FGC:Episode 03 Cut 326: Difference between revisions
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|cutname=326 | |cutname=326 | ||
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{{FGC:Imagelink | |||
|image=03_C326.jpg | |||
|page=Image:03_C326 big.jpg | |||
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|cutnumbertext=[[FGC:Episode 03 Cut 326| | |||
|cutnumbertext=[[FGC:Episode 03 Cut 326|326]] | |||
|script= | |script= | ||
{{FGC:Script Text|type=description | {{FGC:Script Text|type=description | ||
|text=}} | |text=Eva and the Angel within an evening scene — towering silhouettes like objet d'art. }} | ||
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{{FGC: | {{FGC:Comment|name=Mr. Tines | ||
|comment=After all the frantic kinetic scenes, a final still life tableau of the aftermath, almost in a different style to the preceding artwork.}} | |||
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{{FGC:Comment|name= | {{FGC:Comment|name=Reichu | ||
|comment=}} | |comment="Still life", eh? I guess that explains the script's ''objet d'art'' comment. {{br}} | ||
{{ | Here we can finally see that the whips are, beneath the energy that they channeled in life, physical structures. {{br}} | ||
On an aside, notice how, for the third time, an Eva is able to maintain a ridiculous pose when no power is being supplied to her muscles. I guess I'll just have to take it as a given. | |||
}} | |||
}} | }} |
Latest revision as of 02:44, 19 March 2010
Screenshots | Cut # | Description/Dialogue | Commentary | |||
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326 |
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