Cel Painting:''' Tatsunoko Color Center, Marsa Inc., Shaft, Ltd., Tezuka Productions, Studio Argoship, Trans Art Inc., Studio Fantasia, Studio Tarji{{br}}<br />
'''Titles:''' Maki Productions {{br}}<br />
'''Backgrounds:''' Kyoto Animation, Joji Unoguchi, Atsushi Morikawa, Misa Takatsuka, Hiroshi Igaki{{br}}<br />
'''Photography: ''' Cosmos, Katsunori Maebara, Tetsuo Ohto, Shinji Ikegami, Takashi Shimada, Toshikazu Hisano, Natsuki Orihara, Shoji Yazawa{{br}}<br />
''' Editor''': Sachiko Miki {{br}}<br />
'''Production Desk''': Yudo Ohishi{{br}}<br />
''' Production Coordinator''': Manabu Ishikawa{{br}}<br />
''' Production Room Assistant''': Tomoko Takahashi {{br}}<br />
'''Sound Effects''': Toru Noguchi (ANIME Sound) {{br}}<br />
'''Adjustment''': Yoshio Ohara {{br}}<br />
''' Studio''': TAVAC{{br}}<br />
''' Video Editor''': Hiroshi Uchimura {{br}}<br />
''' Operator''': Kozo Yoneyama (Video Sunmall) {{br}}<br />
'''Animation Producers''': Motoki Ueda, Shuji Uchiyama, Hiroyuki Yamaga {{br}}<br />
'''Production''': TV Tokyo, NAS {{br}}<br />
<br />
{{FGC:Header|num=2|text=CAST|name=cast}}<br />
<br />
'''Shinji Ikari:''' Megumi Ogata {{br}}<br />
'''Misato Katsuragi:''' Kotono Mitsuishi {{br}}<br />
'''Ritsuko Akagi:''' Yuriko Yamaguchi {{br}}<br />
'''Asuka Langley Soryu:''' Yuko Miyamura {{br}}<br />
'''Gendou Ikari:''' Fumihiko Tachiki {{br}}<br />
'''Toji Suzuhara:''' Tomokazu Seki{{br}}<br />
'''Kensuke Aida:''' Tetsuya Iwanaga{{br}}<br />
'''Ryoji Kaji:''' Koichi Yamadera {{br}}<br />
'''OTR Captain:''' Tomomichi Nishimura {{br}}<br />
'''OTR Vice Captain:''' Hitoshi Yamanoi {{br}}<br />
{{FGC:Header|num=2|text=RENEWAL STAFF}}<br />
<br />
'''Cast:''' Masanobu Kariya, Kiyotaka Furushima, Takushi Akiyama, Daisuke Kita, Takuhiro Imamura, Isao Yamagishi, Rika Okamoto, Mayumi Yanagisawa, Rina Satoh, Ryoko Kawano, Noriko Katsuhata, Eri Mizuhara, Yoshiko Okamoto, Shima Izumi, Kyoko Muramatsu, Kazuko Shiraishi, Chizuru Miyashita, Maki Gotoh, Yuki Fukunaga, Miyoshi Nomata, Keiko Mizumori, Noriko Kitamura, Megumi Hayashibara{{br}}<br />
<br />
'''Cel Check''': Mihoko Hamatani{{br}}<br />
''' Photography:''' Studio Cosmos, Shinji Ikegami, Akihiro Nishiyama {{br}}<br />
'''Film Processing:''' Tokyo Laboratory {{br}}<br />
<br />
'''Telecine (Movie Tone):''' IMAGICA West {{br}}<br />
'''2D Work Cooperation''': Yasuhiro Kamimura, Shohei Sotoyama {{br}}<br />
'''Production Coordinator''': Daisuke Hirose {{br}}<br />
'''Animation Producer:''' Hiroki Satoh {{br}}<br />
<br />
'''Post Production:''' Sony PCL {{br}}<br />
'''Colorist''': Yasutaka Ishihara {{br}}<br />
'''Video Editor''': Masashi Nitta {{br}}<br />
'''Post Production Assistants''': Hideki Itoh, Masato Yukita {{br}}<br />
<br />
'''Video Encoding''': Hideki Ishizaka {{br}}<br />
'''Authoring Coordinator:''' Satoshi Takashima {{br}}<br />
'''AR Script Producer:''' Toshiaki Kaneko{{br}}<br />
'''Coordinator:''' Takeshi Ishigaki{{br}}<br />
<br />
'''Menu Design''': Shinji Higuchi, Atsuki Satoh{{br}}<br />
'''Menu Screen Production''': Hibiki Watanabe{{br}}<br />
'''Coordinator''': Kyoko Denda (Motorize){{br}}<br />
'''Recording:''' Yutaka Kanai (DIGITAL TV STUDIO){{br}}<br />
<br />
'''Sound Effects:''' Toru Noguchi (Anime Sound){{br}}<br />
'''Remix''': Haru Yamada, Hijiri Kouhara (Sound Team Donfan){{br}}<br />
'''Studio Assistant:''' Souiji Shiihara (Studio Gong){{br}}<br />
'''Recording Studio''': Studio Gong <br />
<br />
{{FGC:Header|num=2|text=Music Staff}}<br />
<br />
'''Engineers''': Kouichi Suzuki, Hiroyuki Tsuji{{br}}<br />
'''Assistant Engineer''': Mitsuru Ishii{{br}}<br />
'''Technical Engineer''': Kuniaki Takahashi{{br}}<br />
'''Music Editors''': Shirou Sagisu, Toshiyuki Ohmori <br />
<br />
'''DVD Producer''': Tomohiro Ogawa{{br}}<br />
'''Executive Producer:''' Toshimichi Ohtsuki {{br}}<br />
'''Editor:''' Masayuki {{br}}<br />
'''Executive Editor:''' Hideaki Anno<br />
</div><br />
<br />
<br />
<br />
{{FGC:Master_Navigation_Box}}<br />
<br />
[[Category:Commentary Interface Pages]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Talk:Evangelion:_3.0_You_Can_(Not)_Redo&diff=95766Talk:Evangelion: 3.0 You Can (Not) Redo2014-04-23T04:53:06Z<p>Nuclear Lunchbox: /* Image Link Broken? */</p>
<hr />
<div>===page move===<br />
Since we know the english title of the movie now, shouldn't we move this page to Evangelion 3.0 You Can (Not) Redo as per the other two pages? [[User:Deepak|Deepak]] ([[User talk:Deepak|talk]]) 04:59, 2 July 2012 (PDT)<br />
<br />
===Image Link Broken?===<br />
<br />
The Post 3rd Impact World "expand" gallery option doesn't do anything. Broken images or something else? --[[User:Sailor Star Dust|Sailor Star Dust]] ([[User talk:Sailor Star Dust|talk]]) 15:15, 4 November 2013 (EST)<br />
<br />
It's still broken. Was this something OMF was working on? --[[User:Sailor Star Dust|Sailor Star Dust]] ([[User talk:Sailor Star Dust|talk]]) 18:53, 22 April 2014 (EDT)<br />
<br />
:Would it be simpler for the time being just to show the image as is, and figure out how to do a fancy display later? It doesn't look like it would disrupt the article all that much. [[User:Nuclear Lunchbox|Nuclear Lunchbox]] ([[User talk:Nuclear Lunchbox|talk]]) 00:53, 23 April 2014 (EDT)</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=95750User:Nuclear Lunchbox2014-04-22T16:57:15Z<p>Nuclear Lunchbox: </p>
<hr />
<div>{{User Infobox<br />
| image=[[Image:Nuclear_Lunchbox_wiki_photo.jpeg|300px]]<br />
| name =Nuclear Lunchbox (AKA Nuke-kun)<br />
| real name =[REDACTED]<br />
| date of birth = July 11th, XXXX<br />
| homeland =[[United States of America|United States]]<br />
| role =Learning from my mistakes<br />
| lot in life =Much better than I think it is<br />
| favorite episode =[[Episode 22]]<br />
| favorite character =[[Asuka|A certain fiery redhead]]<br />
| favorite relationship =[[Theory and Analysis:Shinji and Asuka's Relationship|Shinji and Asuka]]<br />
| favorite angel =That's like asking a mother her favorite child.<br />
| favorite evangelion =I love them all. Don't make me choose.<br />
}}<br />
<br />
=The Fandom=<br />
Evangelion was my first true fandom. The series somehow sunk its fangs into me and just never let go. I've spent a while addicted to it, and it's not an addiction that I want to kick. The story of how I got into Evangelion is a very long one, and I never properly explained it in the forum for that very reason.<br />
===Part One===<br />
So, when I was a wee lad of about seven, my father downloaded an application that would select daily webcomics for him and display them in their own little window. Naturally, young me was interested in these. Every day, I would hoist myself into one of the giant chairs and read comics for around half an hour.<br />
After a few months of this, I got into the guts of the program. I discovered that there were comics that ''weren't'' being displayed. Of course, younger me had to have these. I opened all of the comics up to the application, and that was that. I went on to read all of them. Then, I came across a webcomic called CTRL+ALT+DEL. [http://www.cad-comic.com/cad/20021023: Check it out, it's awesome.] I read it for a few weeks, until my mother caught me, deemed that it was "inappropriate", and uninstalled the app. I got bored and found other things to do, and the webcomic lay forgotten in some of the barren corners of my mind.<br />
<br />
===Part Two===<br />
[[File:Replica Lance Transformation A.jpg|200px|right|thumb|Yeah, I would have been ''pissed'' if I had been spoiled by this.]]<br />
Fast forward to when I was twelve years old. I was patrolling the internet on my parent's laptop, when I came across the webcomic for the first time in five years. I happily started reading it again. Of course, I began to become irritated by all of the ads on the site. I was able to ignore them, but then one particularly annoying advert came along. This was advertising for something called ''Evangelion 1.0.'' I ignored the ad, but over the next month it grew more and more irritating. Finally, I said, "Oh, screw this," and clicked it. I was redirected to the first 8 minutes of Evangelion 1.0., sadly in English. That aside, talk about an instant hook. This was my first anime experience, I didn't care. It should be noted here that when I was searching for the first episode on youtube, I came across a video titled ''' ''Asuka's Final Battle'' '''. I wisely ignored it and moved on.<br />
===Part Three===<br />
After the 8 minutes that I watched, I had to have more. Mistakenly believing that what I had viewed was part of NGE, I went to youtube and found the rest of Episode 1 with subtitles. I watched it, crappy cliffhanger and all. From there, I went to Episode 2, then 3, until I had watched up through Episode 19. By this time, Jewish Holidays had come and gone, and I was the proud owner of a Platinum Edition copy of NGE. I finished the series on the DVDs, Director's Cuts and all.<br />
===Part Four, or Nuke's Original Reaction===<br />
[[File:1jl2jo.jpg|200px|left|thumb|"Make a better ending, Anno. Make it NOW."]]<br />
I finished the series when I was twelve. My reaction was a resounding "What the fuck kind of ending was that?" Angered, I proceeded to watch the series ''again'' and was stunned out of my anger by realizing how deep certain parts of the series were. My irritation was gradually replaced by a sense of "ZOMFG THIS IS AWESOME". Then, I reached the end of the series again. I thought that I understood it a bit better, but I still thought that Anno had magnificently screwed up. It wasn't until June of that year that I found Death and Rebirth, as well as End of Evangelion.<br />
<br />
===Part Five===<br />
When I discovered that there were parts of Eva that I hadn't watched, I dashed out to Blockbuster and picked them up on DVD. I shoved Death into my DVD player, got some popcorn and watched it. Really, I thought it was a glorified recap of the series. This edition didn't have any of EoE on it, for some reason. I mean, it was ''good''; it just wasn't anything that new or interesting. I turned to EoE and put it into my player. Episode 25' began to play.<br />
====Part Six, or the second part of Part Five====<br />
Episode 25' blew me away. It was the end that I had secretly always wanted; it fulfilled every desire I had for the end of NGE. Granted, some of it was a tad much for my 12-year old brain; watching Shinji wanking over Asuka's comatose body was a lovely sight, as well as watching Maggot-ridden Asuka and the two parts of Misato's body go flying in opposite directions. Of course, I just stared at the screen in awe and watched on. Then Episode 25' ended. Since I was a respectful person, I sat through the credits while I made myself some more popcorn. Episode 26' started.<br />
====Part Seven, or the third part of Part Five====<br />
[[File:Bffcci.jpg|200px|righ|thumb|Yeah, that was my initial reaction too.]]<br />
I really had no words for Episode 26'. It was a mindfuck, pure and simple. The animation was amazing and the plot... just WOW, but it crossed the line from "mildly disturbing" to "fuck this shit, we're going to blow up some heads". I still loved it, of course. Watching every event transpire as it did, watching GNR devour Shinji with the Vagina Eye, watching everybody explode into Tang... it was one of the coolest movies I had ever seen. Then, of course, we had the obligatory fucked-up ending. Shinji and Asuka. Beach. Strangulation. You know the drill by this point. I loved it all the same, but spent forever trying to understand it. That was when I visited Evageeks for the first time. It was just the wiki, which I used to search for the answers to all of my elusive questions. Two more years went by, with me introducing all of my friends to Eva. Finally, I decided that I would create an account on the Forum, just for the lulz. I did, became enamored with it, and I've been with y'all ever since. HERE ENDS THE STORY OF THE FANDOM.</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User_talk:Nuclear_Lunchbox&diff=95749User talk:Nuclear Lunchbox2014-04-22T16:56:31Z<p>Nuclear Lunchbox: </p>
<hr />
<div>'''THIS PAGE IS PURGED ANNUALLY.'''<br />
<br />
==Standards and Conventions==<br />
By the way, Nuke, you need to stick to a pattern when naming the Evangelions. All Evangelions except Evangelion 13 follow the Evangelion Unit-XX name pattern. Do go through the Standards and Conventions stuff, because otherwise it gets to be a mess on the wiki. (3.0 Evangelion names are a whole new set of issues)<br />
http://wiki.evageeks.org/FGP:Standards_and_Conventions#Eva_Designations<br />
--[[User:UrsusArctos|UrsusArctos]] ([[User talk:UrsusArctos|talk]]) 21:30, 21 March 2014 (EDT)<br />
:Will do, but could you point out where I messed up on this one? I can't recall where this issue would be. [[User:Nuclear Lunchbox|Nuclear Lunchbox]] ([[User talk:Nuclear Lunchbox|talk]]) 13:56, 22 March 2014 (EDT)<br />
<br />
:Errors found. Stupid mistakes that arose from me not being careful enough. [[User:Nuclear Lunchbox|Nuclear Lunchbox]] ([[User talk:Nuclear Lunchbox|talk]]) 20:22, 22 March 2014 (EDT)</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Evangelion:_3.0_You_Can_(Not)_Redo&diff=95748Evangelion: 3.0 You Can (Not) Redo2014-04-22T05:39:05Z<p>Nuclear Lunchbox: /* Plot */ The hell do we still have a spoiler reference?</p>
<hr />
<div><br />
{{Rebuild Infobox<br />
| japanese_title_k = ヱヴァンゲリヲン新劇場版:Q<br />
| japanese_title_r = Evangelion Shin Gekijōban: Q<br />
| japanese_title_e = Evangelion New Theatrical Edition: Quickening<br />
| english_title = Evangelion 3.0: You Can (Not) Redo<br />
| image = [[File:Evangelion 3.0 banner.gif]]<br />
| written_by = [[Hideaki Anno]]<br />
| directed_by = [[Masayuki]], [[Mahiro Maeda]], [[Kazuya Tsurumaki]]<br />
| theatrical_release = November 17, 2012<br />
| video_release = 3.33: April 24, 2013<br />
| angels = [[Twelfth Angel|12th]], [[Kaworu Nagisa|13th]]<br />
| eva_sorties = [[Evangelion Unit-02|Eva-02]], [[Evangelion Unit-08|Eva-08]], [[Evangelion Mark.09|Mark.09]], [[Evangelion 13|Eva-13]]<br />
| prev = [[Evangelion 2.0: You Can (Not) Advance|Evangelion 2.0]]<br />
| next = [[Evangelion: Final]]<br />
}}<br />
<br />
'''Evangelion 3.0: You Can (Not) Redo''' (The Japanese title, literally translated, is: ''Evangelion New Theatrical Edition: Q&nbsp;&nbsp;&nbsp;Quickening'') is the third film in the [[Rebuild of Evangelion]] movie series, released to Japanese cinemas on November 17, 2012. Initial press releases for the new film series announced that the third and fourth installments would be half-length and shown together{{fact}}. On January 1st 2012, the official Evangelion website revealed the movies would be released separately<ref>http://www.evangelion.co.jp/final.html</ref>. <br />
<br />
The working Japanese title was ヱヴァンゲリヲン新劇場版:急 (''Evangelion Shin Gekijōban: Kyū'', Evangelion New Theatrical Edition: Rush). With the preview included in ''Eva 2.0'', the ''Kyū'' was replaced with the identically-pronounced letter "Q" followed by the subtitle "Quickening", which has the same basic meaning as "Rush" with the added nuance of an unborn child's first movements. (Additionally, in Japan, the stylistic choice to substitute "Q" for the kanji 急 is not uncommon.{{fact}}) The full international title '''You Can (Not) Redo''' was announced on January 1st 2012<ref>http://www.evangelion.co.jp/news.html</ref>.<br />
<br />
==Plot==<br />
<br />
The storyline departs markedly from where ''Evangelion 2.0'' had ended. Very few of the story elements hinted at in the original preview from ''2.0'' remain in the final work. However, it is under speculation as to whether or not some of these events actually occurred ''prior'' to the story in 3.0.<br />
<br />
=== Operation US, Wille, and the AAA Wunder ===<br />
{{MontageBox<br />
|float=left<br />
|columns=2<br />
|image1=[[Image:Eva3-33 C0058A ribbons.jpg|200px]]<br />
|image2=[[Image:Eva3-33 C0128 Shinji Sakura.jpg|200px]]<br />
|image3=[[Image:Eva3-33 C0271 nanimo.jpg|200px]]<br />
|image4=[[Image:Eva3-33 C0275 fleet.jpg|200px]]<br />
|image5=[[Image:Eva3-33_C0381_A_Eva-08.jpg|200px]]<br />
|image6=[[Image:Eva3-33 C0397 eye.jpg|200px]]<br />
|caption=<br />
<div style="column-count:2;-moz-column-count:2;-webkit-column-count:2"><br />
* Operation US<br />
* Captain Misato<br />
* [[Eva-08]] Sorties<br />
* Shinji wearing [[DSS Choker]]<br />
* [[AAA Wunder]] in flight<br />
* Asuka's glowing eyepatch<br />
</div><br />
}}<br />
The story begins 14 years after the events of the previous film. Most of Nerv's original adult staff, sans Gendo and Fuyutsuki, now belong to an organization called [[Wille]] (German for "will"), led by Captain Misato Katsuragi, and including Eva pilots Asuka (in Eva-02) and Mari (in the new Eva-08), [[Sakura Suzuhara|Toji's sister Sakura]], and several new characters. Shinji has been absorbed inside Eva-01 all this time, which is now orbiting earth inside a giant cuboidal cross-shaped satellite.<br />
<br />
Wille uses its Evas, equipped with special rocket booster equipment, in [[Operation US]] an attempt to retrieve Eva-01 from its low earth orbit. Asuka pilots Eva-02 through several [[Evangelion Mark.04]] units, a collection of autonomous orbital drones, and with Eva-08's support, successfully manages to grapple onto the satellite. Eva-02 uses its boosters to decelerate the cross satellite, changing its orbit so that it will fall back to earth. Following this, a Mark.04 B unit, camouflaged inside the satellite, reveals itself and begins to attack Eva-02. With no measures against it, and with Eva-08 too far away to support, Asuka pleas for "stupid" Shinji to do something. At this Eva-01 rouses briefly, destroying the Mark.04 unit with a beam of light through a crack in its container as a stunned Asuka looks on. Eva-02 and the satellite fall to Earth, as Kaworu watches and says, "Welcome home, Ikari Shinji-kun. I've been waiting for you."<br />
<br />
Events skip ahead to the [[AAA Wunder]] (Wille's giant battleship) and her fleet of warships and aircraft carriers, currently positioned in polar waters. The crew salvages Shinji from Eva-01, labeling him BM-03, and equipping him with the [[DSS Choker]], a collar device meant to monitor his activities and prevent him from piloting an Evangelion, specifically by terminating him if anything goes amiss. Once his identity and memories are confirmed, he is brought before Misato, Ritsuko, and the bridge crew of Wunder. Shinji is distraught over both the cold treatment he receives from everyone except [[Sakura]], and the strange device on his neck. <br />
<br />
Before he can be debriefed any further, the [[Evangelion Mark.04|Nemesis Series]] attack the Wille fleet from all sides. Misato launches an initiative to activate the Wunder's main engine -- with Eva-01 serving as the power core -- that is carried out through via a cooperative effort between Eva-02, who prepares the engine and manually ignites it, and the bridge crew. The Wunder becomes airborne, and its main weapons destroy the Nemesis Series' four core blocks. <br />
<br />
After the battle, Shinji is given a formal debriefing, behind quarantine glass. He is informed that his [[Synchronization|synchronisation rate]] with Eva-01 is now zero, and told the purpose of the DSS Choker. Sakura introduces herself as [[Toji|Toji's]] ''younger'' sister, and finally Asuka arrives to reveal that 14 years have passed since he merged with Eva-01. Asuka throws a punch at Shinji from behind the glass, cracking it. Shinji asks why Asuka's face hasn't changed, which she attributes to the "Curse of Eva". Shinji demands repeatedly to know Rei's whereabouts, firm in his conviction that he saved her, but Ritsuko claims that Eva-01 yielded no trace of her, and only produced Shinji and the [[SDAT|SDAT player]]. Ritsuko returns the player to Shinji at this time. <br />
<br />
Soon after, [[Evangelion Mark.09]] breaks through the hull of Shinji's cell in an attempt to retrieve him. Believing the Eva is the destroyed [[Eva-00]], Shinji hears Rei's voice over its loudspeakers, telling him to come with her. Brandishing the DSS detonator, Misato commands Shinji to stay, guaranteeing his safety if he remains. Confronting her, Shinji learns that he is not at [[Nerv]], and that Wille and Nerv are at war. When Misato insists that Rei is dead, Shinji is incredulous and resolves to leave with "Rei" in Mark.09. As he moves to leave, Sakura tells him to do as he wants, but begs him not to pilot an Eva to "give us a break".<br />
<br />
As Mark.09 moves to escape, Wille sorties [[Mari]] in [[Evangelion Unit-08]]. Eva-08 manages to decapitate Mark.09 it with gunfire, but the unit is unhindered and escapes with Shinji. Despite Ritsuko's warnings not let Nerv recapture him, Misato cannot bring herself to detonate the DSS Choker, as it and Shinji pass out of range. Observing his departure, Asuka dubs Shinji a "brat", her [[Asuka_Shikinami_Langley#Glowing_Eyepatch|eyepatch shown glowing blue]].<br />
<br />
=== New Nerv Headquarters ===<br />
{{MontageBox<br />
|float=right<br />
|columns=2<br />
|image1=[[Image:Eva3-33 C0531 hospital.jpg|200px]]<br />
|image2=[[Image:Eva3-33 C0560 Kaworu piano.jpg|200px]]<br />
|image3=[[Image:Eva3-33 C0566 Its Gendo.jpg|200px]]<br />
|image4=[[Image:Eva3-33 C0644 Rei Q.jpg|200px]]<br />
|image5=[[Image:Eva3-33 C0711B piano lessons.jpg|200px]]<br />
|image6=[[Image:Eva3-33 C0781.jpg|200px]]<br />
|caption=<br />
<div style="column-count:2;-moz-column-count:2;-webkit-column-count:2"><br />
* Arrival with Rei<br />
* Gendo's new glasses<br />
* Piano lessons with Kaworu<br />
* Kaworu at his Piano<br />
* An unresponsive Rei<br />
* Kaworu takes Shinji outside<br />
</div><br />
}}<br />
<br />
Shinji wakes up in a hospital bed with Rei standing by silently. She takes him to [[New Nerv HQ]], and Shinji catches a brief glimpse of the ruined pyramid. HQ itself appears abandoned, with large parts of the base in ruin. They walk for a time, passing familiar landmarks, including an Eva cage (apparently Eva-01's) now open to the sky. On the floor of the cage, Shinji sees [[Kaworu Nagisa]] playing on a [[Kaworu Nagisa#Kaworus piano|Yamaha piano]], and is seen in turn when Kaworu looks up.<br />
<br />
Eventually, Rei leads Shinji a huge area housing a biomechanical "womb" containing the under-construction [[Evangelion 13]]. Gendo appears, wearing an [[Gendo_Ikari#Gendo.27s_Visor|unusual visor]] instead of glasses, bluntly orders Shinji to pilot the Eva with Kaworu when the time comes, and just as quickly vanishes. Shinji calls after his father, but is ignored.<br />
<br />
Shinji is given [[New Nerv HQ#Shinji's Room|quarters]] at New Nerv HQ and is left to freely bide his time. Processed food substances and clothes are provided by an automated system through a portal in the wall. He wanders the grounds looking for Rei, finding no traces of human life, although there are abundant signs of past conflict and evidence that Evangelions are being mass-produced at the facility. Eventually, he happens upon Rei's special LCL-immersion facility, where she lives in a makeshift room containing little more than a sleeping bag and a lamp. Shinji attempts to engage Rei in conversation, but finds her unusually unresponsive, similarly ignorant of what is occurring at the base and having no memory of her past life. She does nothing but wait for orders.<br />
<br />
Gendo and Fuyutsuki are shown observing the Seele monoliths, which are now silent. [[Fuyutsuki]] says that he will continue to follow Gendo's plans.<br />
<br />
Shinji attempts to use the [[SDAT]], but discovers that it's broken. He ruminates upon words he's recently heard from others -- Misato, Asuka, Sakura, Gendo, Rei -- which produces visible distress, due to his current state of ignorance and alienation. Hoping to assist Rei's memory, Shinji tries to encourage her to do something Rei once enjoyed: read. He selects books from Nerv's disheveled library and stacks them neatly outside Rei's room. But with nothing else to do, he loiters around the Eva-01 cage. <br />
<br />
Here, Kaworu invites him for a chat at the piano and encourages Shinji to attempt playing piano, because trying new things is an important part of living. Despite initial hesitations, Shinji quickly shows talent, and he and Kaworu play a duet. Afterwards, the two exchange names for the first time. Shinji checks in on Rei with more books, but finds that she is absent from the facility, and the original pile of books remains untouched. He then returns to the Eva cage for more piano training with Kaworu. Over the course of a montage, Kaworu shares various kernels of wisdom, and Shinji learns to play piano duet with him.<br />
<br />
The next time they talk, Shinji asks Kaworu if he can fix the SDAT player, to which Kaworu obliges. The two end up staying at the cage until nightfall and watching the stars. Here, Shinji shares that he finds the starry sky reassuring because it's the only thing in his world that's remained constant, from which Kaworu deduces Shinji's fear of change. Kaworu eventually tells Shinji, "I really was born to meet you." The day after, the automatic dispenser gives Shinji a shirt that he notices is too large, only to find [[Toji|Toji's]] nametag sewn to the inside; this comes as an enormous shock.<br />
<br />
That morning, Kaworu returns the now working SDAT, but notices that Shinji looks sullen. Shinji reveals that he is worried about what has happened to [[Tokyo-3]] and his friends who lived there. Kaworu asks if Shinji wants to know, and Shinji accepts. The two travel down a precarious stairway outside of New Nerv HQ, with Shinji wearing an environment suit. They eventually reach a platform, and the clouds around HQ part to reveal the landscape.<br />
<br />
{{MontageBox<br />
|float = left<br />
|columns = 1<br />
|title = ''The Post Third Impact World'' <br />
|width = 345px<br />
|caption=<br />
{{hr}}<br />
<div class="mw-collapsible mw-collapsed" ><br />
{{br}}<br />
[[File:Eva3-33 C0797 comp.jpg|340px]]<br />
</div><br />
}}<br />
Shinji observes the [[Theory and Analysis:Third Impact (NTE)|post Third Impact world]]: The moon now appears enormous, orbiting far closer to the earth and spinning rapidly about itself. Its surface is covered in new bloodstains and a strange pulsing red grid. The landscape itself fares even worse, having been turned completely red (into core material), the ground covered with crevices, one of which has somehow morphed into a colossal mouth complete with teeth. Enormous red crosses are scattered all over the landscape, as far as the eye can see. Nerv HQ itself now sits at cloud level, thousands of metres above the ground atop its old main shaft, emerging from the center of what looks like a giant blue iris. [[Failures of Infinity|Headless red creatures]] resembling Eva-01 stand frozen among the core-ified ruins of the town below.<br />
{{MontageBox<br />
|float=right<br />
|columns=2<br />
|image1=[[Image:Eva3-33 C0821B.jpg|200px]]<br />
|image2=[[Image:Eva3-33 C0834 B.jpg|200px]]<br />
|image3=[[Image:Eva3-33 C0857 Yui.jpg|200px]]<br />
|image4=[[Image:Eva3-33 C0883 Lilith FoIs Command Center.jpg|200px]]<br />
|image5=[[Image:Eva3-33 C0891A Shinji demented.jpg|200px]]<br />
|image6=[[Image:Eva3-33_C0920E_Removing_DSS_choker.jpg|200px]]<br />
|caption=<br />
<div style="column-count:2;-moz-column-count:2;-webkit-column-count:2"><br />
* Gendo's ruined office<br />
* A memory of Yui<br />
* Shinji breaks down<br />
* Shinji meets Fuyutsuki<br />
* The ruined Command Center<br />
* Kaworu takes the DSS Choker<br />
</div><br />
}}<br />
<br />
Kaworu explains that this is the result of the Nerv's [[Human Instrumentality Project#NTE|Human Instrumentality Project]], and tells Shinji that he began the process when he rescued Rei from [[Zeruel]] 14 years ago. Shinji is stunned, expressing disbelief and denying any involvement. Kaworu says that the rest of humanity thinks otherwise, as evidenced by the DSS Choker, but that no sin is beyond forgiveness.<br />
<br />
[[Image:Eva3-33 C0829.jpg|left|200px|thumb|(Assumed identity) Rei-II's silent appearance]]<br />
In the ruins of Gendo's office, Fuyutsuki comments on the situation developing between Shinji and Kaworu, and expresses his disapproval over how Gendo keeps his son in the dark. Here, we also see that Gendo still has the case -- presumably still containing the [[Key of Nebuchadnezzar]] -- with him. At night, Shinji is shown trying to sleep, wondering how everything has become so wrong, but convincing himself that at least he did save Rei. Rei is shown waking in her LCL tank, and she briefly sees another Rei standing outside the tank, wearing an old school uniform. A moment later, the other Rei is gone.<br />
<br />
After Shinji find Rei's books again unread, he encounters Fuyutsuki in a corridor. After a brief bow to the old man from Shinji, Fuyutsuki proposes that the two play a game of shogi. As they play, Fuyutsuki reveals that the game was a pretense; his real purpose is to tell Shinji about even more truths from which he's been shielded. He explains that Shinji's mother, whose maiden name was [[Yui|Yui Ayanami]], conducted a "direct entry" experiment on Eva-01's core and is now the unit's control system; that an Ayanami Series was based on Yui's genetic information; and that the Rei that Shinji knew is being preserved within Eva-01 like Yui; and that all is part of Gendo's plan. A stunned Shinji exits with a bow and silently walks away.<br />
<br />
We then see Gendo in the ruins of the Command Center, the Key of Nebuchadnezzar's case by his side, vowing upon a giant Rei-shaped head surrounded by red Evas, "The time of the final contract is upon us. We will soon meet again, Yui."<br />
<br />
Shinji confronts Rei at her quarters, asking why she has not read any of the books, knocking the accumulated books over in rage at her terse reply that she "had not been ordered to". He finally asks whether he really did save her from Zeruel, and Rei replies that she does not know. It finally sinks in that this is not "his" Rei, and Shinji storms off. He ambles down a catwalk and in a daze, spinning about and hearing himself bombarded by voices. Back at his quarters, he flings his SDAT across the room.<br />
<br />
Gendo and Fuyutsuki watch as the completed Eva-13 is extracted from its "womb". Fuyutsuki calls it "the final executor". As if in response, Kaworu plays an ominous chord on the piano and says, "The time has come. This is it, Ikari Shinji-kun."<br />
<br />
Kaworu visits Shinji in his quarters, apparently having brought him the news that Eva-13 is finished and, as per Gendo's earlier orders, they're both to pilot it. Shinji ardently resists the idea: last time he piloted, only bad things happened, and if tries to do it again, the [[DSS Choker]] will kill him besides. Kaworu mysteriously removes the device from Shinji and puts it on himself, leaving Shinji both shocked and relieved. At this point, Kaworu offers Shinji redemption through a plan to retrieve two Spears from Central Dogma and use them to restore the world. Shinji is eventually persuaded to agree. The two boys begin to go on a first name basis.<br />
<br />
=== Eva-13; Showdown ===<br />
<br />
{{MontageBox<br />
|float=right<br />
|columns=2<br />
|image1=[[Image:Eva3-33 C0936 plugsuits.jpg|200px]]<br />
|image2=[[Image:Eva3-33 C1094 Liliths corpse.jpg|200px]]<br />
|image3=[[Image:Eva3-33 C1182 RS hoppers destroyed.jpg|200px]]<br />
|image4=[[Image:Eva3-33 C1234 Eva-13 pull spears.jpg|200px]]<br />
|image5=[[Image:Eva3-33 C1253 12-halo.jpg|200px]]<br />
|image6=[[Image:Eva3-33 C1270 12-reiface.jpg|200px]]<br />
|caption=<br />
<div style="column-count:2;-moz-column-count:2;-webkit-column-count:2"><br />
* [[Plug Suit|Plug-Suiting]] Up<br />
* [[Eva-02#Eva-02.27|Eva-02']] vs [[Eva-13]]<br />
* [[Mark.06|Eva Mark.06]] reactivates<br />
* [[Lilith|Lilith's]] Chamber<br />
* Eva-13 removes the spears <br />
* The [[12th angel]] becomes a huge core<br />
</div><br />
}}<br />
<br />
Shinji and Kaworu board [[Evangelion 13]] and activate it using the [[Eva-13#Double Entry System|Double Entry System]] and begin the descent to [[Central Dogma (NTE)|Central Dogma]], accompanied by a scythe-equipped, headless [[Eva Mark.09]]. Eventually the walls of the Main Shaft yield to a mass of red Evas, which Kaworu calls "[[Failures of Infinity]]", that look like they've been cut through to permit passage. Working in unison, the two pilots harness Eva-13's innate power to destroy the giant seal that has blocked access to Lilith's chamber for the past fourteen years. <br />
<br />
Within, they find [[Lilith|Lilith's]] giant, headless corpse merged at the neck with [[Evangelion Mark.06]], eacg skewered by a [[Spear of Longinus]]. The chamber's floor is covered in countless human-shaped, but Eva sized skulls. According to Kaworu, they should have found one Spear of Longinus and one [[Spear of Cassius]], and the two Longinus types indicates that something is amiss. Before he can get to the bottom of things, however, [[Eva-02#Eva-02.27|Eva-02']] piloted by [[Asuka (NTE)|Asuka]] attacks from above. <br />
<br />
Eva-13's [[RS Hopper]] drones emerge from containers on the Eva's pylons and deploy four separate A.T. Fields, preventing Eva-02' from touching its opponent. Eva Mark.09 attempts to intervene further, but is soon kept in check by [[Eva-08]], sharp-shooting from a large crevice in the ceiling. Asuka soon manages to destroy two of the drones, and as she struggles with the remaining two, Shinji divulges his hopes for redemption and shows dismay that Asuka is trying to stop him; but to her, he is just a naive brat. Kaworu does not help in the fight, lost in thought over how the two Spears could be the same. <br />
<br />
Asuka at last destroys the final drones and splits her weapon into two blades, which Eva-13 grips in its hands. Before Eva-02' can break through, it runs low on power and goes into energy conversation mode, enabling Shinji to easily cast the unit aside with a backhand. Seeing this as an opening, Shinji resolves to retrieve the Spears, and Eva-13 begins to ascend Lilith's corpse. Kaworu shares his unease, but Shinji is fixated on using the spears to repair the world -- and Misato's opinion of him. Somehow, he cuts Kaworu out of Eva-13's controls and, deploying Eva-13's second set of arms, pulls the Spears as both Kaworu and Asuka (helpless as Eva-02' [[Evangelion_Power_Sources#Spare_Batteries|recharges its power]]) beg him to stop. <br />
<br />
Both Lilith and the giant Rei head at the command center -- in fact, Lilith's missing head -- explode into LCL, and Gendo says that it's begun. [[Mark.06]] begins to revolve in midair over the pool of Lilith's remains, as if possessed, and the [[12th Angel|12th Angel's]] presence is detected inside. [[Mark.09]] quickly decapitates the unit, with Rei saying it was done on orders, and two dark, serpentine clusters begin to form out of Mark.06's neck stub and head. They join in midair and wrap around the levitating Eva-13, creating a massive sphere. When Eva-02' attacks the sphere with its gun-arm, the dark appearance yields to a gigantic, almost fluid core, completely impervious to the bullets.<br />
<br />
The Twelfth Angel swells in size until it breaches the pool of Lilith's LCL and, possibly influenced by it, it begins to take on Rei's form -- giggling and morphing into a massive, eyeless Rei head. Kaworu begins to manifest as the [[Thirteenth Angel]] (despite originally being the First Angel), putting the [[DSS Choker]] on alert. Eva-13 becomes unresponsive to its controls, its pylons bursting off so that red, crystalline wings can grow. Both Kaworu and Mari attribute this turn of events to [[Gendo]], whom Kaworu calls "King of the Lilin". The scene cuts over to Gendo delivering a farewell speech to the [[Seele#New_Theatrical_Edition_.28Rebuild.29|Seele monoliths]], who are ritualistically being terminated as preparation for the Human Instrumentality they believe will soon come.<br />
<br />
{{MontageBox<br />
|float=right<br />
|columns=2<br />
|image1=[[Image:Eva3-33 C1293 Monoliths dead.jpg|200px]]<br />
|image2=[[Image:Eva3-33_C1298_C_Eva-13_Awakens.jpg|200px]]<br />
|image3=[[Image:Eva3-33 C1418.jpg|200px]]<br />
|image4=[[Image:Eva3-33 C1337 atf-cage.jpg|200px]]<br />
|image5=[[Image:Eva3-33 C1364.jpg|200px]]<br />
|image6=[[Image:Eva3-33 C1426.jpg|200px]]<br />
|image7=[[Image:Eva3-33 C1477 blackmoon.jpg|200px]]<br />
|image8=[[Image:Eva3-33 C1017 Rei Q approaches.jpg|200px]]<br />
|caption=<br />
<div style="column-count:2;-moz-column-count:2;-webkit-column-count:2"><br />
* Gendo deactivates [[Seele#New_Theatrical_Edition_.28Rebuild.29|Seele]]<br />
* [[Fourth Impact]] begins<br />
* [[Mark.09]] tries to seize the Wunder<br />
* Fourth Impact Averted<br />
* Eva-13 Awakens<br />
* The [[AAA Wunder]] tries to stop [[Eva-13]]<br />
* Kaworu's last words<br />
* Shinji, Asuka, and Ayanami <br />
</div><br />
}}<br />
The Twelfth Angel as next seen is a gigantic red fetus, which quickly compresses into a core within Eva-13's open mouth. The Eva bites down, killing the Angel and apparently absorbing its power. Mari says that one of the surviving [[Adams]] has awakened, as Eva-13 begins to glow white, its wings lengthening dramatically, and two halos appearing over it. The Eva begins to ascend up the Main Shaft, destroying it as it goes, and emerges out of the top of [[New Nerv HQ]] with a haloed Eva Mark.09 in quick pursuit. [[Fourth Impact]] begins. The [[Guf#Rebuild|Door of Guf]] opens above the Eva, turning the skies red, and the [[Black Moon]] is pulled out of the ground. Countless [[Failures of Infinity]] are vented out of the Black Moon and spiral through the sky.<br />
<br />
The [[AAA Wunder]] appears, with [[Misato]] in command, and attempts to attack Eva-13 in the hopes of keeping the Impact in check. Mark.09 intervenes, bombarding the Wunder with explosive attacks, causing the ships wing to crash into the ground. Mark.09 regenerates a head, as [[Ritsuko]] declares that the Eva, as the [[Vessel of the Adams]] is the Wunders true master and will try to take control of the ship. Wille's two Evas reach the surface, and Asuka assigns them separate duties: [[Eva-02#Eva-02.27|Eva-02']] will assist the Wunder, and Mari in [[Eva-08]] will go after Eva-13. Still inside Mark.09, Rei's control link has not been restored, as the now autonomous Vessel of the Adams descends on Wunder's starboard side and takes root, sending blue tendrils out of its legs and into the main engine holding Eva-01, infecting the ship with Seele's control program and wresting control from Wille.<br />
<br />
Eva-02' boards the Wunder via its grounded wing, and fires at the Vessel of the Adams to no effect, narrowly avoiding a devastating counter shot. Asuka quickly activates Beast Mode with "Code 777", causing Eva-02' to metamorphose into a feline form, allowing it to deflect the Vessel's blasts. Eva-02' manages to re-behead the Vessel, rebooting its program which allows Rei, after Asuka's cue, to eject from the Eva unit. Asuka uses the empty slot to target the Eva's core, but Mark.09 regenerates almost instantaneously, from which Asuka deduces that the whole thing is a core. Low on power and time, she regretfully ejects, with Eva-02' set to detonate. Mark.09 is destroyed in the blast, and Willie's control of the Wunder restored. Misato orders the ship to pursue Eva-13, but Ritsuko says that the engine must be allowed to recover.<br />
<br />
[[Image:Eva3-33 C1419 comp.jpg|left|thumb|250px|Eva-13 opens the [[Door of Guf]] ]]<br />
Within Eva-13, the [[DSS Choker]] has deployed gemstone-like charges that revolve around Kaworu's neck. As Kaworu delivers his final words to Shinji, he has Eva-13 impale itself with both of the Spears. He claims that they will meet again. The choker then detonate, killing Kaworu instantly in a wash of blood, leaving Shinji raw shock. Eva-13's bottom set of eyes close and the unit begins to fall, but the Door of Guf remains open. Perusing in Eva-08, Mari says that Shinji must have been Seele's backup to keep the doors open. Eva-08 jumps after Eva-13 as it plummets down the side of the Black Moon. As it catches the still glowing Eva-13, Eva-08's hands start to corroded into core, but Mari successfully manages to eject Shinji's [[entry plug]], and Shinji glimpses a vision of Kaworu as he exits. Deprived of both its pilots, Eva-13 fades back to its regular color and crashes to the ground. The Door of Guf starts to close, and the Black Moon and the floating Failures of Infinity all fall to the earth.<br />
<br />
Gendo and Fuyutsuki, situated in an area resembling the Wunder's bridge, briefly comment on the situation. Fuyutsuki says that almost everything went as Seele intended, but Gendo says that Seele's boy has been eliminated and Eva-13 awakened. On the AAA Wunder, both Eva-02's remains and Eva-08 are secured, and Ritsuko and Misato share a couple of words as well.<br />
<br />
Shinji's entry plug has landed somewhere, and he is curled up silently in the darkness. The hatch opens, revealing an exhausted Asuka. She speaks briefly, then, disgruntled by his lack of responses, motions to leave, but she doesn't get far before she sighs and returns to more forcefully extract him. Once the two are outside the plug, Asuka spots Rei approaching, and recognizes her as the pilot from the earlier conflict with Mark.09. After taking some measurements, Asuka concludes that they won't be rescued due to "L barrier density", and they have to travel somewhere where "Lilin" can pick them up.<ref>As of 10/26/13, opinions vary for what the actual translation of this line is.</ref> Pulling Shinji along, Asuka takes off over the endless red waste, and Rei follows.<br />
<br />
===Preview===<br />
<br />
[[Image:Eva3-33_jikai_C12_atfs.jpg|200px|right]]<br />
<br />
The preview shows a composite Eva 8+2 fighting multiple gray-green copies of Mark.06 in red city ruins, wielding a Magorox sword. In the last two cuts, the Eva dashes past an entourage of the enemy Evas and jumps over a precipice, revealing a vast sea of the Mark.06 copies generating compound A.T. Fields, and the fallen Black Moon lying beyond them.<br />
<br />
==Updated Next Time Preview==<br />
<br />
[[Image:Eva2.0 TV Ver Q Preview.jpg|left|200px|thumb|Asuka in the 2.0 TV Next Time Preview.]]<br />
[[Image:Vlanime082934.jpg|right|100px|thumb|Shinji and Kaworu in a 3.0 Poster.]]<br />
The TV edition of Eva 2.0 which aired in Japan on August 26th 2011 revealed an updated Next Time Preview for Q, which gave a tentative theatrical release for Fall 2012. The updated (16 second) Next Time Preview included images of a bandaged and eye patch wearing Asuka flying through space in her slightly altered Eva-02. During this preview, Misato says: "Shinji Ikari awakens. Beside him stands a mysterious boy. And then, a new world waits for him."<br />
<br />
===Q posters===<br />
<br />
After the piano motif theme revealed on the Evangelion website in August 2012, October 2012 saw the release of new posters for 3.0.<br />
<br />
{{-}}<br />
== Guides ==<br />
<br />
* [[Guides:Evangelion_3.33_FAQ|The Evangelion 3.33 FAQ Page]]<br />
<br />
==References==<br />
{{reflist}}<br />
[[Category:A to Z]]<br />
[[Category:Rebuild of Evangelion]]<br />
<br />
{{Episode List}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=EvaWiki:Rules_and_Regulations&diff=95741EvaWiki:Rules and Regulations2014-04-21T23:48:16Z<p>Nuclear Lunchbox: Added weasel word section. Took locked Passive Voice thread into account.</p>
<hr />
<div><br />
<br />
Rules used in writing articles dealing with matters specific to ''Evangelion'', can be found at [[FGP:Standards and Conventions]].<br />
<br />
{{cleanup}}<br />
<br />
<br />
==Copyright: Who owns EvaWiki?==<br />
<br />
The content of the ''EvaWiki'' is licensed under the GNU Free Documentation License. By adding information into the ''EvaWiki'', your contributions will also be copyright under this license. There are special cases where a contributor may not want something to be public domain but wants, like an essay for example, they must therefore note that the copyright is that of the contributor. Such pages should not be modified by others.<br />
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You must '''never submit copyrighted material to the site''' unless it falls under fair use or you have permission by the copyright holder. You CANNOT simply copy-paste a large section of material from another site, like wikipedia. You CAN cite it, and at the end provide a link to the web page you got it from and clearly label "source:Wikipedia" (or a news site or whatever). As explained above, image files can be used under fair use but please do not blatantly use a super-high definition image file. We're really just using the images in a promotional context, etc. <br />
<br />
Additional information about copyrights can be found in the [[The NGE Fan-Geeks Project:Copyrights|Project Copyrights]] page.<br />
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==Edit Conflict and Revert Wars==<br />
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As on any other wiki, two people may not have the same opinion about what an article says or should say. The disagreement may be over facts, over theories, or simply over the wording of a statement. If the disagreement is purely on facts, you can resolve this with providing evidence. Edit something back if you want and don't let people just walk over you. However, after about three rounds of Person A changing it back, then Person B counter-changing it back, then Person A changing it back again, etc. etc. it becomes a "Revert War": all logical discussion has stopped and the two people are just seeing who can hold out longer. Please don't do this. Once you realize this is a problem that isn't going away and "Person B" is determined to make their change stick, move discussion about the point you disagree on into the "Talk" page for the article. If the matter cannot be easily and quickly resolved there, and it's actually a matter of some great debate, the discussion will eventually have to move to the forums, where it will be hashed out. If the Admins haven't intervened already, you should bring up the situation with the Admins if the forum discussion is going nowhere.<br />
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==Username and Vandalism==<br />
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Vandalism will not be tolerated in the least. Vandalism is grounds for expulsion and banning from the wiki. As for usernames, it is not allowed to pick a username of an offensive (racist, sexist, etc.) nature, and it is not allowed to use the same name as titles of articles in this site (You can't name yourself "Shinji Ikari" or "Progressive Knife").<br />
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==What to do if you get into conflict with another editor on EvaWiki==<br />
<br />
You can and probably will get into arguments with other people on here from time to time. But there is a clear difference between "spirited difference of opinion about some Evangelion-related matter" and "you're just hurling childish namecalling at each other". '''If you think someone is harassing you, please contact the Admins.<br />
<br />
==Non-Point of View: Remain Objective==<br />
<br />
Things you write on here must always be Non-Point of View (NPOV): you have to remain objective when writing an article. Basically, its the difference between "facts" and "opinions". "Evangelions look cool" is an ''opinion''. "Shinji pilots an Evangelion" is a ''fact''.<br />
<br />
Wikipedia tends to gut articles of a lot of content, however, for "original research". Admittedly, there is a point where "fact" and "opinion" begin to blur as we make ''educated guesses'' and analysis ''based on evidence''. On this site, we actually encourage you to write as much as possible, and there are several "Theory and Analysis" pages, properly segregated away from the main articles.<br />
<br />
In short, "EvaWiki" is an online encyclopedia, meant to establish objective *Facts* about the series. It will also try to analyze them somewhat (analysis mostly happens in episode guide pages).<br />
<br />
==Weasel Words==<br />
<br />
It is easy to use phrases such as, "People believe that" or, "It has been stated that" in an attempt to remain objective. While it works, these are phrases that are known as '''Weasel Words.''' This is different from using Passive Voice, which is actually a good thing and should be encouraged. Weasel words can easily mess up the flow of an article or make a point hard to communicate. They can't always be avoided, and if you feel that the use of one is necessary, by all means please do so. However, don't make them your go-to for trying to stay objective. Try to find a shorter way.<br />
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==Guide for writing Theory and Analysis pages==<br />
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In the words of Aristotle, "Frame an issue, defining its key terms, acknowledge other views and describe them fairly; then present your own ideas, showing they are logically coherent and consistent with the available evidence".<br />
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==Standards and Conventions==<br />
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[[Category:EvaWiki Policies]]<br />
[[Category:Site Policies]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=EvaWiki:Rules_and_Regulations&diff=95740EvaWiki:Rules and Regulations2014-04-21T23:39:30Z<p>Nuclear Lunchbox: /* Edit Conflict and Revert Wars */</p>
<hr />
<div><br />
<br />
Rules used in writing articles dealing with matters specific to ''Evangelion'', can be found at [[FGP:Standards and Conventions]].<br />
<br />
{{cleanup}}<br />
<br />
<br />
==Copyright: Who owns EvaWiki?==<br />
<br />
The content of the ''EvaWiki'' is licensed under the GNU Free Documentation License. By adding information into the ''EvaWiki'', your contributions will also be copyright under this license. There are special cases where a contributor may not want something to be public domain but wants, like an essay for example, they must therefore note that the copyright is that of the contributor. Such pages should not be modified by others.<br />
<br />
You must '''never submit copyrighted material to the site''' unless it falls under fair use or you have permission by the copyright holder. You CANNOT simply copy-paste a large section of material from another site, like wikipedia. You CAN cite it, and at the end provide a link to the web page you got it from and clearly label "source:Wikipedia" (or a news site or whatever). As explained above, image files can be used under fair use but please do not blatantly use a super-high definition image file. We're really just using the images in a promotional context, etc. <br />
<br />
Additional information about copyrights can be found in the [[The NGE Fan-Geeks Project:Copyrights|Project Copyrights]] page.<br />
<br />
==Edit Conflict and Revert Wars==<br />
<br />
As on any other wiki, two people may not have the same opinion about what an article says or should say. The disagreement may be over facts, over theories, or simply over the wording of a statement. If the disagreement is purely on facts, you can resolve this with providing evidence. Edit something back if you want and don't let people just walk over you. However, after about three rounds of Person A changing it back, then Person B counter-changing it back, then Person A changing it back again, etc. etc. it becomes a "Revert War": all logical discussion has stopped and the two people are just seeing who can hold out longer. Please don't do this. Once you realize this is a problem that isn't going away and "Person B" is determined to make their change stick, move discussion about the point you disagree on into the "Talk" page for the article. If the matter cannot be easily and quickly resolved there, and it's actually a matter of some great debate, the discussion will eventually have to move to the forums, where it will be hashed out. If the Admins haven't intervened already, you should bring up the situation with the Admins if the forum discussion is going nowhere.<br />
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==Username and Vandalism==<br />
<br />
Vandalism will not be tolerated in the least. Vandalism is grounds for expulsion and banning from the wiki. As for usernames, it is not allowed to pick a username of an offensive (racist, sexist, etc.) nature, and it is not allowed to use the same name as titles of articles in this site (You can't name yourself "Shinji Ikari" or "Progressive Knife").<br />
<br />
==What to do if you get into conflict with another editor on EvaWiki==<br />
<br />
You can and probably will get into arguments with other people on here from time to time. But there is a clear difference between "spirited difference of opinion about some Evangelion-related matter" and "you're just hurling childish namecalling at each other". '''If you think someone is harassing you, please contact the Admins.<br />
<br />
==Non-Point of View: Remain Objective==<br />
<br />
Things you write on here must always be Non-Point of View (NPOV): you have to remain objective when writing an article. Basically, its the difference between "facts" and "opinions". "Evangelions look cool" is an ''opinion''. "Shinji pilots an Evangelion" is a ''fact''.<br />
<br />
Wikipedia tends to gut articles of a lot of content, however, for "original research". Admittedly, there is a point where "fact" and "opinion" begin to blur as we make ''educated guesses'' and analysis ''based on evidence''. On this site, we actually encourage you to write as much as possible, and there are several "Theory and Analysis" pages, properly segregated away from the main articles.<br />
<br />
In short, "EvaWiki" is an online encyclopedia, meant to establish objective *Facts* about the series. It will also try to analyze them somewhat (analysis mostly happens in episode guide pages).<br />
<br />
<br />
==Guide for writing Theory and Analysis pages==<br />
<br />
In the words of Aristotle, "Frame an issue, defining its key terms, acknowledge other views and describe them fairly; then present your own ideas, showing they are logically coherent and consistent with the available evidence".<br />
<br />
==Standards and Conventions==<br />
<br />
[[Category:EvaWiki Policies]]<br />
[[Category:Site Policies]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Dummy_Plug_Plant&diff=95702Dummy Plug Plant2014-04-16T17:07:03Z<p>Nuclear Lunchbox: </p>
<hr />
<div>[[Image:17 C037 dpplant-brain.jpg|right|200px|thumb|Rei soaks in the LCL tube in the dummy plug plant.]]<br />
The '''Dummy Plug Plant''', or Deep Underground Facility: Central Area, is a room deep within the bowels of [[Central Dogma]] that is used to house the [[soul]]less [[Rei Ayanami|Rei]] vessels that are said to be the cores of the [[Dummy System]]. <br />
<br />
The arrangement of the "brain", the "spinal column", and the tank of [[LCL]] in this room is possibly supposed to resemble a primitive version of the [[Evangelions]]' [[Entry Plug|entry plug]] system. The brain-like object in the metallic casing is possibly a product of the same technology as the "brain" in the [[Magi]] system. <br />
<br />
During [[episode 23]] [[Ritsuko Akagi|Ritsuko]] destroys the soulless Rei clones by initiating "[[Destrudo]] Release", which causes them to disintegrate.<br />
<br />
<br />
==Analysis==<br />
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<br><br />
One of the most difficult aspects of NGE to understand is the exact relationship between the Rei tank and the dummy system. The name "Dummy Plug Plant" would normally imply a place where dummy plugs are manufactured or assembled, but that is plainly not the case here. At the end of [[Episode 23]], [[Ritsuko Akagi|Ritsuko]] Destroys the tank Reis. In [[Episode 24]], [[Gendo Ikari|Gendo]] asks her, "Why did you destroy the dummy system?" Despite this, the exact relationship between the Rei clones and the dummy system is well nigh impossible to understand. The scenes with Rei soaking in the [[LCL]] seem to have something to do with imbuing the dummy system with her personality, but the tank Reis seem to play some part in the dummy system as well. What this part is seems unknowable from the available evidence. <br />
<br />
[[Image:23 C319 dc remote-on.jpg|left|200px|thumb|Ritsuko prepares to destroy the Rei clones.]]<br />
We do know that when she destroys the Reis, the display on Ritsuko's controller is showing a Rei list that starts with Rei 4, so it seems that the dummy plugs do not have clones physically inside them (Reis 1-3 are all accounted for). Thus one of NGE's biggest unanswered questions is: ''"How does destroying the tank Reis destroy the dummy system?"'' We don't know if this simply means there will be no additional dummy plugs, or if somehow the systems that have already been installed in the Evas, and the plugs that have already been manufactured have been disabled. It also doesn't tell us why, even in the absence of the Rei tank, they couldn't continue to program the dummy system using Rei 3.<br />
<br />
===The figure on the floor of the D.P.P.===<br />
<br />
[[Image:DPP_glyph.gif|thumb|Reproduced image of the glyph in the D.P.P.]]<br />
<br />
The outer section of the glyph on the floor of the Dummy Plug Plant is from MSS. 2731, a part of the Sloane collection of the British Library. It contains 4 books, 3 of which give instructions for the conjuration of spirits. The relevant glyph in the Dummy Plug Plant is from the first book, titled Ars Theurgia Goetia, and is used as magic circle in which the magician stands in order to be preserved from the spirit's influence. <br />
<br />
Within the ring are written Divine Names in Romanised Hebrew that are split into nine sections. Each of the nine sections contains Names commonly allotted onto the relevant Numbers of the Qabalistic [[Tree of Life]]. <br />
{{rebuildcontentstart}}<br />
==In Rebuild==<br />
{{rebuildcontentend}}<br />
<br />
<br />
[[Category:A to Z]]<br />
[[Category:Places]]<br />
[[Category:Religious and Esoteric References]]<br />
[[Category:Terminology]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Talk:Dummy_Plug_Plant&diff=95701Talk:Dummy Plug Plant2014-04-16T17:05:03Z<p>Nuclear Lunchbox: </p>
<hr />
<div>This is ''very'' good. If I might suggest, you should explain more clearly what the physical description of the equipment looks like, i.e. you mention a "brain" in there without describing to the reader what this whole thing looks like. Also you say cables must run to Lilith in "Central Dogma", but Lilith is in Terminal Dogma. Btw, do you think "Dummy Plug Plant" is what we should officially call this? that is I've heart "Dummy Plug Production Facility" thrown around....I don't remember if it was called anything officially....ah what the heck if no one has issues, call it "Dummy Plug Plant". Anyway, you may want to clarify what "releasing the destrado" means (Rei stew...)--[[User:V|V]] 13:49, 28 January 2008 (PST)<br />
<br />
==Zuggybabble==<br />
<br />
While I don't think having material on the occult source of the DPP visuals is a bad idea, what Zuggy included is far too detailed and dense IMO. It ought to be distilled to the basics, and put in plain words. --[[User:Reichu|Reichu]] 08:46, 5 May 2009 (PDT)<br />
<br />
I cut it down to size. --[[User:The wayneiac|thewayneiac]] 17:12 EDT. May, 5 2009.<br />
:I think Zuggy's imagination was running away with him. Is this close to being unflagged yet? --[[User:The wayneiac|thewayneiac]] 15:54 EDT. May 8, 2009.<br />
<br />
Well...<br />
:A sound of deep breathing and a heartbeat can be heard in this room whenever Rei Ayanami is present in the central tube of LCL. These sounds are never heard when Rei is not present in the tube of LCL. The sound of the heartbeat and deep breathing may possibly be Lilith's; the brain in the metallic-casing may also be Lilith's. However, it is much more likely that the brain is just a component of the dummy system, and no more Lilith's brain than the "brain" in the Magi is Naoko's.[1] <br />
I think a lot of this stuff is still pretty dubious. Do the sound effects really mean anything? Sometimes for ambient effect is just for ambient effect. The "Lilith's brain" bit is <br />
decidedly too much of a stretch to even warrant a mention, IMO. --[[User:Reichu|Reichu]] 08:04, 10 May 2009 (PDT)<br />
<br />
==Possible explanation for the 'core' mechanism?==<br />
<br />
I know, this is meant to be another attempt. But since there is already speculation included in the article itself, i am going to give it at least a try. Apparently, a line from Ritsuko Akagi mentions that it is not completely possible to digitalize a (human) mind during the series' timeline. This is the axis of my hypothesis, but it still may be incorrect or information from lower tiers. If that is the case, please correct me. So, what if the Dummy System NERV utilizes is linked up with one of the Rei clones in the tank upon activation. Then a set of artifical thought patterns is input and the clones brain is used to execute them as if they are real thoughts, and thus, maneuvers the Evangelion unit while tricking it into believing that the pilot, who is then excluded, is issuing the orders. Like some kind of remote control. Therefore, if the Rei clones are destroyed, the Dummy System would be unable to link up to a body, and thus unable to operate. This could harmonize with NGE's approach to incorporate more 'realistic' technology, but ultimately remains speculation. Should we include that as possible explanation?<br />
<br />
[[User:Restriktion|Restriktion]] ([[User talk:Restriktion|talk]]) 08:37, 12 September 2012 (PDT)<br />
<br />
==In Rebuild==<br />
<br />
We need to have a Rebuild section for this page. I'll put in the framework and maybe come back later today when I've got the time. [[User:Nuclear Lunchbox|Nuclear Lunchbox]] ([[User talk:Nuclear Lunchbox|talk]]) 13:05, 16 April 2014 (EDT)</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=95581User:Nuclear Lunchbox2014-04-14T19:46:02Z<p>Nuclear Lunchbox: Undo revision 95540 by Nuclear Lunchbox (talk)</p>
<hr />
<div>{{User Infobox<br />
| image=[[Image:Nuclear_Lunchbox_wiki_photo.jpeg|300px]]<br />
| name =Nuclear Lunchbox (AKA Nuke-kun)<br />
| real name =[REDACTED]<br />
| date of birth = July 11th, XXXX<br />
| homeland =[[United States of America|United States]]<br />
| role =Learning from my mistakes<br />
| lot in life =Much better than I think it is<br />
| favorite episode =[[Episode 22]]<br />
| favorite character =[[Asuka|A certain fiery redhead]]<br />
| favorite relationship =[[Theory and Analysis:Shinji and Asuka's Relationship|Shinji and Asuka]]<br />
| favorite angel =That's like asking a mother her favorite child.<br />
| favorite evangelion =I love them all. Don't make me choose.<br />
}}<br />
<br />
=Getting to know Nuke=<br />
Gentlemen (and ladies, I know you're on the internet), it delights me to be able to introduce myself to you as Evageek Nuclear Lunchbox. For streamlining reasons, if I refer to myself in the third person it shall be as "Nuke". Generally, I don't give out personal information on the internets, but I can make an exception here. If you check my user infobox, you can see my age (cleverly disguised) and a plethora of other information about me. Enjoy.<br />
==Nuke, Part Two==<br />
I'm just going to streamline this process by bulleting the most important things you need to know about me.<br />
===The Negative===<br />
*There is a filter between my brain and my mouth. Sometimes, it goes missing.<br />
*I can tend to overreact to things.<br />
*I procrastinate. Like, a lot.<br />
*I have been known to sometimes be an arrogant bastard, depending on my mood at the time.<br />
*My mood drastically influences how I interact with everything else.<br />
*I cannot make rational decisions when I am hungry. That is my stomach talking, and not my head.<br />
*I have a memory like a steel trap. A very ''selective'' steel trap.<br />
*I'm a bit of a Grammar Nazi.<br />
*I can be a bit selfish.<br />
*I might judge a book by its cover.<br />
*Sometimes I can be a very dark and twisty person.<br />
===The Positive===<br />
*I'm a fun person to be around.<br />
*I cook. A lot. Usually for a lot of people at the same time.<br />
*I like waffles. Everybody likes waffles.<br />
*I give awesome advice.<br />
*I can write cool stuff.<br />
*When I choose something to be dedicated to, nobody works harder on it than I.<br />
*I play a lot of DDR. I'm really good at it.<br />
*People like me. This is always a plus.<br />
*Even when I'm an asshole, I ''' ''know'' ''' that I'm an asshole and always apologize for it later.<br />
*I don't discriminate against anybody.<br />
*If I judge a book by its cover, I give it a chance anyway.<br />
=The Fandom=<br />
Evangelion was my first true fandom. The series somehow sunk its fangs into me and just never let go. I've spent a while addicted to it, and it's not an addiction that I want to kick. The story of how I got into Evangelion is a very long one, and I never properly explained it in the forum for that very reason. Now that I have a wiki page, I get to do it!<br />
===Part One===<br />
So, when I was a wee lad of about seven, my father downloaded an application that would select daily webcomics for him and display them in their own little window. Naturally, young me was interested in these. Every day, I would hoist myself into one of the giant chairs and read comics for around half an hour.<br />
After a few months of this, I got into the guts of the program. I discovered that there were comics that ''weren't'' being displayed. Of course, younger me had to have these. I opened all of the comics up to the application, and that was that. I went on to read all of them. Then, I came across a webcomic called CTRL+ALT+DEL. [http://www.cad-comic.com/cad/20021023: Check it out, it's awesome.] I read it for a few weeks, until my mother caught me, deemed that it was "inappropriate", and uninstalled the app. I got bored and found other things to do, and the webcomic lay forgotten in some of the barren corners of my mind.<br />
<br />
===Part Two===<br />
[[File:Replica Lance Transformation A.jpg|200px|right|thumb|Yeah, I would have been ''pissed'' if I had been spoiled by this.]]<br />
Fast forward to when I was twelve years old. I was patrolling the internet on my parent's laptop, when I came across the webcomic for the first time in five years. I happily started reading it again. Of course, I began to become irritated by all of the ads on the site. I was able to ignore them, but then one particularly annoying advert came along. This was advertising for something called ''Evangelion 1.0.'' I ignored the ad, but over the next month it grew more and more irritating. Finally, I said, "Oh, screw this," and clicked it. I was redirected to the first 8 minutes of Evangelion 1.0., sadly in English. That aside, talk about an instant hook. This was my first anime experience, I didn't care. It should be noted here that when I was searching for the first episode on youtube, I came across a video titled ''' ''Asuka's Final Battle'' '''. I wisely ignored it and moved on.<br />
===Part Three===<br />
After the 8 minutes that I watched, I had to have more. Mistakenly believing that what I had viewed was part of NGE, I went to youtube and found the rest of Episode 1 with subtitles. I watched it, crappy cliffhanger and all. From there, I went to Episode 2, then 3, until I had watched up through Episode 19. By this time, Jewish Holidays had come and gone, and I was the proud owner of a Platinum Edition copy of NGE. I finished the series on the DVDs, Director's Cuts and all.<br />
===Part Four, or Nuke's Original Reaction===<br />
[[File:1jl2jo.jpg|200px|left|thumb|"Make a better ending, Anno. Make it NOW."]]<br />
I finished the series when I was twelve. My reaction was a resounding "What the fuck kind of ending was that?" Angered, I proceeded to watch the series ''again'' and was stunned out of my anger by realizing how deep certain parts of the series were. My irritation was gradually replaced by a sense of "ZOMFG THIS IS AWESOME". Then, I reached the end of the series again. I thought that I understood it a bit better, but I still thought that Anno had magnificently screwed up. It wasn't until June of that year that I found Death and Rebirth, as well as End of Evangelion.<br />
<br />
===Part Five===<br />
When I discovered that there were parts of Eva that I hadn't watched, I dashed out to Blockbuster and picked them up on DVD. I shoved Death into my DVD player, got some popcorn and watched it. Really, I thought it was a glorified recap of the series. This edition didn't have any of EoE on it, for some reason. I mean, it was ''good''; it just wasn't anything that new or interesting. I turned to EoE and put it into my player. Episode 25' began to play.<br />
====Part Six, or the second part of Part Five====<br />
Episode 25' blew me away. It was the end that I had secretly always wanted; it fulfilled every desire I had for the end of NGE. Granted, some of it was a tad much for my 12-year old brain; watching Shinji wanking over Asuka's comatose body was a lovely sight, as well as watching Maggot-ridden Asuka and the two parts of Misato's body go flying in opposite directions. Of course, I just stared at the screen in awe and watched on. Then Episode 25' ended. Since I was a respectful person, I sat through the credits while I made myself some more popcorn. Episode 26' started.<br />
====Part Seven, or the third part of Part Five====<br />
[[File:Bffcci.jpg|200px|righ|thumb|Yeah, that was my initial reaction too.]]<br />
I really had no words for Episode 26'. It was a mindfuck, pure and simple. The animation was amazing and the plot... just WOW, but it crossed the line from "mildly disturbing" to "fuck this shit, we're going to blow up some heads". I still loved it, of course. Watching every event transpire as it did, watching GNR devour Shinji with the Vagina Eye, watching everybody explode into Tang... it was one of the coolest movies I had ever seen. Then, of course, we had the obligatory fucked-up ending. Shinji and Asuka. Beach. Strangulation. You know the drill by this point. I loved it all the same, but spent forever trying to understand it. That was when I visited Evageeks for the first time. It was just the wiki, which I used to search for the answers to all of my elusive questions. Two more years went by, with me introducing all of my friends to Eva. Finally, I decided that I would create an account on the Forum, just for the lulz. I did, became enamored with it, and I've been with y'all ever since. HERE ENDS THE STORY OF THE FANDOM.</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=95540User:Nuclear Lunchbox2014-04-14T03:35:55Z<p>Nuclear Lunchbox: </p>
<hr />
<div>{{User Infobox<br />
| image=[[Image:Nuclear_Lunchbox_wiki_photo.jpeg|300px]]<br />
| name =Nuclear Lunchbox (AKA Nuke-kun)<br />
| real name =[REDACTED]<br />
| date of birth = July 11th, XXXX<br />
| homeland =[[United States of America|United States]]<br />
| role =Learning from my mistakes<br />
| lot in life =Much better than I think it is<br />
| favorite episode =[[Episode 22]]<br />
| favorite character =[[Asuka|A certain fiery redhead]]<br />
| favorite relationship =[[Theory and Analysis:Shinji and Asuka's Relationship|Shinji and Asuka]]<br />
| favorite angel =That's like asking a mother her favorite child.<br />
| favorite evangelion =I love them all. Don't make me choose.<br />
}}<br />
=Getting to know Nuke=<br />
Gentlemen (and ladies, I know you're on the internet), it delights me to be able to introduce myself to you as Evageek Nuclear Lunchbox. For streamlining reasons, if I refer to myself in the third person it shall be as "Nuke". Generally, I don't give out personal information on the internets, but I can make an exception here. If you check my user infobox, you can see my age (cleverly disguised) and a plethora of other information about me. Enjoy.<br />
==Nuke, Part Two==<br />
I'm just going to streamline this process by bulleting the most important things you need to know about me.<br />
===The Negative===<br />
*There is a filter between my brain and my mouth. Sometimes, it goes missing.<br />
*I can tend to overreact to things.<br />
*I procrastinate. Like, a lot.<br />
*I have been known to sometimes be an arrogant bastard, depending on my mood at the time.<br />
*My mood drastically influences how I interact with everything else.<br />
*I cannot make rational decisions when I am hungry. That is my stomach talking, and not my head.<br />
*I have a memory like a steel trap. A very ''selective'' steel trap.<br />
*I'm a bit of a Grammar Nazi.<br />
*I can be a bit selfish.<br />
*I might judge a book by its cover.<br />
*Sometimes I can be a very dark and twisty person.<br />
===The Positive===<br />
*I'm a fun person to be around.<br />
*I cook. A lot. Usually for a lot of people at the same time.<br />
*I like waffles. Everybody likes waffles.<br />
*I give awesome advice.<br />
*I can write cool stuff.<br />
*When I choose something to be dedicated to, nobody works harder on it than I.<br />
*I play a lot of DDR. I'm really good at it.<br />
*People like me. This is always a plus.<br />
*Even when I'm an asshole, I ''' ''know'' ''' that I'm an asshole and always apologize for it later.<br />
*I don't discriminate against anybody.<br />
*If I judge a book by its cover, I give it a chance anyway.<br />
=The Fandom=<br />
Evangelion was my first true fandom. The series somehow sunk its fangs into me and just never let go. I've spent a while addicted to it, and it's not an addiction that I want to kick. The story of how I got into Evangelion is a very long one, and I never properly explained it in the forum for that very reason. Now that I have a wiki page, I get to do it!<br />
===Part One===<br />
So, when I was a wee lad of about seven, my father downloaded an application that would select daily webcomics for him and display them in their own little window. Naturally, young me was interested in these. Every day, I would hoist myself into one of the giant chairs and read comics for around half an hour.<br />
After a few months of this, I got into the guts of the program. I discovered that there were comics that ''weren't'' being displayed. Of course, younger me had to have these. I opened all of the comics up to the application, and that was that. I went on to read all of them. Then, I came across a webcomic called CTRL+ALT+DEL. [http://www.cad-comic.com/cad/20021023: Check it out, it's awesome.] I read it for a few weeks, until my mother caught me, deemed that it was "inappropriate", and uninstalled the app. I got bored and found other things to do, and the webcomic lay forgotten in some of the barren corners of my mind.<br />
<br />
===Part Two===<br />
[[File:Replica Lance Transformation A.jpg|200px|right|thumb|Yeah, I would have been ''pissed'' if I had been spoiled by this.]]<br />
Fast forward to when I was twelve years old. I was patrolling the internet on my parent's laptop, when I came across the webcomic for the first time in five years. I happily started reading it again. Of course, I began to become irritated by all of the ads on the site. I was able to ignore them, but then one particularly annoying advert came along. This was advertising for something called ''Evangelion 1.0.'' I ignored the ad, but over the next month it grew more and more irritating. Finally, I said, "Oh, screw this," and clicked it. I was redirected to the first 8 minutes of Evangelion 1.0., sadly in English. That aside, talk about an instant hook. This was my first anime experience, I didn't care. It should be noted here that when I was searching for the first episode on youtube, I came across a video titled ''' ''Asuka's Final Battle'' '''. I wisely ignored it and moved on.<br />
===Part Three===<br />
After the 8 minutes that I watched, I had to have more. Mistakenly believing that what I had viewed was part of NGE, I went to youtube and found the rest of Episode 1 with subtitles. I watched it, crappy cliffhanger and all. From there, I went to Episode 2, then 3, until I had watched up through Episode 19. By this time, Jewish Holidays had come and gone, and I was the proud owner of a Platinum Edition copy of NGE. I finished the series on the DVDs, Director's Cuts and all.<br />
===Part Four, or Nuke's Original Reaction===<br />
[[File:1jl2jo.jpg|200px|left|thumb|"Make a better ending, Anno. Make it NOW."]]<br />
I finished the series when I was twelve. My reaction was a resounding "What the fuck kind of ending was that?" Angered, I proceeded to watch the series ''again'' and was stunned out of my anger by realizing how deep certain parts of the series were. My irritation was gradually replaced by a sense of "ZOMFG THIS IS AWESOME". Then, I reached the end of the series again. I thought that I understood it a bit better, but I still thought that Anno had magnificently screwed up. It wasn't until June of that year that I found Death and Rebirth, as well as End of Evangelion.<br />
<br />
===Part Five===<br />
When I discovered that there were parts of Eva that I hadn't watched, I dashed out to Blockbuster and picked them up on DVD. I shoved Death into my DVD player, got some popcorn and watched it. Really, I thought it was a glorified recap of the series. This edition didn't have any of EoE on it, for some reason. I mean, it was ''good''; it just wasn't anything that new or interesting. I turned to EoE and put it into my player. Episode 25' began to play.<br />
====Part Six, or the second part of Part Five====<br />
Episode 25' blew me away. It was the end that I had secretly always wanted; it fulfilled every desire I had for the end of NGE. Granted, some of it was a tad much for my 12-year old brain; watching Shinji wanking over Asuka's comatose body was a lovely sight, as well as watching Maggot-ridden Asuka and the two parts of Misato's body go flying in opposite directions. Of course, I just stared at the screen in awe and watched on. Then Episode 25' ended. Since I was a respectful person, I sat through the credits while I made myself some more popcorn. Episode 26' started.<br />
====Part Seven, or the third part of Part Five====<br />
[[File:Bffcci.jpg|200px|righ|thumb|Yeah, that was my initial reaction too.]]<br />
I really had no words for Episode 26'. It was a mindfuck, pure and simple. The animation was amazing and the plot... just WOW, but it crossed the line from "mildly disturbing" to "fuck this shit, we're going to blow up some heads". I still loved it, of course. Watching every event transpire as it did, watching GNR devour Shinji with the Vagina Eye, watching everybody explode into Tang... it was one of the coolest movies I had ever seen. Then, of course, we had the obligatory fucked-up ending. Shinji and Asuka. Beach. Strangulation. You know the drill by this point. I loved it all the same, but spent forever trying to understand it. That was when I visited Evageeks for the first time. It was just the wiki, which I used to search for the answers to all of my elusive questions. Two more years went by, with me introducing all of my friends to Eva. Finally, I decided that I would create an account on the Forum, just for the lulz. I did, became enamored with it, and I've been with y'all ever since. HERE ENDS THE STORY OF THE FANDOM.<br />
=Links to shit that Nuke has a hard time finding=<br />
{{Fangeeks Commentary}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Template:Fangeeks_Commentary&diff=95539Template:Fangeeks Commentary2014-04-13T22:56:18Z<p>Nuclear Lunchbox: Somebody forgot to put in a colon.</p>
<hr />
<div>{| class="infobox centered" style="width: 80%; font-size: 90%; text-align: center; margin: 0 auto; clear: both" align="center"<br />
|-<br />
| style="background: DarkSeaGreen; font-size: 110%;"|'''''Fan Geeks Commentary'''''<br />
|-<br />
||'''Television Series'''<br />
|-<br />
||[[FGC:OP|Series Opening]]<br />
|-<br />
|[[FGC:Episode 01|Episode 01]] | [[FGC:Episode 02|Episode 02]] | [[FGC:Episode 03|Episode 03]] | [[FGC:Episode 04|Episode 04]] | [[FGC:Episode 05|Episode 05]] | [[FGC:Episode 06|Episode 06]] | [[FGC:Episode 07|Episode 07]] | [[FGC:Episode 08|Episode 08]] |[[FGC:Episode 09|Episode 09]] | [[FGC:Episode 10|Episode 10]]<br />
|-<br />
| [[FGC:Episode 11|Episode 11]] | [[FGC:Episode 12|Episode 12]] | [[FGC:Episode 13|Episode 13]] | [[FGC:Episode 14|Episode 14]] | [[FGC:Episode 15|Episode 15]] | [[FGC:Episode 16|Episode 16]] | [[FGC:Episode 17|Episode 17]] | [[FGC:Episode 18|Episode 18]] | [[FGC:Episode 19|Episode 19]]<br />
|-<br />
| [[FGC:Episode 20|Episode 20]] | [[FGC:Episode 21|Episode 21]] | [[FGC:Episode 22|Episode 22]] | [[FGC:Episode 23|Episode 23]] | [[FGC:Episode 24|Episode 24]] | [[FGC:Episode 25|Episode 25]] | [[FGC:Episode 26|Episode 26]] <br />
|-<br />
||'''[[FGC:Death|Death]]''' <br />
|-<br />
||'''[[FGC:The End of Evangelion|The End of Evangelion]]'''<br />
|-<br />
|[[FGC:Episode 25'|Episode 25']] | [[FGC:Episode 26'|Episode 26']]<br />
|-<br />
|| [[FGC:ED|Series Ending]]<br />
|}<br />
{{-}}<br />
<noinclude><br />
[[Category:Templates]]<br />
</noinclude></div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=FGC:Episode_07&diff=95538FGC:Episode 072014-04-13T18:25:44Z<p>Nuclear Lunchbox: Credits added to index. Only difference from Episode 06 is the omission of Ops personnel. They have been replaced with the VAs for Hkari, Shiroh Tokita, Man on the phone, and Male student A. The announcer is still there, but has been replaced w/ Megumi.</p>
<hr />
<div>{{FGC:MW}}<br />
{{FGC:Header|text=The Scene Index for The Fangeeks Commentary: Episode #07|name=scene_list|num=1}}<br />
{{FGC:Episode 07 Scene List}}{{br}}<br />
<br />
<br />
<br />
{{FGC:Header|text=Credits: Episode #07|name=credits}}<br />
<div class="fgc_credits"><br />
'''Ending Theme:''' FLY ME TO THE MOON —4 BEAT TV.Size VERSION— <br />
<br />
{{FGC:Header|num=2|text=STAFF}}<br />
<br />
'''Script''': Akio Satsukawa, Hideaki Anno {{br}}<br />
'''Storyboards''': Shinji Higuchi {{br}}<br />
''' Director''': Seiji Mizushima {{br}}<br />
<br />
'''Chief Animator''': Shinya Hasegawa {{br}}<br />
'''Assistant Character Designers:''' Mahiro Maeda, Mitsumu Wogi{{br}}<br />
'''Closing Animation''': Masayuki {{br}}<br />
'''Key Animators''': Keiji Goto, Fumitomo Kizaki, Yuichi Tanaka, Keisuke Watabe, Yutaka Nakamura, Nobutsoshi Ogura, Munenori Nawa, Toru Takahashi, Katsuichi Nakayama, Shigeki Sunada, Hidenori Fukuoka, Hideyuki Morioka, Hajime Kamikura, Shinya Hasegawa, Masayuki, Shunji Suzuki {{br}}<br />
'''Animation Director''': Noriko Goto{{br}}<br />
'''Animation''': NEOX, M-I, Studio Dean, Studio Argoship, GAINAX, Marsa Inc., Tezuka Productions, Production IG{{br}}<br />
'''Color Desgin''': Harumi Takahoshi{{br}}<br />
'''Cel Check''': Yuka Izumisawa{{br}}<br />
''' Special Effects''': Noriyuki Ohta{{br}}<br />
''' Computer Graphics Production''': GAINAX SHOP {{br}}<br />
'''Film Processing''': Tokyo Laboratory {{br}}<br />
'''Finishing:''' Tatsunoko Color Center, Marsa Inc., Shaft, Ltd., Tezuka Productions, Studio Argoship, Trans Art Inc., Studio Fantasia, Studio Tarji{{br}}<br />
'''Titles:''' Maki Productions {{br}}<br />
'''Backgrounds:''' Kyoto Animation, Joji Unoguchi, Atsushi Morikawa, Misa Takatsuka, Hiroshi Igaki{{br}}<br />
'''Photography: ''' Cosmos, Katsunori Maebara, Tetsuo Ohto, Shinji Ikegami, Takashi Shimada, Toshikazu Hisano, Natsuki Orihara, Shoji Yazawa{{br}}<br />
''' Editor''': Sachiko Miki {{br}}<br />
'''Production Desk''': Yudo Ohishi{{br}}<br />
''' Production Coordinator''': Manabu Ishikawa{{br}}<br />
''' Production Room Assistant''': Tomoko Takahashi {{br}}<br />
'''Sound Effects''': Toru Noguchi (ANIME Sound) {{br}}<br />
'''Mixer''': Yoshio Ohara {{br}}<br />
''' Studio''': TAVAC{{br}}<br />
''' Video Editor''': Hiroshi Uchimura {{br}}<br />
''' Operator''': Kozo Yoneyama (Video Sunmall) {{br}}<br />
'''Animation Producers''': Motoki Ueda, Shuji Uchiyama, Hiroyuki Yamaga {{br}}<br />
'''Production''': TV Tokyo, NAS {{br}}<br />
<br />
{{FGC:Header|num=2|text=CAST|name=cast}}<br />
<br />
'''Shinji Ikari:''' Megumi Ogata {{br}}<br />
'''Misato Katsuragi:''' Kotono Mitsuishi {{br}}<br />
'''Ritsuko Akagi:''' Yuriko Yamaguchi {{br}}<br />
'''Rei Ayanami:''' Megumi Hayashibara {{br}}<br />
'''Gendou Ikari:''' Fumihiko Tachiki {{br}}<br />
'''Kouzou Fuyutsuki:''' Motomu Kiyokawa {{br}}<br />
'''Makoto Hyuga:''' Hiro Yuhki {{br}}<br />
'''Maya Ibuki:''' Miki Nagasawa {{br}}<br />
'''Shigeru Aoba:''' Takehito Koyasu {{br}}<br />
'''Toji Suzuhara:''' Tomokazu Seki{{br}}<br />
'''Kensuke Aida:''' Tetsuya Iwanaga{{br}}<br />
'''Hikari Horaki:''' Junko Iwao{{br}}<br />
'''Shiroh Tokita:''' Yoshitada Otsuka{{br}}<br />
'''Man on the phone:''' Koichi Yamadera{{br}}<br />
'''Male student A:''' Koichi Nagano{{br}}<br />
'''Announcer:''' Megumi Hayashibara{{br}}<br />
{{FGC:Header|num=2|text=RENEWAL STAFF}}<br />
<br />
'''Cast:''' Masanobu Kariya, Kiyotaka Furushima, Takushi Akiyama, Daisuke Kita, Takuhiro Imamura, Isao Yamagishi, Rika Okamoto, Mayumi Yanagisawa, Rina Satoh, Ryoko Kawano, Noriko Katsuhata, Eri Mizuhara, Yoshiko Okamoto, Shima Izumi, Kyoko Muramatsu, Kazuko Shiraishi, Chizuru Miyashita, Maki Gotoh, Yuki Fukunaga, Miyoshi Nomata, Keiko Mizumori, Noriko Kitamura, Megumi Hayashibara{{br}}<br />
<br />
'''Cel Check''': Mihoko Hamatani{{br}}<br />
''' Photography:''' Studio Cosmos, Shinji Ikegami, Akihiro Nishiyama {{br}}<br />
'''Film Processing:''' Tokyo Laboratory {{br}}<br />
<br />
'''Telecine (Movie Tone):''' IMAGICA West {{br}}<br />
'''2D Work Cooperation''': Yasuhiro Kamimura, Shohei Sotoyama {{br}}<br />
'''Production Coordinator''': Daisuke Hirose {{br}}<br />
'''Animation Producer:''' Hiroki Satoh {{br}}<br />
<br />
'''Post Production:''' Sony PCL {{br}}<br />
'''Colorist''': Yasutaka Ishihara {{br}}<br />
'''Video Editor''': Masashi Nitta {{br}}<br />
'''Post Production Assistants''': Hideki Itoh, Masato Yukita {{br}}<br />
<br />
'''Video Encoding''': Hideki Ishizaka {{br}}<br />
'''Authoring Coordinator:''' Satoshi Takashima {{br}}<br />
'''AR Script Producer:''' Toshiaki Kaneko{{br}}<br />
'''Coordinator:''' Takeshi Ishigaki{{br}}<br />
<br />
'''Menu Design''': Shinji Higuchi, Atsuki Satoh{{br}}<br />
'''Menu Screen Production''': Hibiki Watanabe{{br}}<br />
'''Coordinator''': Kyoko Denda (Motorize){{br}}<br />
'''Recording:''' Yutaka Kanai (DIGITAL TV STUDIO){{br}}<br />
<br />
'''Sound Effects:''' Toru Noguchi (Anime Sound){{br}}<br />
'''Remix''': Haru Yamada, Hijiri Kouhara (Sound Team Donfan){{br}}<br />
'''Studio Assistant:''' Souiji Shiihara (Studio Gong){{br}}<br />
'''Recording Studio''': Studio Gong <br />
<br />
{{FGC:Header|num=2|text=Music Staff}}<br />
<br />
'''Engineers''': Kouichi Suzuki, Hiroyuki Tsuji{{br}}<br />
'''Assistant Engineer''': Mitsuru Ishii{{br}}<br />
'''Technical Engineer''': Kuniaki Takahashi{{br}}<br />
'''Music Editors''': Shirou Sagisu, Toshiyuki Ohmori <br />
<br />
'''DVD Producer''': Tomohiro Ogawa{{br}}<br />
'''Executive Producer:''' Toshimichi Ohtsuki {{br}}<br />
'''Editor:''' Masayuki {{br}}<br />
'''Executive Editor:''' Hideaki Anno<br />
</div><br />
<br />
<br />
{{FGC:Master_Navigation_Box}}<br />
<br />
[[Category:Commentary Interface Pages]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=User:Nuclear_Lunchbox&diff=95339User:Nuclear Lunchbox2014-04-04T01:50:23Z<p>Nuclear Lunchbox: </p>
<hr />
<div>{{User Infobox<br />
| image=[[Image:Nuclear_Lunchbox_wiki_photo.jpeg|300px]]<br />
| name =Nuclear Lunchbox (AKA Nuke-kun)<br />
| real name =[REDACTED]<br />
| date of birth = July 11th, XXXX<br />
| homeland =[[United States of America|United States]]<br />
| role =Learning from my mistakes<br />
| lot in life =Much better than I think it is<br />
| favorite episode =[[Episode 22]]<br />
| favorite character =[[Asuka|A certain fiery redhead]]<br />
| favorite relationship =[[Theory and Analysis:Shinji and Asuka's Relationship|Shinji and Asuka]]<br />
| favorite angel =That's like asking a mother her favorite child.<br />
| favorite evangelion =I love them all. Don't make me choose.<br />
}}<br />
<br />
=Getting to know Nuke=<br />
Gentlemen (and ladies, I know you're on the internet), it delights me to be able to introduce myself to you as Evageek Nuclear Lunchbox. For streamlining reasons, if I refer to myself in the third person it shall be as "Nuke". Generally, I don't give out personal information on the internets, but I can make an exception here. If you check my user infobox, you can see my age (cleverly disguised) and a plethora of other information about me. Enjoy.<br />
==Nuke, Part Two==<br />
I'm just going to streamline this process by bulleting the most important things you need to know about me.<br />
===The Negative===<br />
*There is a filter between my brain and my mouth. Sometimes, it goes missing.<br />
*I can tend to overreact to things.<br />
*I procrastinate. Like, a lot.<br />
*I have been known to sometimes be an arrogant bastard, depending on my mood at the time.<br />
*My mood drastically influences how I interact with everything else.<br />
*I cannot make rational decisions when I am hungry. That is my stomach talking, and not my head.<br />
*I have a memory like a steel trap. A very ''selective'' steel trap.<br />
*I'm a bit of a Grammar Nazi.<br />
*I can be a bit selfish.<br />
*I might judge a book by its cover.<br />
*Sometimes I can be a very dark and twisty person.<br />
===The Positive===<br />
*I'm a fun person to be around.<br />
*I cook. A lot. Usually for a lot of people at the same time.<br />
*I like waffles. Everybody likes waffles.<br />
*I give awesome advice.<br />
*I can write cool stuff.<br />
*When I choose something to be dedicated to, nobody works harder on it than I.<br />
*I play a lot of DDR. I'm really good at it.<br />
*People like me. This is always a plus.<br />
*Even when I'm an asshole, I ''' ''know'' ''' that I'm an asshole and always apologize for it later.<br />
*I don't discriminate against anybody.<br />
*If I judge a book by its cover, I give it a chance anyway.<br />
=The Fandom=<br />
Evangelion was my first true fandom. The series somehow sunk its fangs into me and just never let go. I've spent a while addicted to it, and it's not an addiction that I want to kick. The story of how I got into Evangelion is a very long one, and I never properly explained it in the forum for that very reason. Now that I have a wiki page, I get to do it!<br />
===Part One===<br />
So, when I was a wee lad of about seven, my father downloaded an application that would select daily webcomics for him and display them in their own little window. Naturally, young me was interested in these. Every day, I would hoist myself into one of the giant chairs and read comics for around half an hour.<br />
After a few months of this, I got into the guts of the program. I discovered that there were comics that ''weren't'' being displayed. Of course, younger me had to have these. I opened all of the comics up to the application, and that was that. I went on to read all of them. Then, I came across a webcomic called CTRL+ALT+DEL. [http://www.cad-comic.com/cad/20021023: Check it out, it's awesome.] I read it for a few weeks, until my mother caught me, deemed that it was "inappropriate", and uninstalled the app. I got bored and found other things to do, and the webcomic lay forgotten in some of the barren corners of my mind.<br />
<br />
===Part Two===<br />
[[File:Replica Lance Transformation A.jpg|200px|right|thumb|Yeah, I would have been ''pissed'' if I had been spoiled by this.]]<br />
Fast forward to when I was twelve years old. I was patrolling the internet on my parent's laptop, when I came across the webcomic for the first time in five years. I happily started reading it again. Of course, I began to become irritated by all of the ads on the site. I was able to ignore them, but then one particularly annoying advert came along. This was advertising for something called ''Evangelion 1.0.'' I ignored the ad, but over the next month it grew more and more irritating. Finally, I said, "Oh, screw this," and clicked it. I was redirected to the first 8 minutes of Evangelion 1.0., sadly in English. That aside, talk about an instant hook. This was my first anime experience, I didn't care. It should be noted here that when I was searching for the first episode on youtube, I came across a video titled ''' ''Asuka's Final Battle'' '''. I wisely ignored it and moved on.<br />
===Part Three===<br />
After the 8 minutes that I watched, I had to have more. Mistakenly believing that what I had viewed was part of NGE, I went to youtube and found the rest of Episode 1 with subtitles. I watched it, crappy cliffhanger and all. From there, I went to Episode 2, then 3, until I had watched up through Episode 19. By this time, Jewish Holidays had come and gone, and I was the proud owner of a Platinum Edition copy of NGE. I finished the series on the DVDs, Director's Cuts and all.<br />
===Part Four, or Nuke's Original Reaction===<br />
[[File:1jl2jo.jpg|200px|left|thumb|"Make a better ending, Anno. Make it NOW."]]<br />
I finished the series when I was twelve. My reaction was a resounding "What the fuck kind of ending was that?" Angered, I proceeded to watch the series ''again'' and was stunned out of my anger by realizing how deep certain parts of the series were. My irritation was gradually replaced by a sense of "ZOMFG THIS IS AWESOME". Then, I reached the end of the series again. I thought that I understood it a bit better, but I still thought that Anno had magnificently screwed up. It wasn't until June of that year that I found Death and Rebirth, as well as End of Evangelion.<br />
<br />
===Part Five===<br />
When I discovered that there were parts of Eva that I hadn't watched, I dashed out to Blockbuster and picked them up on DVD. I shoved Death into my DVD player, got some popcorn and watched it. Really, I thought it was a glorified recap of the series. This edition didn't have any of EoE on it, for some reason. I mean, it was ''good''; it just wasn't anything that new or interesting. I turned to EoE and put it into my player. Episode 25' began to play.<br />
====Part Six, or the second part of Part Five====<br />
Episode 25' blew me away. It was the end that I had secretly always wanted; it fulfilled every desire I had for the end of NGE. Granted, some of it was a tad much for my 12-year old brain; watching Shinji wanking over Asuka's comatose body was a lovely sight, as well as watching Maggot-ridden Asuka and the two parts of Misato's body go flying in opposite directions. Of course, I just stared at the screen in awe and watched on. Then Episode 25' ended. Since I was a respectful person, I sat through the credits while I made myself some more popcorn. Episode 26' started.<br />
====Part Seven, or the third part of Part Five====<br />
[[File:Bffcci.jpg|200px|righ|thumb|Yeah, that was my initial reaction too.]]<br />
I really had no words for Episode 26'. It was a mindfuck, pure and simple. The animation was amazing and the plot... just WOW, but it crossed the line from "mildly disturbing" to "fuck this shit, we're going to blow up some heads". I still loved it, of course. Watching every event transpire as it did, watching GNR devour Shinji with the Vagina Eye, watching everybody explode into Tang... it was one of the coolest movies I had ever seen. Then, of course, we had the obligatory fucked-up ending. Shinji and Asuka. Beach. Strangulation. You know the drill by this point. I loved it all the same, but spent forever trying to understand it. That was when I visited Evageeks for the first time. It was just the wiki, which I used to search for the answers to all of my elusive questions. Two more years went by, with me introducing all of my friends to Eva. Finally, I decided that I would create an account on the Forum, just for the lulz. I did, became enamored with it, and I've been with y'all ever since. HERE ENDS THE STORY OF THE FANDOM.</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Gainax:_Evangelion_References_and_Cross_References&diff=95074Gainax: Evangelion References and Cross References2014-03-28T05:26:49Z<p>Nuclear Lunchbox: /* Kill la Kill */</p>
<hr />
<div>''This page is for listing references in Evangelion to earlier Gainax works, and references to Evangelion in later Gainax works.'' <br />
<br />
==Earlier works by Gainax==<br />
<br />
===Nadia: The Secret of Blue Water (ふしぎの海のナディア)===<br />
<br />
[[Image:Gunbuster nadia earthlights.jpg|thumb|right|Cue sequel theory speculation.]]<br />
''Nadia: The Secret of Blue Water'' (1990) was Hideaki Anno's second anime series. The show heavily references his previous work, ''Gunbuster'', but it also contains plenty of elements that later found their way into Evangelion. These include things such as<br />
<br />
* Shinji's character design: as admitted by the character designer [[Yoshiyuki Sadamoto]], Shinji is basically a genderswapped Nadia<br />
* Heavy use of biblical references (Noah's Ark, the Tower of Babel and the names of its slave satellites, the story of Lot's wife etc.)<br />
* Progenitor aliens that use genetic engineering <br />
* Proto-[[instrumentality]]: according to legend, the Blue Water jewel is said to house a conglomeration of innumerable Atlantean souls <br />
* There is at least one reference to ''2001: A Space Odyssey'' (the [http://www.youtube.com/watch?v=m6yAEvnoCPs Star Gate sequence]) <br />
* The main antagonist, Gargoyle, does the [[Gendo Pose]] [[Image:Nadia originality.jpg|thumb|right|Gee, this feels familiar.]]<br />
* The captain of the American battleship ''USS Abraham'' and his first officer return as the captain and XO of the aircraft carrier ''Over the Rainbow'' in [[Episode 08]]<br />
* Like Evangelion, ''Nadia'' apparently met with serious production difficulties, which in its case spawned hideous filler episodes <br />
<br />
The Nadia fan-site [http://www.thesecretofbluewater.com/nadieva-i.htm thesecretofbluewater.com] has a section that lists most of the smaller, more specific references, like Anno's penchant for telops and panoramic floors, Jean hailing the greatness of air conditioning, the Kermadec probe and shameless cross-series frame recycling. However, the list also contains some dubious, speculative and outright stupid forced similarities ("deep" character comparisons, Leliel = zebra?), so visitors are advised to proceed with caution.<br />
<br />
<br />
{{MontageBox<br />
|float = Left<br />
|columns = 3<br />
|title = Nadia: The Secret of Blue Water<br />
|image1 = [[Image:sadamoto nadia-shinji.jpg|thumb|200px|How Shinji "evolved" from Nadia]]<br />
|image2 = [[Image:Nadia instrumentality.jpg|thumb|200px|The Blue Water - a cluster of souls?]]<br />
|image3 = [[Image:Nadia star gate.jpg|thumb|200px|Nadia's version of the Star Gate]]<br />
|image4 =<br />
|caption =<br />
}}<br />
{{-}}<br />
<br />
===Otaku no Video (おたくのビデオ)===<br />
<br />
The date of Second Impact, September 13th, comes from ''Otaku no Video'' (おたくのビデオ), a 1991 pseudo-documentary anime about the history of Studio Gainax and Japanese otaku in general: Otaku no Video in turn took the date and the backstory of the nuclear disaster from Gerry Anderson's classic 1975 science fiction series [http://www.space1999.net/catacombs/main/faq.html ''Space: 1999'']. Evangelion simply changed the year from 1999 to 2000.<br />
<br />
Throughout Otaku no Video, placards with dates of (more or less) important world events are used to mark the frequent time skips in the show. The following translations of the placards are from AnimEigo's DVD subtitles:<br />
<br />
:<small>March 18, 1982: Broadcast Premiere of "Magical Princess Minky Momo."<br />
:May 1, 1982: British Troops invade the Falkland Islands.<br />
:February 10, 1983: Six 16-year-old boys commit repeated assaults on homeless persons in Yokohama, killing 3 and injuring 13.<br />
:September 1, 1983: A Korean Airlines jet is shot down by a Soviet plane.<br />
:October 13, 1983: Court reaches verdict in the Lockheed-Marubeni bribery scandal.<br />
:October 13, 1983: Ex-Prime Minister Kakuei Tanaka is sentenced to 4 years in prison.<br />
:July 7, 1984: Theatrical Premiere of "Super Dimension Fortress MACROSS: Love--Do You Remember?"<br />
:March 7, 1987: Theatrical Premiere of "The Royal Space Force (Wings of Honneamise)."<br />
:July 23, 1988: Self-Defense Forces submarine "Nadashio" and fishing boat "Dai-ichi Fuji Maru" collide and sink in Yokosuka Bay. 30 fatalities.<br />
:January 18, 1989: The Showa Emperor dies, ushering in the "Heisei" era.<br />
:September 13, 1999: An accidental explosion occurs at the Nuclear Waste Disposal Facility on the far side of the Moon.<br />
:May 5, 2035: Launching of "Eltrium," 5th-Generation Space Battleship.</small><br />
<br />
[[Image:Otaku no video anno key animator.jpg|thumb|right|Shameless Gainax self-plugging]]<br />
[[Image:Otaku no video 9-13.jpg|thumb|left|Bye bye Moon]]<br />
[[Image:Otaku no video 2035.jpg|thumb|none|The world after 9-13]]<br />
<br />
<br />
In the epilogue set in 2035 Tokyo has been flooded by raising sea levels, much like in Evangelion. Battleship Eltrium is a reference to ''Gunbuster''. Other references to earlier works by Gainax staff include snippets of Daicon IV opening animation and Hideaki Anno's key animation sequences from ''Super Dimension Fortress Macross''. A comprehensive list of the references can be found in [http://www.animeigo.com/Liner/ONV.html AnimEigo's liner notes.]<br />
<br />
<br />
==The Orphan Conversation (Nadia and Kare Kano)==<br />
[[Hideaki Anno]] has made multiple uses of what has been dubbed the "Orphan Conversation." Which always ends with some variation on "we're the same." We are placing this in its own section because it has both forward and backward looking references.<br />
<br />
From ''Nadia: The Secret of Blue Water'' (Anno's series before Evangelion):<br />
<br />
[[Image:Nadia1.jpg|thumb|left|Jean Questions Nadia about her parents]]<br />
[[Image:Nadia3.jpg|thumb|right|It's the same with me]]<br />
[[Image:Nadia2.jpg|thumb|none|Nadia tells Jean she has no parents]]<br />
<br />
<br />
''(Jean and Nadia have just escaped from the Grandis Gang and are traveling down river by boat.)''<br>'''Jean''': "Where will you go now? Back to the circus?"<br>'''Nadia''': "I can't go back."<br>'''Jean''': "What about your folks?"<br>'''Nadia''': "I don't have any."<br>'''Jean''': "I see. It's the same with me."<br />
<br />
From ''Neon Genesis Evangelion'':<br />
<br />
[[Image:Kenmom1.jpg|thumb|left|Shinji mentions Kensuke's mother]]<br />
[[Image:Kenmom3.jpg|thumb|right|I'm the same as you, Ikari]]<br />
[[Image:Kenmom2.jpg|thumb|none|Kensuke tells Shinji he has no mother]]<br />
<br />
<br />
''(Shinji has met Kensuke in the wilderness.)''<br>'''Kensuke''': "I really envy you. Living with such a beautiful woman and getting to pilot Evangelion. Oh, I wish I could get behind the controls just once!"<br>'''Shinji''': "You'd better not. Your mother would be worried."<br>'''Kensuke''': "Ah, that's okay. I don't have one."<br>'''Shinji''': "Ah…"<br>'''Kensuke''': "I'm the same as you, Ikari." <br />
<br />
From ''Kareshi Kanojo no Jijo'', aka ''Kare Kano'', aka ''His and Hers Circumstances'' (Anno's series after Evangelion):<br />
<br />
[[Image:Memories1.jpg|thumb|left|The kneeling girl pats the sandpile]]<br />
[[Image:Memories2.jpg|thumb|none|Brings back the memories? It sure does!]]<br />
<br />
<br />
''(Yukino's parents, Hiroyuki and Miyako pass by three children in a sandbox with the ubiquitous pail and shovel.)''<br />
<br />
[[Image:Kare1.jpg|thumb|left|Miyako asks about Hiroyuki's parents; he has none.]]<br />
[[Image:Kare3.jpg|thumb|right|Guess we're the same]]<br />
[[Image:Kare2.jpg|thumb|none|Miyako tells Hiroyuki she has no mother]]<br />
<br />
<br />
''(In a flashback episode about Yukino's parents' courtship, Hiroyuki and Miyako are hiding on top of a public restroom while playing hide and seek.)''<br>'''Miyako''': "Hey, Hiro."<br>'''Hiroyuki''': "Yeah?"<br>'''Miyako''': "Hiro, is it true that you don't have a father or mother?"<br>'''Hiroyuki''': "Yeah, that's right."<br>'''Miyako''': "Um, you know? I don't have a mother either. Guess were the same."<br>'''Hiroyuki''': "The same?"<br />
<br />
==Later Works by Gainax==<br />
<br />
===Diebuster (トップをねらえ2!)===<br />
''Diebuster'', or Gunbuster 2, is an OVA from 2004 by Gainax. In episode 6, the final episode, there is an overt reference to [[Gendo Ikari|Gendo]] putting his hand over Rei's left breast and it going inside her body.<br />
[[Image:Diebuster ep6.jpg|thumb|none|Hand over left breast, then goes into body]]<br />
<br />
<br />
===FLCL/Fooly Cooly (フリクリ)===<br />
The Gainax/Production I.G. OVA ''Fooly Cooly'' (''Furi Kuri'' or ''FLCL''), naturally contains several Evangelion references.<br />
<br />
In the second episode of the series, main character Naota Nandaba remarks that his father, Kamon, "wrote an ‘Eva’ book a long time ago."<br />
[[Image:flcl_nge_reference_1.JPG|thumb|none|Click for subtitles]] <br />
<br />
In the third episode, Naota’s teacher "Miya-Jun" (Junko Miyaji) is seen wearing bandages similar to Rei Ayanami’s after an accident.<br />
<br />
[[Image:Flcl_miya_jun_as_rei.JPG|thumb|none|An injured Miya-Jun]]<br />
<br />
[[Hideaki Anno]] also provides the vocal effects for Miyu Miyu, the Nandaba family cat.<br />
<br />
===Hanamaru Kindergarten (はなまる幼稚園)===<br />
''Hanamaru Kindergarten'' is a 12 episode TV show by Gainax about a preschool that revolves around teacher Tsuchida and 3 of his students.<br />
<br />
Misato Katsuragi's Renault Alpine A310 appears in episode 4 as a toy car:<br />
[[Image:Misato's Renault Alpine in Hanamaru Kindergarten.jpeg|thumb|none|Renault Alpine toy car]]<br />
<br />
Episode 5 had more Evangelion references:<br />
<br />
[[Image:Hanamaru kindergarten ep5 1.jpg|thumb|none|Evangelion toys]]<br />
Tsuchida finds a machine filled with Evangelion toys.<br />
<br />
[[Image:Hanamaru kindergarten ep5 2.jpg|thumb|none|He gets a Makoto Hyuga]]<br />
He tries it out and gets a Makoto Hyuga toy. He keeps putting money into the machine hoping to get a Rei Ayanami.<br />
<br />
[[Image:Hanamaru kindergarten ep5 3.jpg|thumb|none|He decides to throw one away]]<br />
Later on, he decides he doesn't want one of them. It looks like he has an Asuka one in his hand as well.<br />
<br />
[[Image:Hanamaru kindergarten ep5 4.jpg|thumb|none|What if 2nd Impact happens?]]<br />
During the second half of Episode 5, Hiiragi is listing the possible reasons of a schoolmate, Yu, leaving as a reason for Koume to confess her feelings for him.<br />
<br />
===He Is My Master (これが私の御主人様)===<br />
From the anime ''He Is My Master'', a 12 episode TV show by Gainax, there is a scene in episode 8 where several female characters from different productions of the studio show up as chibi-dolls on a shelf. The characters are:<br />
<br />
*'''Top left shelf:''' Glenda, Elmina, Yucie and Cocoloo from ''Petite Princess Yucie''.<br />
*'''Middle left shelf:''' Mitsuki, Izumi and Anna from ''He is My Master''.<br />
*'''Lower left shelf:''' [[Extracanonical Characters#Mayumi Yamagishi|Mayumi]] from [[Neon Genesis Evangelion: Second Impression]], Misato, Asuka and Hikari.<br />
*'''Top right shelf:''' Mamimi from ''FLCL'', Noriko from ''Gunbuster'', and Nono and Tycho from ''Diebuster''.<br />
*'''Middle right shelf:''' Patricia Burnmite (unofficial romanization, from パトリシア・バーンマイト), the main character from the Gainax-produced game ''Grapple Gear'', with character design by Mine Yoshizaki; Mahoro and Minawa from ''Mahoromatic'', and Melody from ''Melody of Oblivion''.<br />
*'''Lower right shelf:''' Nadia from ''Nadia: The Secret of Blue Water'', Yukino from ''His and Her Circumstances'', alternate reality Rei from Evangelion [[Episode 26]], and Arumi from ''Magical Shopping Arcade Abenobashi''.<br />
[[Image:He-is-my-master 1.jpg|thumb|none|Several Evangelion characters show up as dolls]]<br />
<br><br />
Also from episode 2, there is a quick shot of the inside of a computer room after Mitsuki unlocks a secret on her PC. The computer room looks exactly like the shot of the inside of the Magi computers in End of Evangelion when Misato is hacking to find Nerv's secrets, right down to the metal grating.<br />
[[Image:Himm ep2 inside database.jpg|thumb|left|The inside of the computer room from Episode 2]][[Image:Eoe magi insides.jpg|thumb|none|The inside of the Magi from End of Evangelion]]<br><br />
<br />
===Magical Shopping Arcade Abenobashi (アベノ橋魔法☆商店街)===<br />
''Magical Shopping Arcade Abenobashi'' is a 13 episode series by Gainax that aired in April of 2002. In episode 3, when Satoshi realizes what's going on in this world, you can see grey [[Evangelion Unit-01]] floating in space in the same fashion at the very end of [[End of Evangelion]], with flowing hair. When Satoshi gets to pilot a combiner robot, the Evangelion background music, ''Decisive Battle'', can be heard in the background.<br />
<br />
During the brief flash of the "Anime Pyramid," you can see Eva-01's head in the 3rd tier. Other notable anime references here include mechs from ''Mobile Suit Gundam'' and ''Mazinger Z'', ''Space Battleship Yamato'', Tetsuo from ''Akira'', the Scopedog from ''VOTOMS'', a guardian robot from ''Laputa: Castle in the Sky'', and what seems like the robot Godmars. <br />
Other non-Eva related references in this episode include, among other things, several scenes spoofing ''2001: A Space Odyssey'' and ''Ideon'', a space station that looks exactly like Ultraman's face, references to Leiji Matsumoto's works, Gaiking, etc.<br />
<br />
In episode 8, Satoshi's sister is seen running down the street, toast in mouth, wearing Rei's school uniform, saying "I'm late, I'm late," taken directly from the alternate reality in [[Episode 26]] of the Evangelion TV Series.<br />
<br />
{{MontageBox<br />
|float = Left<br />
|columns = 3<br />
|title = Magical Shopping Arcade Abenobashi<br />
|image1 = [[Image:Abenobashi eva01 ep3.jpg|thumb|200px|Eva-01 floating in space.]]<br />
|image2 = [[Image:Abenobashi animepyramid ep3.jpg|thumb|200px|The Anime Pyramid]]<br />
|image3 = [[Image:Abenobashi ep8.jpg|thumb|200px|Sashi's sister doing her alternate reality Rei impression]]<br />
|image4 =<br />
|image5 =<br />
|image6 =<br />
|image7 =<br />
|image8 =<br />
|image9 =<br />
|image10 =<br />
|image11 =<br />
|image12 =<br />
|caption =<br />
}}<br />
{{-}}<br />
<br />
===Medaka Box (めだかボックス)===<br />
''Medaka Box'', a Gainax TV series from Spring 2012, is a fan-servicey school action/comedy. In the second season's episode 6, while Zenkichi Hitoyoshi is banging on some emergency shutters and wonders if they are "hiding an Evangelion" behind the shutters:<br />
<br />
[[Image:Episode 06 Medaka Box.jpg|thumb|none|200px|Zenkichi Hitoyoshi wonders what they're hiding behind the shutters]]<br />
<br />
===Tengen Toppa Gurren-Lagann (天元突破グレンラガン)===<br />
''Tengen Toppa Gurren-Lagann'' is an anime by [[Gainax]] that aired in Japan from April to the November of 2007. In episode 6, the animators were said to have "gone crazy,"<ref>This is according to Hiroyuki Yamaga at the Fanime 2007 Gurren-Lagann panel, on the topic of how the character cameos "weren't scripted to turn out like that."</ref> dressing several females from other Gainax shows in bunny outfits similar to the ''Daicon III'' and ''IV'' animations, and then putting them in a bathhouse. The girls are, from left to right, Rei, Mahoro from ''Mahoromatic'', Nono from ''Diebuster'', Asuka, and Lal'c from Diebuster.<br />
[[Image:Gurren Lagann ep6.jpg|thumb|none|"Gainax bunnies" make an appearance as bathhouse hostesses]]<br />
<br />
In episodes 24 and 26, Nia is depicted as a giant white figure in space. This is a possible reference to the giant Rei from End of Evangelion.<br />
[[Image:Gurren-lagann ep24 giant nia.jpg|thumb|none|The Giant Naked Nia]]<br />
<br />
===This Ugly Yet Beautiful World (この醜くも美しい世界)===<br />
In episode 9 of ''This Ugly Yet Beautiful World'', a 12 episode series produced by GAINAX (amongst others), the foriegn lush, Jennifer Portman, mimicked Misato drinking a beer. Normally, a chug and a yelp would be considered an unconfirmed reference. However, this one used nearly the same framing, camera angle, and motions as Misato, and being a show produced by GAINAX, it's very possible that this was an intentional tip of the hat to Evangelion.<br />
[[Image:Ep9 uglybeautiful world jenny.jpg|thumb|left|Jenny Portman yelping after chugging her beer]][[Image:Ep02 Misato beer yelp.jpg|thumb|none|Comparison shot of Misato in ''Episode 02'']]<br />
<br />
==Works by Gainax alumni==<br />
===Kill la Kill===<br />
<br />
''Kill la Kill'' is an anime made by Gainax alumni- namely the Gurren Lagann creators, Hiroyuki Imaishi and Kazuki Nakashima.<br />
<br />
'''Berserker Mode'''<br />
<br />
Episode 12 features main characters Ryuko Matoi and Senketsu going berserk in a scene that is laden with both Evangelion and Gurren Lagann references. Notable examples of this are Senketsu's eyes turning into spirals, and Ryuko turning into a blood-stained monster that resembles a berserk, bloodied Eva-01.<br />
<br />
'''Contact Experiment'''<br />
<br />
In episode 6, we are treated to an exposition story of how a character was consumed during a "contact experiment" with life fibers. The consumption scene is garnished with the sparkly crosses which are the hallmark of life fiber activation, but that also bear a strange resemblance to the crosses from [[The End of Evangelion|End of Evangelion.]]<br />
<br />
'''Locations'''<br />
<br />
In episode 13, the design of Ragyo Kiryuin's office is strongly reminiscent of Gendo's office.<br />
<br />
'''Tearing your way out from inside'''<br />
<br />
Ryuko tears off Junketsu from her body in Episode 21 in a manner nearly identical to the berserk Eva-01 tearing its way out of Leliel in [[Episode 16]]. She then stands drenched in her own blood while a shower of blood rains down upon her.<br />
<br />
'''Losing your keys'''<br />
<br />
Ragyo thrusts her hand into Ryuko's chest in episode 18, much in the same way that Gendo does to Rei in End of Evangelion. Ragyo also does this to herself in episode 24.<br />
<br />
{{MontageBox<br />
|float =<br />
|columns = 3<br />
|title = ''Kill la Kill''<br />
|colour = pink<br />
|image1 =[[Image:Kill_la_kill_berserk_01.jpg|thumb|225px|Ryuko and Senketsu go berserk in the bloodiest way imaginable.]]<br />
|image2 =[[Image:Kill_la_Kill_berserker_02.jpg|thumb|225px|Those bulging eyes look awfully familiar...]] <br />
|image3 =[[Image:Kill-la-Kill_cross_sparkles.jpg|thumb|225px|Those sparkly crosses are familiar too!]]<br />
|image4 =[[Image:Ragyo_office_kill_la_kill.jpg|thumb|225px|Ragyo's office of fibrous evil]]<br />
|image5 =[[Image:Gendo_office_nge.jpg|thumb|225px|Gendo's office of doom and dread]]<br />
|image6 =<br />
|image7 =[[Image:Eva_leliel_bloodbath-1.jpg|thumb|225px|What kind of monster did Ritsuko copy from?!?]]<br />
|image8 =[[Image:Kill_la_kill_bloodbath_1.png|thumb|225px|Good lord, that's got to hurt.]]<br />
|image9 =[[Image:Kill_la_kill_bloodbath-2.png|thumb|225px|Blood drops keep falling on her head...]]<br />
|image10 =<br />
|image11 =<br />
|image12 =<br />
|caption =<br />
}}<br />
<br />
==Reflist==<br />
<references><br />
{{-}}<br />
{{Tributes Box}}<br />
<br />
[[Category:A to Z]]<br />
[[Category:Comparison Pages]]<br />
[[Category:Guides]]</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Evangelion:_3.0_%2B_1.0_Thrice_Upon_a_Time&diff=95069Evangelion: 3.0 + 1.0 Thrice Upon a Time2014-03-24T21:31:22Z<p>Nuclear Lunchbox: Used the <nowiki> command on ||</p>
<hr />
<div>{{pending}}<br />
<br />
{{Rebuild Infobox<br />
| japanese_title_k = シン・エヴァンゲリオン劇場版:<nowiki>||</nowiki><br />
| japanese_title_r = Shin Evangelion Gekijōban: <nowiki>||</nowiki><br />
| japanese_title_e = New Evangelion Theatrical Edition: <nowiki>||</nowiki><br />
| english_title = Evangelion: Final<br />
| image = [[File:4.0 title.jpg|500px]]<br />
| written_by = TBA<br />
| directed_by = TBA<br />
| theatrical_release = Tentative: 2015<br />
| video_release = TBA<br />
| angels = <br />
| eva_sorties =<br />
| prev = [[Evangelion 3.0]]<br />
| next = <br />
}}<br />
<br />
'''Evangelion: Final''' is the working title for the fourth and final film in the [[Rebuild of Evangelion]] movie series. It was believed to be released in Japan alongside the third film, [[Evangelion 3.0]], at an unspecified date. The film was originally slated for a release in 2013 on the japanese website, but the date was removed. The name has been changed to what could be interpreted as either the symbol for "End" or "Repeat" in sheet music.<ref>http://www.evangelion.co.jp/final.html</ref>. <br />
<br />
Unlike the three previous movies, the title is rendered in Katakana as "Evangelion" in the same manner as the TV series. The previous three movies had Katakana that spelled "Wevangeliwon". Speculation by fans based on the Jo-Ha-Kyu structure of Japanese drama suggests that Final will incorporate the fourth and fifth acts of the Japanese drama cycle, depicting a long journey and coming to a quick conclusion<ref>http://forum.evageeks.org/post/663128/Did-Q-Fail-Thematically/#663128</ref>. Alternatively, the series may be following the Kishotenketsu<ref>http://en.wikipedia.org/wiki/Kish%C5%8Dtenketsu</ref> narrative pattern which concludes in the fourth arc. Whether or not the movie actually follows either pattern of Japanese drama remains to be seen. <br />
<br />
==Plot==<br />
Specific plot details are unknown at this time, but the final film has been promised to make up a "new, alternate ending" to the series{{fact}}.<br />
==References==<br />
{{reflist}} <br />
<br />
[[Category:A to Z]]<br />
[[Category:Rebuild of Evangelion]]<br />
<br />
{{Episode List}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Activation_Test&diff=95022Activation Test2014-03-23T18:27:41Z<p>Nuclear Lunchbox: Undo revision 95021 by Nuclear Lunchbox (talk)</p>
<hr />
<div>{{construction}}{{needpics}}{{original}}<br />
The activation test is a diagnostic performed the first time an Evangelion unit is activated. An activation test is not necessary for future activations.<br />
<br />
==Procedure==<br />
The Evangelion is hooked up to an [[umbilical cable]], and its internal batteries are charged. After this process is complete, the signal plug is ejected and the [[entry plug]] is inserted into the body of the Evangelion. As opposed to a standard activation, the optic nerves are not activated<ref>During Eva-00's second activation test, the walls of the entry plug do not change color.</ref>. Power is supplied to the Evangelion unit until it reaches an internal threshold, at which point the Evangelion is deemed to be activated and fit for future re-activations.<br />
===Evangelion Unit-00===<br />
In the case of [[Eva-00]], its initial activation was unsuccessful. After going berserk, it was cut off from power and allowed to exhaust its internal batteries. After it lost power, a signal plug was inserted, effectively rendering the unit useless. The unit's second activation went without problems.<br />
===Evangelion Unit-01===<br />
It is not specified when [[Eva-01]] underwent its first activation, but it is a possibility that the unit never had a proper activation test and was sent directly into combat against [[Sachiel]] with [[Shinji Ikari]] as its pilot. It is also possible that [[Rei Ayanami]] may have been the pilot used for Eva-01's activation test, but the pilot-swap test seen in [[Episode 14]] suggests this was not the case. <br />
===Evangelion Unit-02===<br />
Asuka activated and trained with [[Eva-02|her Evangelion]] in Germany, long before it ever made an appearance.<br />
===Evangelion Unit-03===<br />
[[Eva-03]] was infected by [[Bardiel]], which entered the Eva during transit and lay dormant until its activation test. During the activation test the Angel infected the Eva, forcing Nerv to destroy it.<ref>See [http://wiki.evageeks.org/Bardiel]</ref><br />
<br />
===Evangelion Unit-04===<br />
[[Eva-04]]'s activation test is shrouded in mystery. The only known fact is that its S<sup>2</sup> engine was activated, before enveloping Nerv's Nevada branch in a [[Dirac Sea]]. Since no pilot is ever mentioned in connection with the Eva and the test was specifically an engine test, it would probably have undergone activation testing later.<br />
<br />
===Mass Production Evangelions===<br />
All the [[Mass Production Evangelions|MPEs]] were likely activated at [[Seele]] before appearing in [[the end of evangelion|End of Evangelion]]. Because they are clearly piloted by dummy plugs, it stands to reason that they must have been activated with the plugs as well.<br />
{{rebuildcontentstart}}<br />
==In Rebuild==<br />
===Evangelion Provisional Unit-05===<br />
It is assumed that [[Eva-05]] finished its original activation test seconds before it appeared on-screen. The text characters covering the walls of her entry plug suggest that some sort of internal diagnostic occurred following its first (and only) activation.<br />
===Evangelion Mark.06===<br />
Nothing is known about the [[Evangelion Mark 06|Mk.06]]'s activation or if it even needed an activation test. Since this Eva was built in utmost secrecy on the moon and sent down to earth in a hurry following Zeruel's attack, it probably never went any sort of testing.<br />
===Evangelion Unit-08===<br />
[[Eva-08]] was presumably tested sometime during the 14 year timeskip.<br />
===Evangelion Mark.09===<br />
Nothing is known about the Mark.09, or whether it underwent any sort of activation test.<br />
===Evangelion 13===<br />
No testing seen onscreen, apparently sent directly into operation.<br />
{{rebuildcontentend}}<br />
==References==<br />
{{reflist}}</div>Nuclear Lunchboxhttps://wiki.evageeks.org/index.php?title=Activation_Test&diff=95021Activation Test2014-03-23T18:24:45Z<p>Nuclear Lunchbox: /* Procedure */</p>
<hr />
<div>{{construction}}{{needpics}}{{original}}<br />
The activation test is a diagnostic performed the first time an Evangelion unit is activated. An activation test is not necessary for future activations.<br />
<br />
==Procedure==<br />
The Evangelion is hooked up to an [[umbilical cable]], and its internal batteries are charged. After this process is complete, the [[entry plug#signal plug|signal plug]] is ejected and the [[entry plug]] is inserted into the body of the Evangelion. As opposed to a standard activation, the optic nerves are not activated<ref>During Eva-00's second activation test, the walls of the entry plug do not change color.</ref>. Power is supplied to the Evangelion unit until it reaches an internal threshold, at which point the Evangelion is deemed to be activated and fit for future re-activations.<br />
===Evangelion Unit-00===<br />
In the case of [[Eva-00]], its initial activation was unsuccessful. After going berserk, it was cut off from power and allowed to exhaust its internal batteries. After it lost power, a signal plug was inserted, effectively rendering the unit useless. The unit's second activation went without problems.<br />
===Evangelion Unit-01===<br />
It is not specified when [[Eva-01]] underwent its first activation, but it is a possibility that the unit never had a proper activation test and was sent directly into combat against [[Sachiel]] with [[Shinji Ikari]] as its pilot. It is also possible that [[Rei Ayanami]] may have been the pilot used for Eva-01's activation test, but the pilot-swap test seen in [[Episode 14]] suggests this was not the case. <br />
===Evangelion Unit-02===<br />
Asuka activated and trained with [[Eva-02|her Evangelion]] in Germany, long before it ever made an appearance.<br />
===Evangelion Unit-03===<br />
[[Eva-03]] was infected by [[Bardiel]], which entered the Eva during transit and lay dormant until its activation test. During the activation test the Angel infected the Eva, forcing Nerv to destroy it.<ref>See [http://wiki.evageeks.org/Bardiel]</ref><br />
<br />
===Evangelion Unit-04===<br />
[[Eva-04]]'s activation test is shrouded in mystery. The only known fact is that its S<sup>2</sup> engine was activated, before enveloping Nerv's Nevada branch in a [[Dirac Sea]]. Since no pilot is ever mentioned in connection with the Eva and the test was specifically an engine test, it would probably have undergone activation testing later.<br />
<br />
===Mass Production Evangelions===<br />
All the [[Mass Production Evangelions|MPEs]] were likely activated at [[Seele]] before appearing in [[the end of evangelion|End of Evangelion]]. Because they are clearly piloted by dummy plugs, it stands to reason that they must have been activated with the plugs as well.<br />
{{rebuildcontentstart}}<br />
<br />
==In Rebuild==<br />
===Evangelion Provisional Unit-05===<br />
It is assumed that [[Eva-05]] finished its original activation test seconds before it appeared on-screen. The text characters covering the walls of her entry plug suggest that some sort of internal diagnostic occurred following its first (and only) activation.<br />
===Evangelion Mark.06===<br />
Nothing is known about the [[Evangelion Mark 06|Mk.06]]'s activation or if it even needed an activation test. Since this Eva was built in utmost secrecy on the moon and sent down to earth in a hurry following Zeruel's attack, it probably never went any sort of testing.<br />
===Evangelion Unit-08===<br />
[[Eva-08]] was presumably tested sometime during the 14 year timeskip.<br />
===Evangelion Mark.09===<br />
Nothing is known about the Mark.09, or whether it underwent any sort of activation test.<br />
===Evangelion 13===<br />
No testing seen onscreen, apparently sent directly into operation.<br />
{{rebuildcontentend}}<br />
==References==<br />
{{reflist}}</div>Nuclear Lunchbox